Music Monday: April 20, 2026

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Albert Leornes Greene, known professionally as Al Green, celebrated birthday #80 last week. Born April 13, 1946 in Forrest City, Arkansas, the man who would become one of the world’s most acclaimed R&B and soul artisits started singing in a family group before he was a teenager. Eventually his love of secular music by Elvis Presley, Jackie Wilson and Wilson Pickett led to a falling out with Greene and his religious father, sending his young son out on his own. His debut album, Back Up Train, was released nearly 60 years ago in March 1967. Soon after he met musician, bandleader and record producer Willie Mitchell who hired Greene as a vocalist & eventually signed the singer to a recording contract after modifying his last name to Green.

And 55 years ago he released his third album, Al Green Gets Next to You, in March 1971 which included a cover of The Doors’ #1 hit from 1967. In November of the same year, the title track from Green’s fourth album was released. It became his signature song & a top seller, reaching the #1 spot for one week in February 1972.

A string of hits followed along with some personal issues that led Green to become a minister and open the Full Gospel Tabernacle church in Memphis. He released several gospel albums in the 1980’s and appeared on Broadway with Patti LaBelle in “Your Arms Too Short To Box With God” in 1982. Green returned to secular music in 1988 with a duet with Annie Lennox, “Put A Little Love In Your Heart”, for the movie, “Scrooged”.

In January 1995 Green was inducted into the Rock & Roll Hall Of Fame and performed at its opening concert in Cleveland that September. He has received a number of awards and accolades throughout his career, including a Kennedy Center Honor in 2014. He continues to make music while holding services each Sunday at his Tennessee church. That role was immortalized 35 years ago in Marc Cohn’s 1991 hit, “Walking In Memphis”:

They’ve got catfish on the table
They’ve got gospel in the air
And Reverend Green be glad to see you
When you haven’t got a prayer
But boy you’ve got a prayer in Memphis
“.

Al Green circa 1971. (Image found online.  Original source unknown.)

Green (L) performed with The Queen Of Soul, Aretha Franklin (R), at the 1995 Rock & Roll Hall Of Fame Concert in Cleveland. (Image found online.  Original source unknown.)

Green was a 2014 Kennedy Centers Honoree. (Image found online.  Original source unknown.)

Sixty years ago, The Doors became the house band at the Whisky a Go Go in West Hollywood from May 23 to August 21, 1966. The were fired due to a performance of “The End” but their residency at the club led to their recording contract with Elektra. And that song appears as the closing track on the band’s debut album, released just five months later in January 1967.

Their sixth album, L.A. Woman, was released 55 years ago on April 19, 1971. It was the last album before Jim Morrison’s death three months later on July 3, 1971. The recording sessions for The Doors final album together began in November 1970 after a tumultuous period for the band which began with Jim Morrison’s arrest at their March 1969 concert in Miami. It essentially blacklisted them from radio airplay & further live shows. It also led to Morrison’s conviction for profanity and indecent exposure in September 1970 (he was posthumourly pardoned in 2010 by Florida’s then Govenor Charlie Crist).

The band’s meteoric rise to international stardom from the moment their first album was released had taken its toll on Morrison, who was only 23 at the time. The mesmerizing & enigmatic lead singer & main songwriter for The Doors struggled with the attention, the industry demands and the fame. It increased his experimentation and dependence on drugs and alcohol which fueled the Miami incident.

But other opportunities presented themselves for the band during their touring hiatus. In April 1969 they appeared on the PBS television show, Critique. It aired two months later, just ahead of the July 1970 release date for their fourth album, The Soft Parade. The show includes performances of several songs & an interview with the band by host & Village Voice writer, Richard Goldstein.

This signified my favorite era for Morrison. The longer hair, the beard, the extra weight turned him from a good looking guy into an absolutely beautiful man. I know his addictions were getting worse but to me, he never sounded or looked better than this period of time. And L.A. Woman was another step forward for him to put the legal problems behind him so he & the band could get back to their purpose of creating some of the greatest rock music ever recorded. And even with the period of controversy, the band had a remarkable run of success in under five years with six studio albums, two #1 songs and an unwavering amount of sophisticated talent that made them one of the early architects of the classic rock sound.

