Let’s Take A Moment Day 310

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Shakespeare music

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

Time for another mid-week Motown break. I love so many of the singers from the Motown era, but there are two voices that literally stop me dead in my tracks from the very first note they sing. One is Marvin Gaye & the other is David Ruffin, who had one of the most powerful, angst-filled & remarkable baritone voices of any decade of music. Monday marked the 80th birth anniversary of the most identifiable lead singer behind The Temptations, one of the label’s most successful acts. Ruffin, who was born January 18, 1941 in Mississippi, brought some of the group’s biggest hits to life including “My Girl”, “I Could Never Love Another” (Day 44), “Ain’t Too Proud To Beg” (Day 114), “(I Know) I’m Losing You” “Since I Lost My Baby” (Day 226). He influenced singers like Rod Stewart and Daryl Hall to his own Motown contemporaries like Martha Reeves, Marvin Gaye and Stevie Wonder.

Today’s song was his debut as a solo artist. It was originally intended for The Temptations to sing, but once Ruffin was dismissed from the group in 1968 he was able to take the song with him. This was because he was signed to the label as a solo performer as he joined the group after they were already signed to the label. The track showcases Ruffin’s range, intensity, torment and rawness all at once. It is a fabulous vocal and a great song which features something not common in most Motown songs-a superb piccolo flute arrangement.

I guess I loved you much too much.
How can I face tomorrow,
When yesterday is all I see?
I just don’t wanna face tomorrow, if you’re not sharing it with me.

David Ruffin

David Ruffin circa 1969. (Image found online.  Original source unknown.)

David Ruffin: “My Whole World Ended (The Moment You Left Me)” (1969, written by Johnny Bristol, Harvey Fuqua, James Roach and Pam Sawyer).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 170

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Bruce quote

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

Time for another mid-week Motown break.  I adore Martha & The Vandellas.  Lead singer Martha Reeves met Vandella Rosalind Ashford in the late 1950’s when she joined her and another singer, Annette Beard, in a group called The Del-Phis.  By 1962 they were known as The Vels backing up Marvin Gaye on his song, “Stubborn Kind Of Fellow”.  Then the female singers recorded a demo for Motown in singer Mary Wells absence and were offered a recording contract by label president Berry Gordy.  At that point they christened themselves by the group name they would become famous with.  In 1964 Beard left the group to have her first child so she was replaced by Betty Kelley, who joined just in time to record the trio’s signature hit, “Dancing In The Street”.  Kelley was fired from the group during the summer of 1967 allegedly for arguments with Reeves and for missing performances.  But a lot of the tension in the group came from declining record sales & their loss of Gordy’s support of them and many other Motown artists while he took over Diana Ross’ career to turn her into the first lady of the label.  By 1972 the group broke up when Reeves pursued a solo career.  That was the end of my favorite female group from the Motor City.   But in their prime, Martha & The Vandellas made some great music.

Each night as I sleep, into my heart you creep
I wake up feelin’ sorry I met you, hoping soon that I’ll forget you
When I look in the mirror to comb my hair
I see your face just a smiling there“.

Vandellas

Martha and the Vandellas in 1965. (L-to-R) Rosalind Ashford, Martha Reeves, and Betty Kelley.  (Image found online.  Original source unknown.)

Martha & The Vandellas:  “Nowhere To Run” (1965, written by Brian Holland, Lamont Dozier and Eddie Holland).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.