Let’s Take A Moment Day 525

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Aug 2021 blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

This weekend we lost a pioneer in two musical genres. Isaac Donald “Don” Everly died August 21 at the age of 84. Born February 1, 1937 in Kentucky he and his younger brother, Phil (January 19, 1939 – January 3, 2014), were a trailblazing duo in both country music & the birth of the rock & roll era who used harmonizing vocals to create their signature sound. Don sang lead and Phil provided the harmony.

The two men started singing with their parents on their father’s radio show on KMA in Iowa in the 1940’s as The Everly Family. They moved to TN in the early 1950’s where the brothers pursued music full time once Don graduated from high school in 1955. They were soon discovered by guitarist Chet Atkins who helped introduce them to Acuff Rose publishers & the songwriting team of Boudleaux Bryant.

They wrote the brothers’ first hits in 1957, “Bye Bye Love” (a cross over hit on both the country & rock & roll charts) & “Wake Up Little Susie”. The duo was also the first to record the Boudleaux Bryant song “Love Hurts” in 1960 before it became a hit for Roy Orbison a year later. The boys did write some of their own songs including “Cathy’s Clown” (1960, written by Don) & “When Will I be Loved” (1960, written by Phil).

The brothers success led to their 1960 contract with Warner Brothers Records for one million dollars. At that time it was an unprecedented amount of money for a rock & roll act and would keep the boys with the label for ten years. But the unrelenting work schedule took its toll on the duo. So did contract disputes, sibling rivalry, drug use and more which led their official break up in 1973. They did reunite a decade later but their relationship remained strained.

Some of the biggest names in music were fans of The Everly Brothers. In his 1976 Wings song “Let ‘Em In”, Paul McCartney mentioned the duo by their first names (“…Martin Luther, Phil and Don”). George Harrison recorded a demo of today’s song that was included on his 2012 posthumous album, Early Takes: Volume. His friend & Traveling Wilbury bandmate Bob Dylan covered today’s song for his 1970 album, Self-Portrait. Both Everly Brothers sang on the track “Graceland” by another of their admirers, Paul Simon. In 1986 they were a part of the inaugural class inducted into The Rock & Roll Hall Of Fame by Neil Young.

Today’s song was based on a French recording of “Je t’appartiens” from 1955. It was a Top Ten hit for the brothers in 1959. As much fun as their faster songs are, I think it is the ballads that show off their vocal harmonies best. Rest in peace, Don Everly.

Each time we meet love
I find complete love
Without your sweet love
What would life be
“.

Don and Phil

Don (L) and Phil Everly circa 1957. (Image found online.  Original source unknown.)

The Everly Brothers: “Let It Be Me” (1959, written by Gilbert Bécaud (music), Manny Curtis (English lyrics) and Pierre Delanoë (French lyrics).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 514

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Aug 2021 blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

I am not sure if today’s song is considered PC or not anymore given the whole cancel culture climate we are in. I do not mean to offend if it is. I just hear it as a great track by one of my favorite bands. And in honor of Garth Hudson’s 84th birthday earlier this month I want to share it. He was born on August 2, 1937 in Windsor, Ontario, Canada and he was the only member of that fabulous band who did not contribute vocals. He was too busy as a multi-instrumentalist to add that to his resume. He contributed keyboards, saxophone and accordion playing to the group which helped define their sound from day one.

Robbie Robertson may have been the principal songwriter for The Band, but he alone could not have given life to those songs in the phenomenal way the five men did as an ensemble. He & Hudson, who has been working as a solo artist for the last two decades, are the only living members left from this incredible group. I think it is so sad the other three have missed so much. But together they reached the likes of Bob Dylan, Ringo Starr, Eric Clapton, Van Morrison, Bruce Springsteen, Neil Diamond, Neil Young, Elton John & many others who were completely inspired by what The Band created as a whole. That is one impressive fan base. Here’s to 100 more birthdays for Garth Hudson.

Now I don’t mind chopping wood
And I don’t care if the money’s no good
You take what you need
And you leave the rest
“.

Garth 1971

The Band 1970

Top: Garth Hudson circa 1971. Bottom: The Band circa 1970 (L-R): Rick Danko, Hudson, Levon Helm, Robbie Robertson and Richard Manuel. (Images found online.  Original sources unknown.)