(Image found online.  Original source unknown.)

The Doors on the “Critique” soundstage in April 1969 (L to R): Ray Manzarek (organ/keyboards), Jim Morrison (lead vocals), John Densmore (drums) and Robby Krieger (guitar). (Image found online.  Original source unknown.)

Al Green: “Tired of Being Alone” (1971, written by Al Green).

Al Green: “Light My Fire” (1971, written by The Doors: John Densmore, Ray Krieger, Ray Manzarek and Jim Morrison).

Al Green: “Let’s Stay Together” (Live performance on “The Late Show With David Letterman” on January 13, 1995. Originally recorded in 1971, written by Al Green, Al Jackson Jr. and Willie Mitchell).

Al Green: “Love and Happiness” (1972, written by Al Green and Mabon Lewis “Teenie” Hodges).

AL Green: “A Change Is Gonna Come” (Live performance at The Rock & Roll Hall Of Fame concert on September 2, 1995, at Cleveland Municipal Stadium, Cleveland, Ohio. Written by Sam Cooke).

The Doors: “Love Her Madly” (1971, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

The Doors: “L.A. Woman” (1971, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

The Doors: “Hyacinth House” (1971, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

The Doors: “Riders On The Storm” (1971, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Stay safe & well.

Music Monday: January 12, 2026

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Last week on the blog we celebrated Doors’ guitarist Robby Krieger’s 80th birthday. A few days after that post, he & drummer John Densmore were featured in the this year’s Song Around The World by Playing For Change. Three minutes into the video we are treated to pictures of the four original Doors members, then a little later solo photos of both keyboardist Ray Manzarek & lead singer Jim Morrison emerge, while parts of their contributions from the original recording can be heard. In fact, his vocal is the outro for the new version which is such a massive nod to the power of the initial track that still resonates 55 years after its release in April 1971 on the album, L.A. Woman. Immense respect to all involved-especially Densmore and Krieger-for giving the band the utmost tribute.

The 2026 version features Lukas Nelson, Don Was, Micah Nelson, Rami Jaffee, The Red Cloud Drum Group and many others. Playing For change was founded in 2002 by Mark Johnson and Whitney Kroenke. As stated on their website, their goal is to “inspire and connect the world through music”. In the past they have paid tribute to other classic songs such as Yussuf’s (f/k/a Cat Stevens) “Peace Train”, John Lennon’s “Imagine” & U2’s “I Still Haven’t Found What I’m Looking For”. I am so happy The Doors are now part of this incredible music project.

John Densmore (L, on drums) and Robby Krieger (R, on guitar) of The Doors performing in Playing For Change’s latest project, “Riders On The Storm”. (Image found online.  Original source unknown.)

Picture of The Doors (L-R: Robby Krieger and Jim Morrison (both standing) with Ray Manzarek and John Densmore, circa 1967, featured in Playing For Change’s “Riders On The Storm” project. (Image found online.  Original source unknown.)

The top of the credit screen at the end of the video salutes both Manzarek and Morrison and lists Densmore as a producer. (Image found online.  Original source unknown.)

The Grateful Dead’s Bob Weir died January 10, 2026 at age 78. I liked a few of the band’s songs but was not a Deadhead by any means. Yet I always understood the power of their music & what it did for the industry and for their fans. The band formed 60 years ago in California in 1965 with Weir as a founding member on rhythm guitar and vocals. They lasted 30 years together before they disbanded at the end of 1995, prompted by the death of lead guitarist and vocalist Jerry Garcia on August 9, 1995.

During their three decades together, many members of The Dead had side projects. For Weir-born Robert Hall Parber on October 16, 1947 in San Francisco, California-his included his first solo album, Ace, in May 1972 along with tenures in other bands including Kingfish, Bobby and the Midnites and Ratdog.

When Garcia died in 1995, flags were flown at half staff in his hometown of San Francisco, California including a tie-dyed one over City Hall. One of New York City’s landmarks chose to honor Weir with a similar tribute by changing the colors at the top of the Empire State Building as shown on their IG page with the caption-“Tonight we will shine in tie-dye to honor the life and legacy of Bob Weir“. Such is the power of music.

