Music Monday: November 2, 2026

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Songwriter extraordinaire Jimmy Layne Webb turned 80 this year. He was born August 15, 1946 in Elk City, Oklahoma and grew up in Laverne, OK where he first started playing piano and organ at his father’s baptist church.

When Webb was 19 years old, he received a publishing contract from singer Johnny Rivers, who recorded “By The Time I Get To Phoenix” 60 years ago on his 1966 album, Changes. A year later the song became the title track & lead single from Glen Campbell’s seventh studio album released 59 years ago in November 1967. The song peaked at #26 in December 1967 and it was nominated for Record Of The Year in 1968. It was also the first country record to win the Album Of The Year Grammy Award in 1969.

Campbell-who was born 90 years ago on April 22, 1936-also put Webb’s most beloved and iconic tune-“Wichita Lineman”on the map when he released it in 1968. It peaked at #3 in January 1969 and was nominated for Record Of The Year as well. He and Webb gave us some of the best collaborations in music and he went on to become one of America’s greatest songwriters while Campbell became a musical superstar.

Glen Campbell (L) and Jimmy Webb (R) circa 2000. (Image found online.  Original source unknown.)

Rosemary Clooney’s debut album Blue Rose was released 70 years ago in 1956. The album was a collaboration with Duke Ellington who wrote or co-wrote ten of the eleven tracks. His words and music gave the illustrious girl singer a platform to showcase her vocal skills from jazz to ballads and everything in between.

Five years later in 1961 she released Rosie Solves the Swingin’ Riddle!, another collaboration with a big band leader, this time with Nelson Riddle. After an 11 year hiatus she released Look My Way 50 years ago in 1976. It included a stirring cover of Jessi Colter’s 1975 hit. Clooney released many more albums over the years including 1981’s With Love, 1986’s Rosemary Clooney Sings the Music of Jimmy Van Heusen, 1991’s For the Duration and 1995’s Demi-Centennial which featured a cover of a Jimmy Webb’s “Time Flies”.

(Image found online.  Original source unknown.)

(Image found online. Original source unknown.)

(Image found online.  Original source unknown.)

The Queen Of Soul-Aretha Franklin-released her self-titled debut album 65 years ago in February 1961. The self-taught pianist who started singing at age 10 began touring with various gospel acts under her father’s management two years later. When she was 18, she decided to pursue secular music like her friend and mentor, Sam Cooke. She was discovered by Columbia Records’ talent executive John Hammond.

The first album with the label featured The Ray Bryant Combo, a jazz trio also signed to Columbia by Hammond. The songs were covers of mostly pop standards to emphasize Franklin’s range. Five years later in 1966 she released her eigth album, Soul Sister (It was the record just before her breakthrough, 1967’s I Never Loved a Man the Way I Love You featuring her signature tune, “Respect”). Fast forward to 1986 and Franklin releases another self-titled album, this one featuring a Rolling Stones’ cover that we did not know we needed.

(Image found online.  Original source unknown.)

(Image found online. Original source unknown.)

(Image found online.  Original source unknown.)

1971 was a spectacular year for Isaac Hayes. In July he released the double album Shaft named for the theme song for the movie of the same name starring Richard Roundtree in the title role. But the soundtrack song was as much a main character as Roundtree was. The song reached the #1 spot on the Billboard Hot 100 on November 20, 1971 for two consecutive weeks. The soundtrack became the #1 album in the country for one week that month as well. Five months later on April 10, 1972 Hayes made history as the first black composer to win an Oscar when the track won Best Original Song at the 44th Academy Awards ceremony.

In a 1995 episode of one of my favorite TV series, “Newsradio” (S1 E5, “Big Day”), one of the most talented souls to ever grace this planet-Phil Hartman-quoted the lyrics in an absolutely brilliant way to mock a co-worker’ ‘s fear of getting “the shaft” during a round of upcoming yearly bonuses (and yes, that is Joe Rogan and Andy Dick in the scene with Hartman).

Hayes followed up the sountrack album with Black Moses, released 55 years ago on Nov 1, 1971. Categorized as “progressive soul”, he took several well known songs written by Burt Bacharach and Hal David, Toussaint McCall and Curtis Mayfield, amongst others and combined them with a Stax sound for unique & incredibly evocative interpretations of each track. The album reached the #1 spot on Billboard’s R&B album chart in January 1972 where it stayed for seven consecutive weeks.

