Let’s Take A Moment Day 357

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

March 2021 Blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

Today is birthday #75 for Randy Meisner, best known as the original bass player for The Eagles. Born March 8, 1946 in Nebraska, he started playing with a local group in 1961. By 1968 he joined the band Poco but quit just before the first album came out due to creative differences. After that he joined Rick Nelson’s Stone Canyon Band before Meisner was hired to be in Linda Ronstadt’s backing band in 1971 which later became The Eagles.

I loved them growing up but sadly all the years of battling over the direction of the band, member firings & certain others acting more important and controlling than others have left me with mixed feelings that spill over into how I hear most of their music now. That is my struggle. But my love for Meisner, who quit the band in 1977 due in large part to all the fighting, has never waned.

Of course his vocal on 1975’s “Take It To The Limit” is phenomenal, but I have absolutely swooned over today’s song from the first time I listened to the “Hotel California” album straight through. My adoration for this track has grown even more since then and increases almost daily. Meisner’s voice is beautiful, evocative and melancholy all at once. It takes me back to my younger days while making me feel very much in awe of his talent in the present. I am grateful for this man’s talent & voice every day.

Well, it might take years to see
Through all these tears
Don’t let go
When you find it you will know”.

Randy

Randy Meisner circa 1974. (Image found online.  Original source unknown.)

The Eagles: “Try And Love Again” (1976, written by Randy Meisner).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 232

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Thoreau quote 2

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

Yesterday marked the 75th birthday of one of my favorite woefully underrated artists, singer/songwriter/actor J.D. Souther. Born John David Souther on November 2, 1945 in Detroit, Michigan he was raised in Texas where he played with a local band before moving to California in the late 1960’s. That is where he first met Glenn Frey and they formed the duo, Longbranch Pennywhistle. They released one album in 1969 that did not make any impact and disbanded a year later. Then he joined the short-lived super group, The Souther-Hillman-Furay Band with Chris Hillman (from The Byrds & The Flying Burrito Brothers) and Richie Furay (from Buffalo Springfield & Poco). They broke up after two albums due to creative clashes.

Souther is considered to be one of the architects of the southern California country rock sound thanks to his collaborations with artists like The Eagles, Jackson Browne & Linda Ronstadt. Some of the songs Souther co-wrote include “Best Of My Love”, “New Kid In Town” & “Heartache Tonight” by The Eagles, “Hearts Against The Wind”, “Faithless Love” and “White Rhythm & Blues” by Linda Ronstadt and “Heart Of The Matter” (Day 89) by Don Henley. Souther also co-wrote & sang harmony vocals on James Taylor’s 1981 hit, “Her Town Too“.

Souther started acting in the 1980’s with roles in TV’s “Thirtysomething” and the movie “Always” where he performed a fabulous version of the 1933 Broadway song made famous by The Platters in 1959, “Smoke Gets In Your Eyes“. Most recently he played the role of record producer Watty White in the show, “Nashville”. I love everything he has done but consider today’s song, a top ten hit from 1979, as my favorite of all his accomplishments.

When you need somebody around on the nights that try you
Remember I was there when you were a queen
And I’ll be the last one there beside you;
So you can call out my name
“.

JD Linda 1979

JD-SOUTHER-BW-PHOTO-BY-LINDA-RONSTADT

JD 2015

Top: Linda Ronstadt & J.D. Souther circa 1979. Middle: Souther circa 1979. Bottom: Souther circa 2015. (Images found online.  Original sources unknown.)

J. D. Souther: “You’re Only Lonely” (1979, written by J. D. Souther).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 89

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Kerouac

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

As my rock heroes get older, I have noticed a growing and somewhat disturbing trend for them to tell their stories in a documentary.  My guess is if they do it while they are alive they will be able to control the narrative.  I get that.  Does the movie reveal things you never knew?  Yes.  For example, in “Eric Clapton:  Life In 12 Bars”, I learned that when he and his band, Cream, came to America in 1967 to record it was in the hallowed halls of Atlantic Records.  He saw people like Otis Redding and Aretha Franklin coming and going.  In fact, he sat in on a rehearsal session with her and her band.  I never knew that (and, oh my God, wow!!!  Just imagining the three of them in the same building at once…swoon!).  I enjoyed discovering that.  And the audio and pictures of Clapton with Duane Allman & Jimi Hendrix are gold. 

I did not need to see, however, all the clips of him drinking so excessively and taking drugs.  His battles with addiction are well documented (his 2007 book, “Clapton: The Autobiography” came out the same year his ex-wife Pattie Boyd released hers).  Message received.  He was an addict.  But he has been sober 33 years which is basically a footnote at the end of the movie.  Watching a man I worship, love & admire in such a painful self-destructive place that he snorted cocaine from a switch blade was not only unnecessary, it seemed purely exploitive.  The director, a friend of Clapton’s, already included a number of clips of him using the drug without the knife.  She made no mention of the movies he’s been in (“Tommy”, “Hail! Hail! Rock ‘n’ Roll”, “Blues Brothers 2000”) & basically skipped over his career in the 1980’s, too.  I was hoping to see behind the scenes clips of him making videos (he was a staple on MTV & VH1), or at the Live Aid show or anything else from such a prolific decade of his.  I still recommend it if you have not seen it since this is Clapton, after all.  But just know it is a very hard watch which Clapton himself has stated in several interviews about the film.