Salute to Bob Weir courtesy of the Empire State Building’s IG page.  

I love the placement of one of The Dead’s most touching and introspective tracks in the 1985 movie, “Mask”. The song-written by Jerry Garcia and lryicist Robert Hunter-delivers a fitting sentiment as a farewell to one of the band’s most pivotal members. Rest in peace, Bob Weir.

If my words did glow with the gold of sunshine
And my tunes were played on the harp unstrung
Would you hear my voice come through the music?
Would you hold it near as it were your own?

It’s a hand-me-down the thoughts are broken
Perhaps they’re better left unsung
I don’t know don’t really care
Let there be songs to fill the air

Ripple in still water
When there is no pebble tossed
Nor wind to blow
“.

There is a road, no simple highway
Between the dawn and the dark of night
And if you go no one may follow
That path is for your steps alone
“.

Jerry Garcia (L) and Bob Weir (R) on “Late Night with David Letterman” in September 1987.

Weir (L) and Garcia (R) on “Late Night with David Letterman” in October 1989. (Image found online.  Original source unknown.)

The Doors: “Riders On The Storm” (1971, written by The Doors: John Densmore, Robby Krieger, Ray Morrison and Jim Morrison).

Playing For Change: “Riders On The Storm” (2026, written by The Doors: John Densmore, Robby Krieger, Ray Morrison and Jim Morrison).

Grateful Dead: “Ripple” (1970, written by Jerry Garcia and Robert Hunter).

Bob Weir: “Playing In The Band” (1972, written by Robert Hunter and Bob Weir). 

Jerry Garcia and Bob Weir: “I Second That Emotion” (Live performance on “Late Night With David Letterman” on October 13, 1989. Written by Al Cleveland and William “Smokey” Robinson Jr.).

Stay safe & well.

Music Monday: August 18, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

In this the year that marks the 60th anniversary of when The Doors were founded in Los Angeles, California in 1965, there is another milestone in their history: the 55th anniversary of their performance at the Isle of Wight Festival in England on August 30, 1970.

Their set was at 2AM in the morning & it was a different show than the ones making headlines in the U.S., especially after Morrison’s arrest in Miami, Florida in March 1969 for alleged lewd and lascivious behavior. His once expressive and animated onstage persona changed to a nearly motionless stance. And on that night in England, he did not stray from behind his mic stand. Rather, Morrison stood as a stoic figure who let the strength & power of his voice along with the lyrics convey the messages of the songs that were carried through the musical prowess of the band. The result was an incredibly passionate and dynamic performance.

Despite the legal headaches, this era for the band-and Morrison especially-was my favorite. In just over three years from when their debut album was released in January 1967, the group’s sound had continued to evolve into an undeniable force in music with songs that were evocative, complex and intense thanks to three masterfully gifted musicians & guided by an exquisitely beautiful, intelligent and incredibly talented singer, songwriter & poetic man.

Morrison especially had changed both physically & emotionally. He went from a thin clean-shaven young guy to a more mature, bearded man who was trying to come to terms with the the trappings & limitations of his rapid success. His substance experimentation was supposedly becoming more frequent and excessive while his need and desire to express his art on his terms was being scrutinized and dismissed by law enforcement. He was convicted on the outstanding charges a month after the Wight show which he appealed. But his death in July 1971 ended that process. However, in 2010, Florida Governor Charlie Crist & the state’s Clemency Board posthumously pardoned Morrison.

A CD & DVD of this concert-Live at the Isle of Wight Festival 1970-was finally released nearly five decades later in February 2018. If you are a fan of the Doors, it is a must have. But then again what part of their catalog isn’t?

Top: The cover to the Doors 2018 release of their August 1970 concert. Middle: Jim Morrison during the concert. Bottom: The band on stage during their performance. (Images found online.  Original sources unknown.)

Bobby Whitlock died on August 10, 2025 at age 77. He is most notably remembered as a founding member, pianist & songwriter for Derek & The Dominos. Six of the songs featured on their only album, 1970’s Layla and Other Assorted Love Songs, were co-written by him (including “Bell Bottom Blues” which Clapton formally acknowledged many years later after Whitlock relayed the story of how the song came to be) while one song was written just by him alone.

