Music Monday: March 3, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Marianne Faithfull died on January 30, 2025 at age 78. She began her musical career as a folk singer in 1964. When she met The Rolling Stones the same year at a party, their manager gave her one of their newly written songs to record which was the first of a series of hit singles for her. A relationship with Mick Jagger followed from 1966-1970 and while she proved to be a muse for him, her life became tainted by substance abuse which led to a decline in both her personal & professional lives. Her 1979 album, Broken English, started a career comeback with with more albums to follow along with acting roles on stage, TV and in movies.

Marianne Faithfull: December 29, 1946 – January 30, 2025.

Marianne Faithfull circa 1967. (Image found online.  Original source unknown.)

Jerry Butler died February 20, 2025 at age 85. He was the last surviving original member of The Impressions but left them in 1960 to pursue a solo career. In addition to his rich baritone voice, he also co-wrote several songs including “I’ve Been Loving You Too Long” with Otis Redding (who recorded it in 1965 for his Otis Blue album), “Only The Strong Survive” and “Never Give You Up” with Philly Soul superstars Kenneth Gamble and Leon Huff. The former is also the title track to Bruce Springsteen’s 2022 album of soul classic covers. The latter was a hit for Butler in 1968 & covered by The Black Keys for their 2010 album, Brothers. Their version is also featured on the soundtrack for the British crime thriller, “Luther” (S3 E4). Despite his tenure on the Cook County Board of Commissioners in Illinois from 1985-2018, Butler stayed active in music where he served as the chairman of the board for the Rhythm and Blues Foundation.

Jerry Butler: December 8, 1939 – February 20, 2025.

Jerry Butler performing in the 1970’s.(Image found online.  Original source unknown.)

Roberta Cleopatra Flack died on February 24, 2025 at the age of 88. She was born February 10, 1937 in Black Mountain, North Carolina. She started singing in church as a child and began formal piano training at age nine. In the 1970’s she was known for her own work which led to her becoming the first artist to win Record & Song Of The Year back to back at the Grammy Awards in 1973 & 1974.

That decade also gave her success with a few of her duets with Donny Hathaway in the (“Where Is The Love” was a #5 hit in August 1972 and “The Closer I Get To You” peaked at #2 in May 1978), later with Peabo Bryson (“Tonight, I Celebrate My Love” was a Top 20 hit in November 1983) and Maxi Priest (“Set The Night To Music” peaked at #6 in 1991). In 1996, The Fugees cover of “Killing Me Softly”-a #1 hit for Flack for five non-consecutive weeks in 1973- brought attention back to the original recording. In 1974 she received her third #1 song with “Feel Like Making Love” which topped the chart for one week in August 1974.

But it was the placement of one of Flack’s songs in 1971’s “Play Misty For Me”-the directorial debut by Clint Eastwood-that was not only an incredible moment in cinema but led to her first #1 song. It held the top spot for six weeks in the spring of 1972, yet it was originally released on her 1969 album, First Take. I was today year’s old when I found out she did not write that song as I always thought she did. It was written in 1957 by British singer-songwriter Ewan MacColl, the stage name for James Henry Miller. But Flack’s interpretation, her slow, easy yet powerful vocal placed perfectly in an incredible film gave the track and the artist the attention both so richly deserved.

Roberta Flack: February 10, 1937 – February 24, 2025.

Roberta Flack performing in the 1970’s. (Image found online.  Original source unknown.)

Yesterday marked the 75th birth anniversary for the beautiful & unbelievably talented Karen Carpenter. She was born in New Haven, Connecticut on March 2, 1950 and moved with her family to Downey, California when she was a teenager so her brother, Richard, could pursue a career in music. When she joined him as a drummer in his trio, he discovered her sublime voice. It was that sound along with his producing and arranging skills that catapulted them to stardom as a duo in the 1970’s.

There is a story I have read on several sites that mentions a time Karen crossed paths with John Lennon at a restaurant in Los Angeles, California and he told her that he loved her voice. Rumor has it that as flattered as she was, Karen did not believe it as she never realized how supremely gifted she was. The song I have chosen to honor her with today has amassed 67 million views on YouTube. And that is only one platform and only one song from the string of hits she put her vocals to. That is the staggering magnitude of her talent.

Karen Carpenter: March 2, 1950 – February 4, 1983.

Karen Carpenter in the 1970’s. (Image found online.  Original source unknown.)

