Music Monday: October 20, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Heart’s Ann Wilson celebrated birthday #75 this year. She was born June 19, 1950 in San Diego, California and raised in Seattle, Washington. Dubbed “The female Robert Plant” and an incredibly big fan of Led Zeppelin, it was she & her sister, Nancy Wilson, who paid tribute to that iconic rock band at the 2012 Kennedy Center Honors with their rendition of “Stairway To Heaven” accompanied by John Bonham’s son, Jason, on drums.

When Heart was founded in 1973, the Wilson sisters really came across as two definitive rock chicks led by Ann’s incredibly powerful voice, Nancy’s guitar prowess and their roles as the group’s primary songwriters. I discovered that chapter of Heart first and really enjoyed it. But then the band went through a major lineup change, a decline in popularity and a contract with a different record label, Capital Records. That led to Heart’s MTV years which started 40 years ago with the release of their self titled album in June 1985. It produced five singles over the next year including their first #1 hit (“These Dreams”) and three Top Ten hits including “What About Love”, “Nothing At All” and my favorite track which for some reason they have distanced themselves from. But many saw the videos featuring the Wilson sisters in corsets, big hair and heavy makeup singing more streamlined pop songs as a real betrayal of their rock roots.

When Dan Rather conducted The Big Interview for AXS TV with Ann and her sister in 2016, he asked them straight out if they sold out during those video driven years. Without hesitation, Ann replied “Yes”. Much respect for that acknowledgement rather than a denial or justification. They could not blame that decision on being innocent kids new to the industry when this chapter unfolded-they were both over 30 with 10 years of recording under their belt-which began with their debut album, Dreamboat Annie, released 50 years ago in September 1975. But the videos did the job the record company hoped for and increased the group’s popularity with a whole new audience. Over the last several decades, the Wilson sisters reclaimed their rock roots as their performance at the Kennedy Center Honors proved. Heart was inducted into the Rock & Roll Hall Of Fame in 2013.

Top: Heart’s 1985 self-titled album. Bottom: Ann Wilson (L) and Nancy Wilson (R) onstage performing “Stairway To Heaven” at the 2012 Kennedy Center Honors ceremony. (Images found online.  Original sources unknown.)

In March 1975 David Bowie released his ninth studio album, Young Americans. In addition to the title track, it includes “Can You Hear Me”, and two collaborations with John Lennon: One is a cover of The Beatles’ “Across The Universe” and the second, which was also the album’s second single-became Bowie’s first #1 hit-which reached the top spot in the country 50 years ago on September 20, 1975 for two weeks.

Five years later, Bowie released Scary Monsters (and Super Creeps) which has one of my personal faves, “Ashes To Ashes”. Over the next five years he changed his image slightly to embrace the new found medium of music television. By July 1985 he was riding high on the success of two big albums-1983’s Let’s Dance and 1984’s Tonight-which led to his performance at the UK Live Aid show. A month later, he gave us the collaboration we did not know we needed but we did. It was not only spectacular, it was an ode to the power of Motown. He and Mick Jagger-who was enjoying his own success thanks to his first solo record, She’s The Boss, released at the beginning of that year-teamed up to cover one of the Motor City’s biggest songs in August 1985 as a charity single to benefit the Live Aid relief fund. Their version became a #1 song in the UK and a Top Ten hit in the U.S., peaking at #7 forty years ago on October 12, 1985. The video is campy and fun and a testament to the power of these music icons in the video genre during its heyday.

Top: David Bowie’s 1975 album. Bottom: David Bowie (L) and Mick Jagger (R) in the video for their 1985 collaboration. (Images found online.  Original sources unknown.)

Jefferson Starship released Red Octopus 50 years ago on June 13, 1975. It was their second record in their second life-a spin-off born from the ashes of the 1960’s band, Jefferson Airplane-which formed in San Francisco in 1965 & was known for songs like “Somebody To Love”, “White Rabbit” and “Volunteers”. Marty Balin-a founding member of Airplane who quit the band in 1971-joined Starship after co-writing and singing lead on the song, “Caroline” for their 1974 album, Dragon Fly. Then he became the primary vocalist & songwriter for them until his departure in October 1978. The band’s string of hits in the 1970’s were either sung by or written by Balin (“With Your Love”, “Count On Me” and “Runaway”, ) and his reign of popularity started with their highest charting song-it peaked at #3 in October 1975-from Red Octopus.