Whitlock was born in March 18, 1948 in Memphis, Tennessee. He began his career as a teenager hanging out in the hallowed halls of Stax Records where he befriended the members of Booker T & The MG’s and Albert King, among others. Whitlock was the first white artist signed to that label but when he met the husband & wife team of Delaney & Bonnie who invited the young singer and pianist to play in their band, Whitlock left Memphis to join them. That tour in 1969 introduced him to the three men who would help him form Derek & The Dominos: Eric Clapton, Jim Gordon and Carl Radle. But not before all four men played on George Harrison’s solo record, All Things Must Pass, which was released three weeks after the Layla album in November 1970.

After The Dominos broke up in 1971, Whitlock pursued a solo career which he ended in 1976, perhaps as an act of penance. In a 2006 interview with The Austin Chronicle, Whitlock confessed, ” You know I’m indirectly responsible for disco? [Clapton’s manger] Robert Stigwood took the Dominos’ money, used it to create RSO Records and record the Bee Gees. My deepest apologies to the entire music world.”

Whitlock started performing again in 1999. He married musician & singer CoCo Carmel in 2005 and together they used their YouTube channel to give fans a glimpse into their lives. In 2010, his autobiography, Bobby Whitlock: A Rock ‘n’ Roll Autobiography, was published.

Robert Stanley Whitlock: March 18, 1948 – August 10, 2025.

Top: Derek & The Dominos in 1970 (L-R): drummer Jim Gordon, bassist Carl Radle, pianist Bobby Whitlock and guitarist Eric Clapton. Middle: Whitlock and Clapton from Derek & The Dominos’ performance on “The Johnny Cash Show” filmed in November 1970. Bottom (L-R): Jools Holland, Whitlock and Clapton in 2000. (Images found online.  Original sources unknown.)

The Doors: “Back Door Man” (Recorded live August 1970 at The Isle Of Wight Concert in England. Originally released in 1967, written by Willie Dixon).

The Doors: “Roadhouse Blues” (Recorded live August 1970 at The Isle Of Wight Concert in England. Originally released in 1970, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

The Doors: “Light My Fire” (Recorded live August 1970 at The Isle Of Wight Concert in England. Originally released in 1967, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Eric Clapton and Bobby Whitlock: “Bell Bottom Blues” (Performed live on “Later With Jools Holland”, broadcast in April 2000. Originally released in 1970 by Derek & The Dominos, written by Eric Clapton and Bobby Whitlock).

Stay safe & well.

Music Monday: July 22, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

Before we get to the music, I would like to remember comedian & actor Bob Newhart who died July 18, 2024 at the age of 94. The accountant turned copywriter turned comedian turned sitcom/movie actor & author was at the center of two of the best comedies in television history: “The Bob Newhart Show” (1972-1978) and “Newhart” (1982-1990). He then made appearances on several high profile shows including “ER”, “Desperate Housewives” and “The Librarians” before his Emmy winning turn as Professor Proton in “The Big Bang Theory”. Newhart revived that role on “Young Sheldon” for three episodes with the last one in 2020 serving as his final TV appearance after a combined 57 years on television. He is also a permanent part of the holiday season thanks to his role as Buddy’s dad in the 2003 Christmas movie, “Elf”.

I have been such a fan of this man’s ability to be so uproariously funny all while keeping his dead pan expression. His delivery and timing were unmatched, and his capacity to see the humor in the most banal situations is also part of why I adore him. In a 2015 blog post, I wrote about how I adjusted to my schedule working a second shift job (4PM-12AM) by turning to one of my most constant sources of comfort, television. And Newhart was a huge part of that ride.

It started with David Letterman, courtesy of his NBC show, which aired from 12:30am to 2am.  He was followed by three episodes of another of the greatest shows ever-“The Mary Tyler Moore Show” from 2am-3:30am, then two episodes of “The Bob Newhart Show” (the Chicago series, not the Vermont one) from 3:30am-4:30am. Those three shows with their collective group of accompanying characters became my very own Island Of Misfits and I loved being a part of them.