Marianne Faithfull: “As Tears Go By” (1964, written by Mick Jagger, Andrew Loog Oldham and Keith Richards).

Jerry Butler & The Impressions: “For Your Precious Love” (1958, written by Arthur Brooks, Richard Brooks and Jerry Butler).

Roberta Flack: “The First Time Ever I Saw Your Face” (1969 & 1972, written by James Henry Miller, stage name Ewan MacColl).

The Carpenters: “Rainy Days & Mondays” (1971, written by Roger Nichols and Paul Williams).

Stay safe & well.

Music Monday: January 13, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

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(Image found online.  Original source unknown.)

Sam Moore, the surviving half of the “Sam & Dave” musical duo, passed away on January 10, 2025 at the age of 89. The higher tenor voice to partner Dave Prater’s lower baritone one, the men were amongst the most successful R&B/soul performers at Stax Records in the 1960’s with hits like “Soul Man”, “Hold On I’m Coming” and “I Thank You”. Their live shows were legendary and inspired many including Al Green, Steve Winwood, Tom Petty and others.

The duo split up in 1970 but reunited the following year. Unfortunately they did not attain the success they previously had. A resurgence in the men’s popularity came in 1979 courtesy of The Blues Brothers cover of “Soul Man”. After Prater’s death from a car accident in 1988, Moore continued performing including at the 25th anniversary concert for The Rock & Roll Hall Of Fame in 2009 with Bruce Springsteen & The E Street Band. Moore & Prater were inducted in 1992.

Sam and Dave
Sam Moore

Top: Sam Moore (L) and Dave Prater (R) circa 1967. Bottom: Moore circa 2015. (Images found online.  Original sources unknown.)

Last summer J.D. Souther & Karla Bonoff announced a joint tour together. They had been friends since their Laurel Canyon, California days in the 1970’s where both had found success- first as songwriters for The Eagles and Linda Ronstadt, respectively-before prospering in solo careers.

Sadly the tour never took place due to Souther’s death on September 17, 2024 at age 78. I adored him forever, going back to his Top Ten solo hit in 1979 (which I featured on Day 232 of the Lockdown Countdown) and his 1981 Top 20 duet with James Taylor, “Her Town Too”. I was thrilled when Souther branched out into to acting in movies like 1989’s “Always” and TV shows like “Thirtysomething” & “Nashville”.

The announcement of his tour with Bonoff put her back on my radar and reacquainted me with her beautiful voice. I first discovered her music through Linda Ronstadt who recorded three of Bonoff’s songs for the 1976 album, Hasten Down The Wind. But it was her stunning version of “The Water Is Wide”-featured in a 1997 episode of my favorite soap, “Another World”-that put me in Bonoff’s orbit for many years. I do not know why or how I let her fall from my view in the last decade or so but once I found her again last summer, I discovered her 2020 holiday album, Silent Night. It is wonderful, especially her version of “The First Noel” which was featured on Day 13 of my 2024 Christmas music countdown.

Bonoff, who turned 73 last month, released her self titled debut album in 1977 which included the three songs on the Hasten album. I love them all but today’s pick is my favorite. I have included Ronstadt’s version as well not just for her incredibly stunning voice but to share the video also. It is a great look at her in the studio with her band so we actually watch the magic of the performance happen there. And moments like that need to be seen.

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Linda JD

Top: A show announcement from J.D. Souther’s Facebook page for a performance by he & Bonoff in July 2024. Middle: A picture of the two singers circa 1979 that Bonoff posted on her Facebook page with a tribute to Souther after his death in September 2024. Bottom: Souther (R) on stage with his one time girlfriend, Linda Ronstadt (L). (Images found online.  Original sources unknown.)

Sam & Dave: “When Something Is Wrong With My Baby” (1967, written by Isaac Hayes and David Porter).

Linda Ronstadt: “Lose Again” (1976, written by Karla Bonoff).

Karla Bonoff: “Lose Again” (1977, written by Karla Bonoff).

J.D. Souther: “You’re Only Lonely” (1979, written by JD Souther).

Stay safe & well.

25 Days Of Christmas Music 2024: Day 10

Hello, everyone. Welcome back to the countdown.

Day 10A

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Another of my great musical loves, Otis Redding, left us with two fabulous Christmas songs before his death 57 years ago on December 10, 1967. I like to feature both tracks every year because, well, it is Otis Redding and two, because this man’s immense talent is just too incredible not to indulge in.