The front & back covers of Jefferson Starship’s 1975 album. Back cover photo: Back row (L-R): Marty Balin, Paul Kantner, Craig Chaquico and David Freiberg. Front row (seated, L-R): Grace Slick, Pete Sears, Papa John Creach and John Barbata. (Images found online.  Original sources unknown.)

Tom Waits released his seventh studio album, Heartattack and Vine, 45 years ago in September 1980. It contains the song that fits Bruce Springsteen like a glove-“Jersey Girl”-which was included on his Live 1975-1985 album. But Waits’ original is all his own, not just because it is delivered in his signature distinctive gravelly voice but because it is his observation from his unique perspective as only he can describe it.

His ninth studio album, Rain Dogs, celebrates a milestone this year as well. It was released forty years ago in September 1985. The best known track on this record was also made famous by another voice-this time, Sir Rod Stewart-who released it as a single near the end of 1989 & it peaked at #3 in January 1990. But as great as the cover is, Waits’ original stands as another testament to the stories he tells about the every day moments in life so many tend to take for granted.

Tom Waits’ 1980 album (top) and his 1985 release (bottom). (Images found online.  Original sources unknown.)

Heart: “Crazy On You” (1975, written by Ann Wilson and Nancy Wilson).

Heart: “Never” (1985, written by Gene Bloch, Holly Knight and “Connie” (pseudonym for Sue Ennis, Ann Wilson and Nancy Wilson).

David Bowie: “Fame” (1975, written by Carlos Alomar, David Bowie and John Lennon).

David Bowie: “Ashes To Ashes” (1980, written by David Bowie).

David Bowie & Mick Jagger: “Dancing In The Street” (1985, written by Marvin Gaye, Ivy Jo Hunter and William “Mickey” Stevenson).

Jefferson Starship: “Miracles” (1975, written by Marty Balin).

Tom Waits: “Jersey Girl” (1980, written by Tom Waits).

Tom Waits: “Downtown Train” (1985, written by Tom Waits).

Stay safe & well.

25 Days Of Christmas Music 2024: Day 7

Hello, everyone. Welcome back to the countdown.

Day 7

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Thomas Alan Waits turns 75 today. Born December 7, 1949 in Pomona, California, I have been a fan ever since Bruce Springsteen covered “Jersey Girl” and I was stunned to discover it was not written by The Boss himself. Waits has made a career out of writing about the invisible people we pass in our lives everyday and reminds us that we all deserve a place in this world. And even if his words were not delivered in his signature distinctive gravelly voice, the beauty of his songs would still get the message across in an unforgettable way.

waits
Silent Tom 1
Silent Tom 2

Top: Tom Waits circa 2008. Middle & Bottom: The 1989 import featuring Waits version of today’s song. (Images found online.  Original sources unknown.)

In 1989 Waits recorded a holiday song with S.O.S. United-a music project started by Austrian film composer Harald Kloser-which featured a choir of children from 15 countries across four continents. The contrast of their smooth young voices with Waits’ rough gritty one is just mesmerizing. It’s like listening to a man who has had his faith restored in the season when he was not even aware it had left him.

For a female take on today’s Christmas classic, I present the incomparable Queen Of Soul, Aretha Franklin.

aretha-july-2011-e1522032002613

Photo taken by me at the f/k/a Jones Beach Theatre in Wantagh, NY in July 2011.

Tom Waits: “Silent Night” (1989, written by Franz Xaver Gruber).

Aretha Franklin: “Silent Night” (2008, written by Franz Xaver Gruber).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

Music Monday: October 14, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

The Heart of Saturday Night, the second studio album by singer & songwriter Tom Waits, was released on October 15, 1974 on Asylum Records. The title song was written as a tribute to writer Jean-Louis Lebris de Kérouac, better known as Jack Kerouac, the author of one of my all time favorite books, “On The Road”.

It is easy to see the similarities between he and Waits. They both observed and then relayed stories about the invisible and forgotten people of the world. On Day 189 of my Lockdown Countdown, I wrote about “the souls Waits zeros in on and shares with his audience. The ne’er-do-wells, the alcoholics, the hookers, the broken-hearted, the sad sacks, the angry types, the ones wondering where their lives went, the ones haunted by their choices or the ones just broken by life. Waits is their voice. And to me they are all people I want to get to know because, as the saying goes, there but for the grace of God. Waits extends a hand to each of them. And that in and of itself gives us all hope.” I love Waits’ view of the world. I believe Kerouac would, too.