Soon another addition to my newly created world arrived by way of the “Newhart” series. It was not only warm, quirky and hilariously funny, but the last episode still holds as arguably the greatest TV finale of all time nearly 35 years later. It was absolutely ingenious.

I was lucky enough to meet Newhart in 2006 at a signing for his first book, “I Shouldn’t Even Be Doing This! and other things that strike me as funny” where one of the things he mentioned was that his experience making “Elf” was a lot of fun. And he said it with a big broad toothy smile as if he was afraid his standard deadpan look might not convey his joy. I am glad he had as much fun as he gave us. Rest in peace, Bob. Thank you for all the laughs.

Bob Newhart Show
Newhart cast
Papa Elf

Top: The cast of “The Bob Newhart Show” (L-R, from top): Bill Daily, Peter Bonerz, Marcia Wallace (center), Bob Newhart & Suzanne Pleshette. Middle: The cast of “Newhart” (L-R, from top): Tom Poston, Mary Frann, Newhart, Julia Duffy, Peter Scolari, John Voldstad, Tony Papenfuss and William Sanderson. Bottom: Newhart as Papa in the 2003 Christmas movie, Elf”. (Images found online.  Original sources unknown.)

Elvis Presley’s first single was released 70 years ago on July 19, 1954. It was a cover of a song written and originally performed by American blues singer Arthur Crudup in 1946. Presley recorded it with the two musicians whom he joined forces with to form The Blue Moon Boys-guitarist Scotty Moore (who would go on to be a long time studio & touring guitarist for The King) and bassist Bill Black (he left the trio in 1958)-after they were all introduced by Sam Phillips, the owner of Memphis’s Sun Records studio.

The historic meeting between the trio is listed on the Graceland website timeline dated July 4, 1954 with the following paragraph:

Elvis meets Scotty and Bill but nothing really clicks until July 5, when after a tedious session, Elvis and the guys break into a sped-up version of Arthur “Big Boy” Crudup’s “That’s All Right.” This song, backed with “Blue Moon of Kentucky,” becomes the first of five singles of early Elvis songs recorded and released on the Sun label.

How interesting to note that only two weeks lapsed from the recording date (July 5) and the release date (July 19). Regardless, this is where it all started for Presley and for all of us who would eventually crown him The King.

BlueMoonBoys

The Blue Moon Boys circa 1954 (L-R): Scotty Moore, Elvis Presley and Bill Black. (Image found online.  Original source unknown.)

The Doors fourth studio album, The Soft Parade, was released 55 years ago on July 18, 1969. It featured the songs “Touch Me”, “Wild Child” and the title track. The album-the first to list each songwriter individually rather than as a collective group endeavor, a format they went back to on 1971’s “L.A. Woman”-debuted just one year after their third record, 1968’s Waiting For The Sun, and four months after Morrison’s arrest for lewd & lascivious behavior for allegedly exposing himself during a Florida concert.

Despite reports from all three of his bandmates and several people in attendance who stated that the incident never happened, Morrison was convicted of profanity and indecent exposure in 1970 and received a $500 fine along with a six month prison sentence. He remained free on bail while an appeal was pending but his death in July 1971 stopped that process. However, Morrison was granted a posthumous unanimous pardon from the Florida Board Of Executive Clemency in December 2010 courtesy of the exiting governor. Thank you, Charlie Crist.  

The group performed several of their new songs for PBS’s Critique Show in 1969. It is part of a 2002 documentary, Soundstage Performances, which features 13 live TV appearances by the band chronicling their astounding evolution in their all too brief existence.

Every presentation is dazzling but the Critique Show is absolutely sublime. Despite the filming date coming a month after his arrest, and Morrison’s ongoing struggle with fame and substance use, he looked to be in exquisite form. His voice, his demeanor & confidence, his interaction with and enjoyment of his bandmates was on full display. At several points he even turned to face them, giving no thought to his back facing the camera. Morrison was in his element, as were Densmore, Krieger and Manzarek-so together we see and hear an absolutely stunning private concert.

