Let’s Take A Moment Day 250

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

kurt v

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

One of the things I have always enjoyed in music are the collaborations. Whether they take place on stage at the Grammy Awards or as a special guest appearance at a concert or on a record, I really look forward to hearing what two (or more) different artists will create. In 1981 there were several that I truly adored: James Taylor and J.D. Souther on “Her Town Too”, Gary U.S Bonds and Bruce Springsteen on “This Little Girl”, Stevie Nicks and Tom Petty & The Heartbreakers on “Stop Draggin’ My Heart Around” and Nicks again with Don Henley on “Leather & Lace”.

The first two songs were Top 20 hits and both of Nicks’ records hit the Top Ten, so all four of those tracks were well received. But there was another musical partnership that year that barely made it into the Top 30 here in America. But on November 21, 1981 it hit the #1 spot on the UK chart. It was written and performed by two rock powerhouses-David Bowie and Queen-and between Bowie’s & Mercury’s vocals, the intensity of the band’s playing and the compelling thought-provoking lyrics, it was a one of a kind monstrous combination. Even the video was unique as it did not feature either artist. Instead, it was a collage of news clips from some of history’s toughest eras intertwined with scenes from black & white horror movies.

The song came together when Bowie joined Queen in the studio to record back-up vocals for a different song. Both artists were working on other tunes they could not finish. They put them together during an inspired jam session resulting in today’s magnificent track. I do not know why it was not a bigger hit here, but to me this song stands out as one of the best moments in musical history.

‘Cause love’s such an old fashioned word,
And love dares you to care for the people on the
Edge of the night, and love dares you to
Change our way of caring about ourselves”.

bowie and queen

Queen circa 1985 (L-R): Brian May, Freddie Mercury, John Deacon & Roger Taylor. Far right: David Bowie circa 1972, (Images found online.  Original sources unknown.)

Queen & David Bowie: “Under Pressure” (1981, written by David Bowie & Queen: John Deacon, Brian May, Freddie Mercury & Roger Taylor).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 173

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Bruce quote

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

There was an endless array of music available in the mid 1960’s.  There were bands that were part of the the British Invasion, groups from Motown, folk artists which translated into singer/songwriters and good old pop acts.  There was also a group that was just pure soul rock and that was Mitch Ryder & The Detroit Wheels.  Ryder, born William Levise, Jr., with his unbelievable ability to encompass blue eyed soul in his rough bellowing signature voice, is undoubtedly one of the best soul rock singers ever.  

He started singing when he was a teenager, greatly influenced by his father, also a musician.  He was the lead singer of two bands in high school and it was the second one that eventually became The Detroit Wheels: lead guitarist Jim McCarty, rhythm guitarist Joe Kubert, bassist Earl Elliot and drummer Johnny Badanjek.  Together they had several hits between 1964-1967 including “Jenny Take a Ride”, “Little Latin Lupe Lu”, “Sock It to Me, Baby!” and today’s song before Ryder left for a solo career.  Unfortunately neither he nor the band achieved the success alone they did as a group.  But together they were a force to be reckoned with.    

Ryder also has the distinction of being the last person to ever sing with Otis Redding.  The two men closed a local Cleveland TV show together with a performance of “Knock On Wood” on December 9, 1967.  It was the next day that Redding, four members of his band, The Bar Kays & their valet died in a plane crash with the pilot. 

I discovered Ryder through-who else, Bruce Springsteen-when I bought the “No Nukes” concert album in 1979 and heard his cover of what he named the “Detroit Medley”.  It included parts of today’s pick plus two other songs, “C.C. Rider” & “Jenny Take A Ride” before seguing back to the first song to close it out.  This performance, however, was not included in the movie as the powers that be chose three other Springsteen performances for the film:  “The River”, “Thunder Road” & his cover of Gary U.S. Bonds’ 1961 hit, “Quarter To Three”.  But because of Bruce I discovered Ryder & The Wheels which is yet another reason why I love The Boss.   

Wearin’ her perfume, Chanel No. 5
Got to be the finest thing alive
Walks real cool, catches everybody’s eye
Catch you too nervous and you can’t say hi“.  

Ryder The Wheels
Mitch Ryder (center) with The Detroit Wheels circa 1964.  (Image found online.  Original source unknown.)

Mitch Ryder & The Detroit Wheels:  “Devil With A Blue Dress On/ Good Golly Miss Molly” ( 1966, “Devil With A Blue Dress” written by Frederick “Shorty Long and William “Mickey” Stevenson circa 1964 and “Good Golly” written by John Marascalco and Robert “Bump” Blackwell circa 1955).   

I do not own the rights to anything.  I am just sharing what I love and how am coping with you.

Stay well.

Let’s Take A Moment Day 67

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Peanuts music

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

Many artists have covered Bruce Springsteen’s songs:  For Manfred Mann’s Earth Band it was “Blinded By The Light”; for The Pointer Sisters it was “Fire”; for Natalie Cole it was “Pink Cadillac”; for Gary U.S. Bonds it was “This Little Girl” to name a few.  However, Patti Smith has the distinction to have co-written a song with The Boss.  But they did not sit down and write it together.  Springsteen recorded a rough version of the song in 1977 while he was working on his “Darkness On The Edge of Town” album.  Another producer heard it and asked Springsteen if Smith could record it and he said yes.  She added some lyrics to it and recorded it the same year for her upcoming “Easter” album.  When she performed the song live for the first time at the end of that same year at CBGB’s in NYC, Springsteen joined her on stage to sing it.  After that he started playing it on his tours.  The rest is history and a fabulous song.

With love we sleep
With doubt the vicious circle
Turn and burns
Without you I cannot live
Forgive, the yearning burning
I believe it’s time, too real to feel.

Sidenote:  If you are a fan of Smith’s writing, I encourage you to read her memoir, “Just Kids”.  It is about her life in the late 1960’s/early 1970’s when she was living in Manhattan and met artist Robert Mapplethorpe.  It is a great read and she tells their story beautifully.

Patti Smith

(Image found online.  Original source unknown.)

Patti Smith Group:  “Because The Night” (1978, written by Bruce Springsteen and Patti Smith).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.