Waits

The cover of Waits’ 1974 album. (Image found online.  Original source unknown.)

Hall & Oates 12th studio album, Big Bam Boom, was released 40 years ago on October 12, 1984. The first single & its fabulous video were released a week earlier and the song hit the #1 spot for one week in Dec 1984. The second single, “Method Of Modern Love”, peaked at #5 in February 1985. The duo has six #1 songs and 16 Top Ten hits in their career to date, which sadly may now be over after 50+ years. The two musicians are currently engaged in a legal battle over Oates allegedly trying to sell his half of the duo’s business without Hall’s required consent. I love these guys and I am seriously hoping they can resolve this matter amicably so we can all see them reunite on “Live From Daryl’s House”. Fingers crossed.

Hall Oates

The cover of the duo’s s 1984 album. (Image found online.  Original source unknown.)

Tom Waits: “(Looking for) The Heart Of Saturday Night” (1974, written by Tom Waits).

Hall & Oates: “Out of Touch” (1984, written by Daryl Hall and John Oates).

Stay safe and well.

Let’s Take A Moment Day 504

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Aug 2021 blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

On Aug 1, 1985 Tom Waits released one of his most innovative albums, Rain Dogs. And one of his biggest fans, Rolling Stone Keith Richards, played guitar on three songs & sang back-up on one. Today’s pick is one of the more well known tracks from the record.

Rod Stewart released his own fabulous version in 1989 and it reached the #3 spot on the chart the following year. If you were a fan of the show “How I Met Your Mother” you might remember this song in the finale done in a slower more somber tone by Everything But The Girl. But as a huge fan of Waits, I love his original take the best.

Outside another yellow moon
Has punched a hole in the night time mist
I climb through the window and down to the street
I’m shining like a new dime

Waits

The back cover of Tom Waits 1985 album, Rain Dogs. (Image found online.  Original source unknown.)

Tom Waits: “Downtown Train” (1985, written by Tom Waits).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 350

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

March 2021 Blog

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

On March 1, 1973 Closing Time, the debut album by Tom Waits, was released. It was not a big seller but it was well received by critics. More importantly, it introduced the world to this poetic expressive storyteller. I would not discover this brilliant man until Bruce Springsteen’s 1985 cover of “Jersey Girl” so I had the pleasure of discovering the first album & over half a dozen others all at once. I have been a Waits fan ever since and today’s song from that first album is just one reason why.

Well, the room is crowded, people everywhere
And I wonder, should I offer you a chair
Well, if you sit down with this old clown, I’ll take that frown and break it
Before the evening’s gone away, I think that we can make it
“.

Waits Closing Time

Tom Waits’ 1973 debut album. (Image found online.  Original source unknown.)

Tom Waits: “I Hope That I Don’t Fall In Love With You” (1973, written by Tom Waits).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 301

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Shakespeare music

(Image found online.  Original source unknown.)

I know we are still facing a serious situation but a new year gives us hope for the new days, seasons, opportunities & moments ahead. Still, music is something that will never change for me. It is my refuge, the most comforting part of my life & the one thing I consistently count on. So until a more normal semblance of life returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day. And if this helps anyone else, even better.

Time for another rock & roll birthday. Rod Stewart was born on January 10, 1945 in London, England making this birthday his 76th. His long and varied career started in the 1960’s as a member of a few bands including The Jeff Beck Group & The Faces before he completely focused exclusively on his solo career in the 1970’s. His first hit single “Maggie May” (see Day 242), a #1 hit for five weeks in the US in 1971, established his career and he never looked back. His music embraces soul, rock, dance, pop, Christmas and the big band genres.

I absolutely LOVE today’s song, I love the video for it, too & I love this time in Stewart’s career. This track is from his 1988 album, Out Of Order. which also featured “Forever Young”, “Lost In You” & Stewart’s cover of “Try A Little Tenderness”, a hit for Otis Redding in 1966. Stewart was well past the disco tunes, heavily immersed in his love for all things soul & doing great covers like his duet with Ronald Isley on “This Old Heart Of Mine” in 1989 followed by the Tom Waits beauty, “Downtown Train” later the same year. Rod Stewart is another voice that has followed me my whole life through a number of fantastic songs including today’s.

I don’t want you to come ’round here no more
I beg you for mercy
You don’t know how strong my weakness is
Or how much it hurts me
“.