The first one was written by Irving Berlin and the most famous recording of it by Bing Crosby remains the best selling song of all time. Redding’s achingly impassioned vocal is the complete antithesis of Crosby’s signature crooner style, but the level of soul Redding offers makes his version an absolutely stunning event.

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Otis Redding circa 1967. (Image found online.  Original source unknown.)

For another take on this holiday staple, I am including a fabulous female version courtesy of Mrs. Elvis Costello, an incredible singer & performer in her own right.

Diana

(Image found online.  Original source unknown.)

The second holiday track dates back to 1947. Redding recorded it sometime between 1966 & 1967 and it was released posthumously in 1968. It is another outstanding performance showcasing his vocal range & passion for a great song.

As if his own talent were not enough to make this song stand on its own, the fact that he and my constant, Bruce Springsteen, chose to record the same Christmas song shows their similar taste in music. In fact, he occasionally covers “Sweet Soul Music” as an encore at his legendary concerts, a song written by Redding & Arthur Conley, who originally recorded it in 1967. I was lucky enough to be present at one of The Boss’ show where he sang that track & that moment stands as one of the top highlights from all of the Bruce concerts I have attended over the years. I love both versions of this Christmas song so much I listen to them all year round. And I make no apologies for that.

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Bruce Springsteen in a 2023 portrait from his website. (Image found online. Original source unknown.)

Otis Redding: “White Christmas” (1967, written by Irving Berlin).

Diana Krall featuring the The Clayton/Hamilton Jazz Orchestra: “White Christmas” (2005, written by Irving Berlin).

Otis Redding: “Merry Christmas Baby” (1968, written by Lou Baxter and Johnny Moore).

Bruce Springsteen: “Merry Christmas Baby” (1986, written by Lou Baxter and Johnny Moore).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

25 Days Of Christmas Music 2024: Day 7

Hello, everyone. Welcome back to the countdown.

Day 7

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Thomas Alan Waits turns 75 today. Born December 7, 1949 in Pomona, California, I have been a fan ever since Bruce Springsteen covered “Jersey Girl” and I was stunned to discover it was not written by The Boss himself. Waits has made a career out of writing about the invisible people we pass in our lives everyday and reminds us that we all deserve a place in this world. And even if his words were not delivered in his signature distinctive gravelly voice, the beauty of his songs would still get the message across in an unforgettable way.

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Top: Tom Waits circa 2008. Middle & Bottom: The 1989 import featuring Waits version of today’s song. (Images found online.  Original sources unknown.)

In 1989 Waits recorded a holiday song with S.O.S. United-a music project started by Austrian film composer Harald Kloser-which featured a choir of children from 15 countries across four continents. The contrast of their smooth young voices with Waits’ rough gritty one is just mesmerizing. It’s like listening to a man who has had his faith restored in the season when he was not even aware it had left him.

For a female take on today’s Christmas classic, I present the incomparable Queen Of Soul, Aretha Franklin.

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Photo taken by me at the f/k/a Jones Beach Theatre in Wantagh, NY in July 2011.

Tom Waits: “Silent Night” (1989, written by Franz Xaver Gruber).

Aretha Franklin: “Silent Night” (2008, written by Franz Xaver Gruber).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

25 Days of Christmas Music 2024: Day 4

Hello, everyone. Welcome back to the countdown.

Santa 3

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Today’s song turned 90 years old last month & is still a cherished track for the Christmas season. It was written in 1934, recorded first by Harry Reser and His Orchestra but it did not reach the masses until American actor & comedian Eddie Cantor performed it on his radio show in November that year. In the 1940’s it was covered by performers like Bing Crosby and The Andrew Sisters. By the 1960’s, a few vocal groups recorded versions of their own including The Crystals.

Harry
Crystals

Top: A pressing of the first recording of today’s song. Bottom: The 1963 Christmas album featuring The Crystals. (Images found online.  Original sources unknown.)

But the song’s big breakthrough came in 1970 thanks to the Rankin/Bass production team who turned it into an all star holiday animation special in 1970 starring Fred Astaire as the mailman/storyteller as well as the voice behind the theme song, Keenan Wynn as the Winter Warlock and Mickey Rooney as the voice of Santa Claus. It remains a Christmas tradition for anyone who grew up watching it.

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 Two scenes from the Rankin/Bass 1970 holiday special. Top: Fred Astaire’s mailman/narrator character. Bottom: A young Kris Kringle in his early days as The Man In The Big Red Suit (with one of his pet besties at his side). (Images found online.  Original sources unknown.)