This was the era I adored most for the band, especially Morrison. Having spent two years adjusting to the insanity of the band’s immediate success, he was growing both professionally and personally. This was a man who had not been a singer or performer until The Doors were founded in 1965, yet his swagger and presence were that of a seasoned frontman in mind, body and soul. Already well advanced beyond his 25 years, the pretty boy physique we were introduced to just two years earlier was now more mature, more masculine and more expressive with his longer hair, bearded face and fuller frame. A beautiful man with a beautiful gift which helped make The Doors fourth album a hit.

The Soft Parade
The Doors 1969 PBS

Top: The Doors 1969 album. Bottom: The band on the soundstage during their performance for the PBS Critique Show filmed in April 1969 (L-R: Ray Manzarek on keyboards, John Densmore on drums, Robby Krieger on guitar and Jim Morrison (center) on vocals. (Images found online.  Original sources unknown.)

Bonus: It was 55 years ago that the Apollo 11 Moon Landing took place on Sunday, July 20, 1969. Lift off occurred four days earlier for Crew Commander Neil Armstrong, Lunar Module Pilot Buzz Aldrin and Command Module Pilot Michael Collins. The historic landing was broadcast live, with people around the country glued to their TV sets to watch Armstrong take a human’s first steps on the moon. His fitting and eloquent statement at that moment-“That’s one small step for man, one giant leap for mankind”-is still one of the most revered and recognized quotes of all time. All three rocket men returned to earth in Hawaii on July 24 and were treated to a ticker-tape parade in New York City the following month.

Two months before the 45th anniversary of the moon landing, “Mad Men’s” 2014 season 7 episode, “Waterloo”, featured the impending event highlighted by the anticipation of and reaction to it by several main characters as history was unfolding on national television. For those of us either not yet born or too young to remember this moment of immense accomplishment and pride in U.S. history, the episode is a great watch for a vicarious experience.

Side note: Do you think Armstrong could have predicted that his image on the moon would become the face of MTV when the channel launched 12 years later on August 1, 1981? Or that the same image would become the trophy for the channel’s award statues? Me neither.

Apollo 11 crew portrait
MTV
Moon man statue

The Apollo 11 official crew portrait (L-R): Commander Neil Armstrong, Command Module Pilot Michael Collins and Lunar Module Pilot Buzz Aldrin. Middle: The MTV logo featuring Armstrong’s historic footstep. Bottom: The channel continued the trend as its award statues were also based on the Moon Landing. (Images found online.  Original sources unknown.)

Elvis Presley: “That’s All Right” (1954, written by Arthur William “Big Boy” Crudup).  

The Doors: “Tell All The People” (Live performance on PBS’s Critique Show filmed in April 1969. Written by Robby Krieger).

Elton John: “Rocket Man” (1972, written by Elton John and Bernie Taupin).

Stay safe & well.

Music Monday: April 29, 2024

Hi, everyone. Welcome to another edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

On January 16, 1964 a little club opened opened on Sunset Boulevard in West Hollywood, California. Singer Johnny Rivers was the first performer at The Whisky a Go Go that night. Over the last 60 years hundreds of acts have followed including legendary bands like Led Zeppelin, Fleetwood Mac and Guns ‘N’ Roses. Many of my great musical loves played there as well including Otis Redding, Elton John and The Doors. In fact, the latter were discovered there during their four month stint in 1966 and signed to a contract with Elektra Records.

Their self-titled debut album, released in January 1967, was an instant smash. It included a blues cover-Willie Dixon’s “Back Door Man”-along with original tracks like “Break On Through (To the Other Side)”, “The Crystal Ship” and the #1 hit, “Light My Fire”.

As much as I love this album, I tend to listen to the band’s subsequent ones more because of songs like “Roadhouse Blues”, “L.A. Woman” and “Hello, I Love You”. Then a random online poll asked for the best last track on an album. My usual answer is Bruce Springsteen’s “Jungleland”, a nine minute rock opera which is not only my favorite song of all time, it closed out the 1975 masterpiece, Born To Run.