The Band: “The Night They Drove Old Dixie Down” (From the music documentary “The Last Waltz”, released April 26, 1978. Recorded live on November 25, 1976 at the Winterland Ballroom in San Francisco. Originally released in 1969, written by Robbie Robertson).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 487

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Tom Petty music quote

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

After The Gold Rush is one of my favorite Neil Young albums. Released in 1970, it contains some of his best loved songs including the title track, “Only Love Can Break Your Heart” (Day 241), “Southern Man” and today’s song. It is a simple succinct sparse track that hit me inside in the way only Young can. There is such an elegant beauty yet undeniable sadness to his music I get lost in it. I find it brings me to a place of absolute joy & heartache all at once.

Now that you found yourself losing your mind
Are you here again
Finding that what you once thought was real
Is gone and changing
“.

N Young 1970

Neil Young circa 1970. (Image found online.  Original source unknown.)

Neil Young: “I Believe In You” (1970, written by Neil Young).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 465

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

June 2021 blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

As much as I adore Neil Young’s acoustic side, I also enjoy his electric music as well. And none of his albums with that sound hit me harder than his highly regarded live album, Rust Never Sleeps, released on June 22, 1979. From the moment I heard today’s song on the radio, I was completely enthralled. It was the first song on side two of this unique album, with one side featuring his softer tunes & the other showcasing songs he rocked with his band, Crazy Horse.

Today’s track is a heartbreaking tale of a young man protecting his family from an approaching gun boat. Life, misfortune & circumstance relegated him to the role of protector years before he should have played that part. The song depicts the last moments of his life which of course is unbearably sad. But even with such a dark narrative Young’s words & music grabbed my heart & never let go. He is an extraordinary story teller, even when he’s singing one of the saddest songs I have ever heard.

Just think of me as one you never figured
Would fade away so young
With so much left undone
Remember me to my love I know I’ll miss her
“.

Rust

Neil Young’s 1979 album. (Image found online.  Original source unknown.)

Neil Young: “Powderfinger” (1979, written by Neil Young).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 411

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

May blog 2021

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

I was raised in a home with a very progressive grandmother. However, that did not mean she was open to everything. And while I was fully immersed in my teenage music addiction, she stepped in with the kiss of death: censorship.

Two albums prompted this course of action. The first was by my great musical love, Eric Clapton. The first time I put “Slowhand” on the stereo, she questioned why I would listen to someone exalting the benefits of “Cocaine”. I thought telling her he did not write the song would be enough to ease her mind. It only begged the question “Was he too high to write it?”

I skipped to the next song which was “Wonderful Tonight”. No problem. But when I was singing along to track three (“Lay Down Sally”), once again she became irritated. She demanded I turn off a song that was clearly “suggestive”. And let me just add that when your 65 year old grandmother uses a word like that, it conjures up images that are horrifying. From that point on, I listened to Clapton in my room alone.

Not long after that debacle I was starting to explore Neil Young’s rock side so I borrowed a copy of his second solo album from a friend. Everybody Knows This Is Nowhere. which was released 52 years ago today on May 1, 1969 featured the song, “Down By The River”. Admittedly, I found the subject matter disturbing. A man singing about killing the woman he loved was not the stuff songs were made of in my world. But I got completely swept up in Young’s mesmerizing guitar riffs until my grandmother’s screams snapped me out of my musical reverie.

A conversation about whether or not I was using drugs ensued followed by who was more disturbed-a person who expressed such a terrifying thought in a song or the person (read: me) who listened to it. Thinking I was helping the situation, I pointed out to my grandmother that when Young referred to shooting his “baby”, it was not his child but rather his girlfriend. It did not take long for me to see that only made things a million times worse.

Threats of taking my records away & removing the stereo from the house were mentioned as was a lecture from my father when he got home about how my musical choices could be harmful to my five year old brother. The phrase “Too bad military schools do not accept girls” was also batted around. My grandmother monitored my listening choices for the next several weeks which consisted mostly of my Bruce Springsteen records that she enjoyed as much as I did. Soon life took over and another crisis emerged so my indiscretion eventually became old news.