In December 1975, an up & coming rock star from New Jersey decided to perform his own take on the song in front of a college concert crowd on Long Island, NY. However, it did not hit the radio airwaves until 1981. In 1985, it was released as the B-side on the seventh single from his phenomenal album, “Born In The USA”, which turned the 10 year old recording into a holiday staple ever since.

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Top: Bruce Springsteen’s 1985 single. Bottom: My perpetual Christmas list. (Images found online.  Original sources unknown.)

In 2003’s incredibly delightful holiday move, “Elf”, the song helped bring power to Santa’s sleigh when Buddy’s love interest, Jovie, led a sing-a-long in Central Park to remind people that a little faith can make dreams happen.

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Two scenes from 2003’s “Elf”. Top: Zooey Deschanel as Jovie. Bottom: Will Ferrell as Buddy and Ed Asner as Santa. (Images found online.  Original sources unknown.)

The Crystals: “Santa Claus Is Comin’ To Town” (1963, written by J. Fred Coots and Haven Gillespie).

Fred Astaire: “Santa Claus Is Comin’ To Town” (1970, written by J. Fred Coots and Haven Gillespie).

Bruce Springsteen: “Santa Claus Is Comin’ To Town” (1981 & 1985, recorded live at C.W. Post College in Brookville, NY on December 12, 1975, written by J. Fred Coots and Haven Gillespie).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

Music Monday: September 23, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

Happy 75th birthday to Bruce Frederick Joseph Springsteen!

Born September 23, 1949 in Long Branch and raised in the town of Freehold, he has been one of New Jersey’s (and America’s) most celebrated sons since his first album was released in January 1973. Five decades later, The Boss is still writing songs, performing his marathon concerts and proving why he is the word legend defined.

It is so fitting that his birthday coincides with the start of fall. The first time I bought one of his records-the masterpiece that is Born To Run-was in October following a very difficult summer. The world had become so dark I forgot what light was like.  But one listen to Springsteen’s album and suddenly all that changed.

Despite all the exquisite colors the autumn season already had to offer, in that moment of discovering BTR for the first time, fall suddenly had a new hue. It was so exquisite and grounding I never saw things quite the same way again.  That color gave me back a glimpse of hope that maybe I could look forward to a future after being in such a dark place. But even if it came for me again, I had Springsteen’s words to hold on to.  

I love him for many things, but giving me back my hope is the biggest reason why.  It is a debt I will never be able to repay.  The mantra of my life, even after all these years, is from the first track on BTR, “Thunder Road”: “What else can we do now except roll down the window and let the wind blow back your hair.”.  Those words, which carry me through my life, are the glorious ties that connect my heart to his.

Thank you for being the constant in my life, Bossman.  Happy birthday & happy Fall.

You sit and wonder just who’s gonna stop the rain
Who’ll ease the sadness who’s gonna quiet the pain
It’s a long dark highway and a thin white line
Connecting baby your heart to mine
“.

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Two outtakes and the final choice for the cover of Springsteen’s 1975 masterpiece, Born To Run. Photos by Eric Meola.

Bruce Springsteen: “The Ties That Bind” (1980, written by Bruce Springsteen).

Stay safe & well.

Music Monday: June 17, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

If I could go back in time to experience music as a full fledged adult, I would choose 1967. Why? For the first 11 months of that year, all of my great musical loves were making music in the universe.

January: The Doors released their debut album which introduced one of America’s greatest bands and the poetry of Jim Morrison to the world.

Doors

(Image found online.  Original source unknown.)

April: Marvin Gaye finished recording sessions for the biggest hit of his career, “I Heard It Through The Grapevine”, furthering his reign as one of the world’s greatest voices & Motown’s legacy as one of music’s most soulful genres.

Marvin

(Image found online.  Original source unknown.)

May: The Beatles released Sgt. Pepper’s Lonely Hearts Club Band.

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(Image found online.  Original source unknown.)

June: Otis Redding stole the show at the Monterey Pop Festival.

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(Image found online.  Original source unknown.)

November: Eric Clapton was a member of Cream and they released Disraeli Gears.

Cream

(Image found online.  Original source unknown.)

Ongoing: Bruce Springsteen was in his first band, The Castiles. And 1967 was the year that Elton John and Bernie Taupin answered the same ad for songwriters that brought them together, forming one of the greatest partnerships music has ever had.