(Image found online. Original source unknown.)

(Image found online.  Original source unknown.)

Johnny Rivers: “By The Time I Get To Phoenix” (1966, written by Jimmy Webb).

Glen Campbell: “Wichita Lineman” (1967, written by Jimmy Webb).

Jimmy Webb: “Jimmy Webb: “If These Walls Could Speak” (1996, written by Jimmy Webb).

Rosemary Clooney: “Sophisticated Lady” (1956, written by Duke Ellington, Irving Mills and Mitchell Parish).

Rosemary Clooney: “I’m Not Lisa” (1976, written by Jessi Colter).

Rosemary Clooney: “Time Flies” (1995, written by Jimmy Webb).

Aretha Franklin: “Over The Rainbow” (1961, written by Harold Arlen and E.Y, Harburg).

Aretha Franklin: “You Made Me Love You (I Didn’t Want to Do It)” (1966, written by Joseph McCarthy and James V. Monaco).

Aretha Franklin: “Jumpin’ Jack Flash” (1986, written by Mick Jagger and Keith Richards).

Isaac Hayes: “Theme From Shaft” (1971, written by Isaac Hayes).

Isaac Hayes: “Never Gonna Give You Up” (1971, written by Jerry Butler, Kenneth Gamble and Leon Huff).

Isaac Hayes: “For The Good Times” (1971, written by Kris Kristofferson).

Stay safe & well.

Let’s Take A Moment Day 139

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Charlie Brown No Music No Life

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

When Art Garfunkel was putting together his first solo album, 1973’s “Angel Clare”, he recorded music by acclaimed songwriters such as Van Morrison, Randy Newman and Paul Williams.  But when it came to choosing the first single, he picked today’s song, which was one of two tracks written by one of my all time favorite songwriters ever, Jimmy Webb.  He, of course, is the genius behind “By The Time I Get To Phoenix” & “Wichita Lineman” (Day 69) (both made into hit songs by Glen Campbell in 1967 & 1968, respectively), “The Worst That Could Happen” (a hit for Johnny Maestro & The Brooklyn Bridge in 1968) and other gems.  “Lineman” is my favorite tune of Webb’s, but I think today’s song is one of the best love songs I have ever heard.

Garfunkel’s rendering was a top ten hit in 1973 and it was featured prominently on the show “Nip/Tuck” during season two’s Ava Moore storyline.  Webb did his own version of this song as a duet with Linda Ronstadt on 2010’s “Just Across The River” with only an acoustic guitar added to their voices and it is absolutely lovely.  Former Doobie Brother Michael McDonald and his wife, Amy Holland, recorded their own version as part of a soundtrack to the ABC soap opera, “One Life To Live” in 1994 and it is spectacular.  But Garfunkel’s vocal performance and the gorgeous arrangement make this version my absolute favorite.

“But the ending always comes at last
Endings always come too fast
They come too fast
But they pass too slow
I love you and that’s all I know.”

Art Garfunkel’s 1973 debut album (L) & Jimmy Webb’s 2010 record (R) both contain versions of today’s songs.  (Images found online.  Original sources unknown.)

Art Garfunkel:  “All I Know” (1973, written by Jimmy Webb).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 29

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

music heart

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

I heard someone say once that if you get through the pain, and you put the past behind you, there are good things ahead.  Sometimes profound things.  And that happened to me.  I finally made peace with my past and while I do not usually share things like this, I feel like if I can help one person then it will be worth it.

Growing up I heard things no one should ever hear, but especially not an impressionable child.  And it did not just happen once, but over and over again.  It go so bad that by the age of 7 I even threatened to run away.  But nothing changed.  My parents continued to subject me to an unspeakable horror.  And by unspeakable horror I mean the sounds of the Fifth Dimension.

The pain was real.  I tried therapy a few times but it took years before I found the help I needed, and that was with a support group at the VA.  They saw combat but once they heard my story, they knew my hell was almost as real as theirs.  And since even seeing the name of my nemesis in front of me is giving me flashbacks, going forward I will only refer to them as F.D.