But then I remembered the epic last track on The Doors first album. An unbelievably haunting, fearless, disturbing, brave and alarming saga set to music. Part song, part spoken word in a musical odyssey that takes us from the sublime (the music, Morrison’s incredibly rich baritone voice) to the shocking (an exploration of the Oedipal complex) while an unbelievably mesmerizing guitar riff flows throughout bookmarked with intense drumming and a remarkable organ & Fender piano bass arrangement. It is an experience, not just a tune.

To have the courage to write and record a psychedelic song of this magnitude is unbelievable enough, but to put it on your first record is just as bad ass as it gets. And it made its debut at The Whisky in 1966. For eleven & a half minutes, the listener is paralyzed into a hypnotic haze inside Jim Morrison’s mind which in this case was not an easy place to go. But what a stunning ride it was and continues to be.

Can you picture what will be?
So limitless and free
Desperately in need of some stranger’s hand
In a desperate land
“.

Whisky circa 1966
The_Doors_1966
The Doors 1970

Top: The Whisky A Go Go in 1966, the year The Doors were discovered there. Middle: The Doors circa 1966 (L-R): Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek). Bottom: The band circa 1970 (L-R): Krieger, Morrison (back), Densmore and Manzarek. (Images found online.  Original sources unknown.)

The Doors: “The End” (1967, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Stay safe & well.

Music Monday: February 19, 2024

Hi, everyone. Welcome to another edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

Ray Manzarek born February 12, 1939 in Chicago, IL so this year marks his 85th birth anniversary. Below is the post I wrote for him three years ago:

Stories about brothers as rivals go back to the days of Kane & Abel. That competitive existence has played out over and over in history since. And it does not just exist between blood brothers as it can happen with two men who are friends as well. But some brothers, despite their differences, do not become rivals but rather exist in a more harmonious entwined state because they admire each other’s talents. This is sometimes referred to as a bromance. One of the best examples of this is found in Greek mythology between Zeus’ sons, Apollo and Dionysus. Apollo, the god of the sun, was logical and prudent like most left brain people are. Dionysus, the god of wine & dance, was more creative and ruled by his emotions which today translates into right brain thinking.

The Doors in Hamburg
The Doors circa 1968 (L-R): John Densmore, Robby Krieger, Jim Morrison and Ray Manzarek. (Image found online.  Original source unknown.)

Ray Manzarek of The Doors once said in a radio interview that he played Apollo to Jim Morrison’s Dionysus. Manzarek also referred to Morrison as his buddy, his pal, his friend and his soul mate. The man he created art with. I found it both heartbreaking and beautiful to listen to one man talk so eloquently about another man who he also referred to as his “brother”.

Manzarek was born 85 years ago on Feb 12, 1939. He met Morrison in California in the early 1960’s and by 1965 The Doors were a band. From 1967 to 1971 they conquered the music world & released six albums together before Morrison’s death on July 3, 1971. Manzarek died on May 20, 2013. After 42 years, the Apollo & Dionysus of the music world were finally reunited. The Morrison & Manzarek bromance continues.

All your love is gone
So sing a lonely song
Of a deep blue dream
Seven horses seem to be on the mark
“.

The-Doors-1970

The Doors circa 1970 (L-R): Robby Krieger, Jim Morrison, John Densmore and Ray Manzarek. (Image found online.  Original source unknown.)

The Doors: “Love Her Madly” (1971, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Stay safe & well.

25 Days Of Christmas Music 2023: Day 8

Hello, everyone. Welcome back to the countdown.

Blog day 8

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Before we get to our holiday song, I want to take a moment to remember the man I consider to be the greatest frontman of all time on his 80th birth anniversary. James Douglas Morrison was born December 8, 1943 in Melbourne, FL. As a vocalist, songwriter, poet, artist and visionary, he translated all of that into the music he made with The Doors.

In seven years together with six albums released in his lifetime, Morrison and his bandmates brought the British Invasion to a halt and reminded audiences that classic rock music would always be in style to those of us who understand its power, its beauty and its message. He remains an iconic and legendary figure of the genre and in pop culture more than five decades after his death. I feel like I have missed him forever. I live by his words from my favorite track on Morrison Hotel everyday:

The future’s uncertain and
The end is always near
“.