But my love for Neil Young never subsided and today’s song from that same album became my favorite track from the record. And at least this tune does not conjure up memories of the brief period in my life when my house turned into a deleted scene from the movie “Footloose”.

Ten silver saxes
A bass with a bow
The drummer relaxes
And waits between shows
“.

Neil Young

(Image found online.  Original source unknown.)

Neil Young: “Cinnamon Girl” (1969, written by Neil Young).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 406

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

May 2021 blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

On this day in 1978 one of my all time favorite music docs was released. “The Last Waltz”, a film about The Band’s farewell concert directed by eminent director Martin Scorsese, was released on April 26, 1978. This was the movie that let me see some of my favorite artists perform for the first time including The Band themselves, Neil Young, Van Morrison, The Staple Singers, Muddy Waters and my great musical love, Eric Clapton.

He had been covering many of his favorite blues songs since Cream’s 1966 debut album and he continued the tradition in to his solo career. Today’s song was recorded live at my old stomping grounds, The Nassau Coliseum in Uniondale, New York on June 28, 1975, as part of Clapton’s 1975 live album, E.C. Was Here. But watching him perform it with one of his favorite bands in this superb film made it extra special.

You’re gonna reap just what you sow
That old saying is true
Just like you mistreat someone
Someone’s gonna mistreat you
:”.

Eric and Levon

Levon Helm on drums and Eric Clapton on guitar in a scene from 1978’s “The Last Waltz”. (Image found online.  Original source unknown.)

Eric Clapton & The Band” “Further On Up The Road” (From the music documentary The Last Waltz, released April 26, 1978. Recorded live on November 25, 1976 at the Winterland Ballroom in San Francisco. Originally recorded in 1976, written by Don Robey and Joe Medwick Veasey).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 367

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

March 2021 Blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

On March 18, 1972 Neil Young hit the #1 spot in the country for one week with the exquisite “Heart Of Gold” (Day 24). That song was from his Harvest album which produced a few of his other signature tracks including “Old Man” (Day 322), “Are You Ready For The Country”, the title track and today’s tune. Young has such a heartbreakingly beautiful way of expressing himself and that combined with his stunning poetry has made me a fan for life.

I sing the song because I love the man
I know that some of you don’t understand
Milk blood to keep from running out
“.

N Young

Neil Young circa 1972. (Image found online.  Original source unknown.)

Neil Young: “The Needle And the Damage Done” (1972, written by Neil Young).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 322

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Feb 2021 Blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

On February 1, 1949 the 45 RPM record was introduced by RCA. The round seven inch disc played at a faster speed than its 12 inch 33-1/3 LP counter part that was launched the year before by CBS. The smaller disc format became known as a “single” and provided better sound quality than the LP. The 45’s I owned when I was young were my most treasured possessions & probably qualify as the first official items I collected.

Fast forward to February 1, 1972. Neil Young releases his fourth studio LP, Harvest. It went on to become the best selling one of 1972 and it hit the #1 album spot for two weeks in March 1972. One of those weeks the first single, “Heart Of Gold” featured here on Day 24, also went to the number one spot.

Today’s song was the second single from the album. It hit the Top 40 in the US the same year & like the first one, it featured Linda Ronstadt & James Taylor on backing vocals. He also played the banjo on this track as well. Young was my introduction to acoustic music & to this day I see him as one of the most gifted artists in that regard.

Love lost such a cost
Give me things that don’t get lost
Like a coin that won’t get tossed
Rolling home to you
“.

N Young

Neil Young circa 1970. (Image found online.  Original source unknown.)

Neil Young: “Old Man” (1972, written by Neil Young).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 293

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Shakespeare music

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

Today we celebrate the 76th birthday for one of the most prolific voices from the 1960’s Laurel Canyon music scene. Stephen Stills, a man Neil Young calls a genius, was born on January 3, 1945 in Dallas, TX. Best known as a member of the ground breaking groups-Buffalo Springfield, Crosby, Stills, Nash (CSN) and Crosby, Stills, Nash & Young (CSN&Y)-Stills is also the writer behind one of the 60’s best protest anthems (“For What It’s Worth”) and the voice behind the song that celebrated the biggest concert the country had ever seen to that point (“Woodstock”). He is a two-time inductee into The Rock & Roll Hall Of Fame for his work with the aforementioned bands.