Castiles

(Image found online.  Original source unknown.)

Bernie Taupin (L) and Elton John (R) circa 1967. (Image found online.  Original source unknown.)

Redding’s performance took place 57 years ago on June 17, 1967. He sang five songs: “Try A Little Tenderness”, “Respect”, “I’ve Been Loving You Too Long”, a cover of The Stones’ “Satisfaction” and today’s pick. Redding used every ounce of energy he had for the 20 minute set where he exhibited nothing but pure unadulterated joy on that stage. And his achingly impassioned vocal just shattered the bar for any singer who followed him because no one could come close to his ability for expressing every emotion he had in every note he sang. It was the highlight of a tragically short career that helps in keeping Redding the legend he remains more than five decades after his death. If I could attend ANY show in history, this would be the one.

The entire concert is available on Max along with the stand alone videos of both Redding’s and Jimi Hendrix’s performances from the shows as well. They are well worth every second of your time.

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Otis Redding on stage during the Monterey Pop Festival in June 1967. (Image found online.  Original source unknown.)

Otis Redding: “Shake” (Live performance at The Monterey Pop Festival in June 1967. Originally recorded in 1965. Written by Sam Cooke).

Stay safe & well.

Music Monday: June 10, 2024

Hi, everyone. Welcome to another edition of Music Monday.

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(Image found online.  Original source unknown.)

Rock & roll singer Gary Levone Anderson-better known as Gary U.S. Bonds-just celebrated birthday #85. He was born June 6, 1939 in Jacksonville, Florida and began singing in church as a child. He followed that by performing with some groups before setting out on his own. He is known for his hits “New Orleans” and “Quarter to Three” in 1960 and “School Is Out” from 1961.

Twenty years later, Bonds had a career resurgence courtesy of Bruce Springsteen. He had a few songs that were not used on his 1980 double album, The River, so he gave them to Bonds: The title track, “Dedication”(the album peaked at #27 in 1981), “Your Love” and “This Little Girl”, which became a Top Twenty hit in April of the same year. Steven Van Zandt contributed the song, “Daddy’s Come Home” and was one of the album’s producers along with Bonds, Springsteen and Rob Parissi, who was formerly the front man of the group Wild Cherry (he wrote their 1976 #1 hit, “Play That Funky Music”) .  

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Top: Gary U.S. Bonds in 1961. Bottom: His 1981 album. (Images found online.  Original sources unknown.)

William Royce “Boz” Scaggs was born in Canton, Ohio 80 years ago on June 8, 1944. The singer, songwriter & guitarist played with friend Steve Miller several times, including a stint as his band’s lead singer in the late 1960’s. Scaggs eventually became a solo performer who achieved success in the 1970’s with hits like “Lido Shuffle” and “Look What You’ve Done To Me”, then “Miss Sun” and “Heart Of Mine” in the 1980’s. The musicians Scaggs chose for his 1976 album, Silk Degrees, went on to form the band, Toto. Scaggs was also the owner of two San Francisco clubs, The Blue Lights & Slim’s but his jazz & blues infused sound is what he is best known for.

Boz circa 1969
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Top: Boz Scaggs circa 1969. Bottom: Scaggs circa 2000. (Images found online.  Original sources unknown.)

I cannot believe it has been nearly 20 years ago since I first discovered Amos Lee. The singer-songwriter who hails from Philadelphia, Pennsylvania released his debut album in March 2005 and I fell in love with his sound especially through the songs “Colors” and “Arms of a Woman”. I had the opportunity to see Lee in concert in 2014 at a small venue on Long Island. He did not disappoint.

Today’s song is from his 2011 album, Mission Bell. I just discovered a new version of this song which he added to his YouTube channel last year. It features an absolutely exquisite string arrangement and I am completely obsessed with it.

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Amos

Top: Amos Lee circa 2000 & 2024, bottom. (Images found online.  Original sources unknown.)

Gary U.S. Bonds: “Jole Blon” (1981, traditional, arranged by Michael Hurley and Moon Mullican).

Boz Scaggs: “Lowdown” (1976, written by Boz Scaggs and David Paich).

Amos Lee: “Violin” (2011, written by Amos Lee).

Amos Lee: “Violin” (With strings. 2023, written by Amos Lee).

Stay safe & well.

Music Monday: May 27, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

Memorial Day

(Image found online.  Original source unknown.)