Jim M 2
JM
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Top: Jim Morrison circa 1968. Middle: Morrison circa 1971. Bottom: The Doors circa 1967 (L-R): John Densmore, Ray Manzarek, Morrison and Robby Krieger. (Images found online.  Original sources unknown.)

Another singer and legend I have missed nearly my whole life is the man behind today’s song. John Lennon’s quest for worldwide peace culminated in this song in 1971. It told us who he was at his core-not a Beatle, not a songwriter, not a musician, not a rock star, not an iconoclastic figure-just a man wanting to live in a world where he could “imagine” a peaceful happy Christmas for himself and the rest of us, too.

Merry Christmas, John. You are missed. Every. Single. Second.

A very Merry Christmas
And a Happy New Year
Let’s hope it’s a good one
Without any fear
“.

Lennon
john-lennon-happy-xmasrough-127822

Top: Lennon on stage circa 1971. Bottom: Lennon and his wife, Yoko Ono, circa 1968. (Images found online.  Original sources unknown.)

The Doors: “Roadhouse Blues” (1970, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

John Lennon & Yoko Ono and The Plastic Ono Band with The Harlem Community Choir: “Happy Xmas (War Is Over)” (1971, written by John Lennon & Yoko Ono).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

Music Monday: April 11, 2022

Hi, everyone. Welcome to this week’s edition of Music Monday.

Music Monday

(Image found online.  Original source unknown.)

I need to spend some extra time with the man I consider to be the greatest frontman of all time. So, a trip to the Morrison Hotel it is. Ladies & Gentlemen, The Doors.

Well I woke up this morning
And I got myself a beer
The future’s uncertain
And the end is always near
“.

Hotel

The cover of The Doors’ 1970 album. (Image found online.  Original source unknown.)

The Doors: “Roadhouse Blues” (1970, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Stay safe & well.

Let’s Take A Moment Day 547

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

blog Sept 2021

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

First things first: A shout out to my four favorite ladies in TV land-Dorothy, Rose, Blanche & Sophia-who were introduced to the world as “The Golden Girls” 36 years ago today on September 14, 1985. How I love these women & how I love this show (yes, present tense on both counts). They are a part of me & always will be. Thank you, Ladies, for comedic platinum.

GG

The Golden Girls circa 1986 (L-R): Estelle Getty (Sophia/Ma), Betty White (Rose), Rue McClanahan (Blanche) and Bea Arthur (center, Dorothy). (Image found online.  Original source unknown.)

Now to the music. In September 1967 The Doors released their second album, Strange Days. Today’s song was the first single and became a Top 20 hit that year for the group. When they appeared on “The Ed Sullivan Show” for their one & only performance on September 17, 1967, today’s track was the first of two songs they performed. And watching Jim Morrison swagger up to that microphone is one of the reasons why he is one of the greatest frontmen of all time. That stage was his and he made sure everyone knew it. Sa-woon.

People are strange when you’re a stranger
Faces look ugly when you’re alone
Women seem wicked when you’re unwanted
Streets are uneven when you’re down
“.

Doors

The Doors circa 1967 (L-R): John Densmore, Ray Manzarek, Jim Morrison and Robby Krieger. (Image found online.  Original source unknown.)

The Doors: “People Are Strange” (Live performance on “The Ed Sullivan Show” September 17, 1967. Written by Robby Krieger and Jim Morrison).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 506

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Aug 2021 blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

On August 3, 1968 The Doors hit the #1 spot in the country for the first of two consecutive weeks with today’s song. It was the second top selling song of their short career after “Light My Fire” hit the top of the chart the year before. From the release of their self-titled debut in January 1967 to their 1971 album L.A. Woman released three months before Jim Morrison’s untimely death, The Doors were one of the most brilliant, dynamic and unstoppable forces in music.

Sidewalk crouches at her feet
Like a dog that begs for something sweet
Do you hope to make her see, you fool
Do you hope to pluck this dusky jewel
“.

Doors

The Doors circa 1968 (L-R): John Densmore, Jim Morrison, Robby Krieger and Ray Manzarek. (Image found online.  Original source unknown.)

The Doors: “Hello I Love You” (1968, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.