To cheer myself up (and to stop from shaking), I went back to watch a doc I missed, 2013’s “History of The Eagles”.  I loved this band growing up and Don Henley’s solo records in the 1980’s.  I knew all about the friction between him and bandmate Glenn Frey so I was prepared for that but otherwise I looked forward to the band’s story.  Or maybe not.  Working under the philosophy that a band is not a democracy but rather an entity requiring leadership, Henley & Frey ran the show.  Period.  And when they were not fighting.  I realize both men had successful solo careers so perhaps maybe that lead to their decision, but those careers sprang from years with a hugely successful band of more than two members.  And both men require co-writers with a lot, if not all of their songs, so they are not doing it all alone.  I know egos go hand in hand with many rock stars, but seeing how arrogant Henley & Frey were towards their bandmates or just in general, particularly Henley, this film neither cheered nor soothed me.  It just made me mad.

I think I need to stop watching documentaries on musicians.

Today’s song is still my favorite solo number from Henley, but true to form I could not find the studio version on YouTube.  It is 2020, we are in the throes of a pandemic where so many of the elite are offering free streaming services or virtual tours, and Henley still refuses to post his videos.  It goes back to a grudge he (and many in the industry) had against the free uploads not paying artists their royalties.  I completely agree that any artist should be paid for their copyright.  But in the last decade, many artists started their own official YT channels to counteract the illegal uploads including Clapton, Bruce Springsteen, the estate of Marvin Gaye and so many others.  Henley has a channel, too, but mostly of live performances.  I do not believe their are any legal issues with his video copyrights, but perhaps there are which is why they cannot be uploaded.  But I am only speculating.  As a fan I find it frustrating, especially because there is such a pretty video for it which I hate not being able to see.  But this live version is the best I could do.

henley

(Image found online.  Original source unknown.)

Don Henley:  “The Heart Of The Matter” (1989, written by Mike Campbell, Don Henley & J.D. Souther).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 14

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

music heart

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

Today’s song was my first introduction to the lead singer, Paul Carrack, and it was spectacular.  Despite the fact that the group he wrote it for and recorded it with was a one hit wonder, he went on to to sing with and find more success with other groups like  Squeeze (he sang lead vocal on “Tempted“) and Mike & the Mechanics (he did the lead vocals on “The Living Years” & “Silent Running“).  He also co-wrote several songs including the Eagles hit, “Love Will Keep Us Alive”, among others.  As great as his songwriting skills are, it is his voice that he is well known for, even though he is one of the most underrated singers out there.

ACE_HOW+LONG-656900

(Image found online.  Original source unknown.)

Ace:  “How Long” (1974, written by Paul Carrack).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

25 Days Of Christmas Music 2018: Day 7

Hi, Everybody!!!  Welcome back to the countdown.

day 7

Found on Pinterest/House Beautiful Magazine’s page.

Today’s song was written by Gene Redd & blues singer Charles Brown in 1960.  Brown recorded the original version the same year and it has since been covered by the likes of the Eagles, Willie Nelson, Martina McBride and Kelly Clarkson, to name a few.  The original is my favorite followed very closely by the 1993 version by a soul and R&B powerhouse who began as a solo performer in the 1960’s, then joined a group with his brothers in the 1970’s before hitting the top of the charts with a couple of duets with Linda Ronstadt in 1989 & 1990, including the #1 Billboard Adult Contemporary smash “Don’t Know Much”.

charles brown              aaron

Charles Brown (circa 1960’s)                                Aaron Neville (circa 1990’s)

Aaron Neville:  “Please Come Home For Christmas” (1993).

Charles Brown:  “Please Come Home For Christmas” (1960).

I do not own the rights to anything.  I am just sharing some things that I love with you  🙂

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

Valentine’s Day Music Countdown: Song #8

The next song on my countdown is another duet (like song #14) but this one features a female/male collaboration by two of rock music’s most notable voices.  My pick at #8, a song which reached #6 on the Hot 100 Chart in 1982, is “Leather & Lace“.

The song was written by legendary singer/songwriter/Fleetwood Mac band member Stevie Nicks who recorded it with one of her old flames, Don Henley of the Eagles.  Nicks originally wrote the song for country superstar Waylon Jennings and his wife Jesse Colter’s 1981 album.  Despite naming it after the song, the husband & wife duo ended up leaving it off the record (I know, right???).

So Nicks added it to her debut solo album, “Bella Donna”, which was released the same year.  The song was the second single after “Stop Draggin’ My Heart Around“, another duet recorded with Tom Petty and the Heartbreakers.

“Leather & Lace” is like many of Nicks’ songs:  well written and well performed.  But the biggest appeal of it for me is how grown up and unschmaltzy the lyrics  are.  I love how direct they are, and how in their beautiful honesty you hear the story of love between adults, first from the perspective of the strong self-assured woman:

“I have my own life and I am stronger
Than you know
But I carry this feeling
When you walked into my house
That you won’t be walking out the door”

To the open and honest standpoint of the male putting it out there without fear of being shot down or belittled (OK yes, it is written by a woman but come on, Ladies, which one of us would not melt if a man ever said (or sang) these words to us):

“And you were right
When I walked into your house
I knew I’d never want to leave
Sometimes I’m a strong man
Sometimes cold and scared
And sometimes I cry”

To both parties acknowledging their desires and differences not as obstacles, but rather as things to be shared:

“I need you to love me
I need you today
Give to me your leather
Take from me my lace”

If there was ever a song perfect enough to celebrate that all important moment when a couple crosses over from “we” to “us”, I believe it is this one.

Enjoy!!!

BONUS:  If you want a good laugh, check out Will Ferrell and Dave Grohl’s version here.

TRIVIA:  Do you know what happened 51 years ago today?  The Beatles arrived in America for the first time.