Stills has released a number of solo records throughout his career with notable songs like “Love The One You’re With”, “Sit Yourself Down” & “Treetop Flyer”. He is also noted for his guitar work and his multi-instrumental skills. He has worked with an array of artists including Ringo Starr, Eric Clapton, Jimi Hendrix, Richie Havens, Jerry Garcia, & Joni Mitchell, amongst others.

His work with CSN stands out the most for me. “Suite: Judy Blue Eyes”, written about his one time girlfriend Judy Collins, is a musical odyssey. Just when you thought it could not get any better Stills closed out the song by singing in Spanish. But my favorite track of his is today’s, a stunningly beautiful ballad of lost love & heartbreak, with lyrics that define the word poetic.

Wordlessly watching, he waits by the window and wonders
At the empty place inside
Heartlessly helping himself to her bad dreams, he worries
Did he hear a goodbye
Or even hello
“.

CSN album

Stills & Young

Top: CSN’s 1969 debut album. Bottom: Stills (L) & Neil Young circa 2000. (Images found online.  Original sources unknown.)

Crosby, Stills & Nash: “Helplessly Hoping” (1969, written by Stephen Stills).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 259

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

kurt v

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

I have written on several occasions how 1978 was a monumental year in music for me & the industry in general. Well, when the universe gives you something it takes something else away. And the thing it took away from me was my peaceful relationship with my grandmother-for a while, anyway.

For two years she enjoyed listening to my records with me. She may have not remembered the artists names correctly (she called Bad Company “the not so nice visitors”) but I knew what she meant so we were good. Until the first time I played “Slowhand” by my great love Eric Clapton, that is. It started with side one track one, “Cocaine”, and went downhill from there. She asked me what kind of person would write a song about drugs. I thought I was helping by telling her that he was only singing about them, that he did not write the tune. That led her to wonder out loud, “Was he too high to write it, perhaps?” I moved the needle to track two which was “Wonderful Tonight” so that stopped her scolding. But when track three came on, she became irritated again. She ordered me to turn the album off because she thought “Lay Down Sally” was too suggestive for a girl my age. Then she asked where Bruce was (as in Springsteen) and told me to put his music on so she could eat dinner in peace.

A few weeks later I was listening to a Neil Young album I borrowed. All I can tell you is that when “Down By The River” came on, my grandmother decided I must have started taking drugs because how else could I listen to a man brag about shooting someone. My punishment was twofold-I was banned from bringing any new records home for the foreseeable future AND I had to sit through her music shows. That way, she told me, I would hear songs that did not resort to questionable subject matter for shock value. Since she liked country music that meant episodes of “Hee-Haw” & “The Barbara Mandrell Show”. The first one was tough-not because of the music as much as what passed for humor. Mandrell’s music, while not really a favorite of mine, was tolerable. So imagine my grandmother’s horror & dismay when Mandrell premiered her new song, a tale of a woman unapologetic about her love for a married man. Music had beat my grandmother at her censorship game. And I must say, it was not a bad song. But the original was so much better.

It was a big record for singer Luther Ingram in 1972, hitting the #3 spot on the Hot 100 chart & the #1 spot on the R&B chart that year. He was born on this day in 1937 in Jackson, TN and thanks to his deep soulful voice, he had a record deal by the time he was 18. However, he did not see any success until he was signed to a small independent label, Koko Records, in the late 1960’s. They were associated with Stax Records at that time and by 1971, Ingram had co-written the hit song, “Respect Yourself” for that label’s group, The Staple Singers. Three songwriters from Stax wrote the song that Ingram became best known for and despite covers by Mandrell, Rod Stewart, Isaac Hayes David Ruffin and others, it is Ingram’s version that I find most inspired & soulful.

And am I wrong to hunger
for the gentleness of your touch
knowing I got somebody else at home
who needs me just as much
“.

Luther Ingram

Luther Ingram circa 1972. (Image found online.  Original source unknown.)

Luther Ingram: “(If Loving You Is Wrong) ] I Don’t Want to Be Right” (1972, written by Homer Banks, Carl Hampton and Raymond Jackson).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.