Forty years ago Bruce Springsteen’s phenomenal seventh studio album broke through to the mainstream and turned him into megastar. Born in the U.S.A., which was released on June 4, 1984 by Columbia Records, spent four consecutive weeks at #1 on the Billboard Top 200 album chart a month later. It reclaimed the top spot again in January 1985 for 3 straight weeks.  

Seven of the 12 songs-“Dancing In The Dark”, “I’m On Fire”, “Cover Me”, “Glory Days”, “My Hometown”, “I’m Going Down” & the title track-became Top Ten hits. But all 45 minutes of the album solidified Springsteen’s place in music and pop culture history as it took on a life of its own, thanks in large part to five performance videos that were in heavy rotation on MTV.

To celebrate the record’s 40th anniversary and in honor of those who gave their lives in service to our country, below is my post from Memorial Day 2022.

Mem Day 2024

(Image found online.  Original source unknown.)

Today we pause to honor those who made the greatest sacrifice for our country, our privilege & our way of life. But let us not forget their family, friends and those they fought beside who were left behind as well. They live with that loss every day, not just on Memorial Day. It makes the phrase, “we don’t know them all, but we owe them all” resonate with even more meaning. Thank you to all the heroes & those who will carry them in their hearts and minds always.

When Bruce Springsteen released his 1984 career changing album, I remember reading a review that said in one verse from the title track, The Boss probably gave us the best definition of war ever put into words. And it is not defined by location, generation or ideology. It is defined by duty, sacrifice, bravery, honor and loss. And giving everything you have in the name of freedom.

I had a brother at Khe Sanh
Fighting off the Viet Cong
They’re still there
He’s all gone
“.

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The front & back covers of Bruce Springsteen’s iconic 1984 album. (Images found online.  Original sources unknown.)

Bruce Springsteen: “Born In The U.S.A.” (1984, written by Bruce Springsteen).

Stay safe & well.

Music Monday: April 29, 2024

Hi, everyone. Welcome to another edition of Music Monday.

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(Image found online.  Original source unknown.)

On January 16, 1964 a little club opened opened on Sunset Boulevard in West Hollywood, California. Singer Johnny Rivers was the first performer at The Whisky a Go Go that night. Over the last 60 years hundreds of acts have followed including legendary bands like Led Zeppelin, Fleetwood Mac and Guns ‘N’ Roses. Many of my great musical loves played there as well including Otis Redding, Elton John and The Doors. In fact, the latter were discovered there during their four month stint in 1966 and signed to a contract with Elektra Records.

Their self-titled debut album, released in January 1967, was an instant smash. It included a blues cover-Willie Dixon’s “Back Door Man”-along with original tracks like “Break On Through (To the Other Side)”, “The Crystal Ship” and the #1 hit, “Light My Fire”.

As much as I love this album, I tend to listen to the band’s subsequent ones more because of songs like “Roadhouse Blues”, “L.A. Woman” and “Hello, I Love You”. Then a random online poll asked for the best last track on an album. My usual answer is Bruce Springsteen’s “Jungleland”, a nine minute rock opera which is not only my favorite song of all time, it closed out the 1975 masterpiece, Born To Run.

But then I remembered the epic last track on The Doors first album. An unbelievably haunting, fearless, disturbing, brave and alarming saga set to music. Part song, part spoken word in a musical odyssey that takes us from the sublime (the music, Morrison’s incredibly rich baritone voice) to the shocking (an exploration of the Oedipal complex) while an unbelievably mesmerizing guitar riff flows throughout bookmarked with intense drumming and a remarkable organ & Fender piano bass arrangement. It is an experience, not just a tune.

To have the courage to write and record a psychedelic song of this magnitude is unbelievable enough, but to put it on your first record is just as bad ass as it gets. And it made its debut at The Whisky in 1966. For eleven & a half minutes, the listener is paralyzed into a hypnotic haze inside Jim Morrison’s mind which in this case was not an easy place to go. But what a stunning ride it was and continues to be.

Can you picture what will be?
So limitless and free
Desperately in need of some stranger’s hand
In a desperate land
“.

Whisky circa 1966
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The Doors 1970

Top: The Whisky A Go Go in 1966, the year The Doors were discovered there. Middle: The Doors circa 1966 (L-R): Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek). Bottom: The band circa 1970 (L-R): Krieger, Morrison (back), Densmore and Manzarek. (Images found online.  Original sources unknown.)

The Doors: “The End” (1967, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Stay safe & well.