I hated the F.D.  HA-TED them.  I know hating is wrong, but so was nearly every note this group ever sang.  I believe part of the issue was all the members were always singing together in what was supposed to be five part harmony.  It was not.  And at that time I was listening to “The Partridge Family” & “The Brady Bunch”  who sang in six part harmony and I was fine with it, so go figure.  I remember hearing someone on the radio refer to the F.D. as an R&B group.  That was like saying Pat Boone sang rock & roll!!!  My parents were not hippies by any stretch of the imagination, but no self respecting hippie would ever have been caught dead listening to this group despite “The Age of Aquarius” slant anyway.

One morning when I woke up to the sound of that terrible song for the 927,623rd time (and trust me when I tell you I was rounding down), I got out of bed and walked into the living room where my mother was singing her heart out to what had become the bane of my existence.  I told her point blank that if the moon went into the seventh house one more time I was leaving.  Instead of taking me in her arms and giving me the rightful apology I was owed (and maybe a puppy for good measure). she seemed shocked and surprised that I knew the lyrics.  I was about 7 years old so I do not remember exactly what I said to her, but I believe it went something like, “Are you kidding me?  How could I NOT know the words?  You have played this song 927,623 times!!!”  (Side note:  In an odd way keeping count kept me somewhat sane as it gave me something to focus on other than those awful songs.  In therapy I discovered that is how members of POW camps learn to survive-by controlling what they can).

The lyrics were part of the problem.  They made absolutely no sense to me whatsoever.  The main songwriter the F.D. worked with was Laura Nyro.  I came to understand that she was considered ahead of her time but I just did not get her at all.  Still don’t.  For instance, in “Stoned Soul Picnic” (whatever the heck that is), the opening line is “Surry down to a stoned soul picnic“.  Surry???  Was that even a real word?  Or was it a combination of the words “so hurry”?  And if so, how much time was actually saved by leaving out two letters?  Then in “Sweet Blindness” (an oxymoron if ever there was one), one verse is “come on baby do a slow float, you’re a good lookin’ riverboat and aint that sweet-eyed blindness good to me“.  What the hell???

Then in another one of Nyro’s songs, “Wedding Bell Blues”, we have the lead singer begging a guy in the group named Bill to marry her.  Where in God’s name was her self respect?  And what the heck was that recording session like?  I was embarrassed for her and I was only 7!!!  Even a song (“Up, Up & Away”) written by one of my favorite writers ever-the American treasure that is Jimmy Webb-made me cringe, but again I put the blame 100% on the group.  After all, Webb gave us great songs made famous by the likes of Glen Campbell (“Wichita Lineman” & “By The Time I Get To Phoenix”), Art Garfunkel (“All I Know”),  Linda Ronstadt (“Easy For You To Say”) and so many others.

But in all that darkness, one ember of light emerged.  The sound of a slow tempo song, sung by one voice with four backing vocals instead of the five group members singing at once, done in a beautiful arrangement.  The lyrics were different than their other songs, although I must admit I did not fully understand them at the time.  Example:  “one less egg to fry” made no sense to me.  After all, I was seven so I didn’t cook plus my mom either poached or scrambled my eggs.  And “one less man to pick up after”?  Was my dad leaving, I wondered.  And if so, where was he going???  But still, I found the song glorious.  And that was my introduction to two of the best songwriters this country-heck, this world-ever gave us:  Burt Bacharach & Hal David.  They saved me.

Years later I heard today’s song, written by this prolific duo, and I absolutely swooned.  The singer is not one of my favorites but her work with this extraordinary writing team was a powerful force in the 1960’s.  Her voice is so soft and pretty, and delivers a great vocal to a gorgeous arrangement.  It is the best of what a sad love song should be:  succinct, poignant, evocative and leaving you begging for one more note.  I love so many Bacharach & David compositions (“Anyone Who Had A Heart”, “This Guy’s In Love With You”, “A House Is Not A Home” “The Look Of Love” to name a few) but this one I adore.

Burt Hal

Hal David, Dionne Warwick & Burt Bacharach circa 1964  (Image found online.  Original source unknown.)

Dionne Warwick:  “Walk On By” (1964, written by Burt Bacharach & Hal David).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.