Rod circa 2017

Rod Stewart circa 2017. (Image found online.  Original source unknown.)

Rod Stewart: “My Heart Can’t Tell You No” (1988, written by Simon Climie and Dennis Morgan).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 189

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Jane Austen Music Quote

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

Sometimes when I read comments under the videos I watch on YT I find myself swooning over a few of them. For example, on a Tom Waits video someone wrote, “(He) writes songs about wounded people with just a few drops of dream left.” That is one of my favorite descriptions of his music and probably one of the most accurate assessments of the people he writes about. I know he is an acquired taste for some, but I fell in love with his voice the first time I heard “Tom Traubert’s Blues” (see Day 92) which is on his 1976 album, “Small Change”. That record was released today in that year and even though it was his fourth studio album, Waits was just beginning to show us the depth of his story telling skills, his prowess for writing unique and gripping lyrics and the vast group of characters who take center stage in his songs.

Another album of his that I love is 1974’s “The Heart Of Saturday Night”. The songs on this record show a more tender and reflective side to this immensely talented artist, especially today’s track in which he is the focus. The way he tells his story of regret is absolutely exquisite, as is the beautiful string arrangement. To me his songs are like books I cannot put down, or when I must, I dream for the moment I can get back to the world he has created. Despite how eccentric his characters may seem, the thing they all have in common is just wanting to be noticed for who they are since perhaps the different aspects of their lives has made them somehow less noticeable. Or worse, invisible.

Those are the souls Waits zeros in on and shares with his audience. The ne’er-do-wells, the alcoholics, the hookers, the broken-hearted, the sad sacks, the angry types, the ones wondering where their lives went, the ones haunted by their choices or the ones just broken by life. Waits is their voice. And to me they are all people I want to get to know because, as the saying goes, there but for the grace of God. Waits extends a hand to each of them. And that in and of itself gives us all hope.

I never saw the mornin’ ’til I stayed up all night
I never saw the sunshine ’til you turned out the light
I never saw my hometown until I stayed away too long
I never heard the melody until I needed the song

I never saw the white line ’til I was leavin’ you behind
I never knew I needed you until I was caught up in a bind
I never spoke “I love you” ’til I cursed you in vain
I never felt my heart strings until I nearly went insane

I never saw the east coast until I moved to the west
I never saw the moonlight until it shone off of your breast
I never saw your heart until someone tried to steal it, steal it away
I never saw your tears until they rolled down your face

I never saw the mornin’ ’til I stayed up all night
I never saw the sunshine ’til you turned out your love light babe
I never saw my hometown until I stayed away too long
I never heard the melody until I needed the song
“.

Tom Waits

Tom Waits circa 1976. (Image found online.  Original source unknown.)

Tom Waits: “San Diego Serenade” (1974, written by Tom Waits).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 166

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Bruce quote

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

Today in 1964 Roy Orbison, nicknamed The Caruso Of Rock, released today’s track.  It would go on to become his signature song.  It hit #1 for three weeks in the fall of that year and it is a true rock & roll classic.  If you need to be reminded of this man’s genius and how effortless he made his music look, I suggest you watch “Roy Orbison & Friends:  A Black & White Night” from 1988 to see him perform with several of his fans including Bruce Springsteen, Tom Waits, Elvis Costello. k.d. lang and J.D. Souther.  It is a great concert.

Many artists have covered this song.  Some not so good, some not so bad.  One of the best I think is by Chris Isaak who recorded his cover for the album, “Beyond The Sun”.  But nothing beats the original.  Mercy!

I guess I’ll go on home, it’s late
There’ll be tomorrow night, but wait
What do I see?
Is she walkin’ back to me?

Roy

Roy Orbison photographed on April 13, 1967.  John Hercock/Central Press/Getty Images.  (Image found online.  Original source unknown.)

Roy Orbison:  “Oh, Pretty Woman” (1964, written by Bill Dees and Roy Orbison).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 142

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Charlie Brown No Music No Life

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

One of my favorite years for music was 1978.  New albums like Bruce Springsteen’s “Darkness On The Edge Of Town”, Eric Clapton’s “Backless”, Van Morrison’s “Wavelength”, Neil Young’s “Comes A Time”, Blondie’s “Parallel Lines”, Tom Waits’ “Blue Valentine” , Boston’s “Don’t Look Back”, “Easter” by The Patti Smith Group and The Rolling Stones’ “Some Girls” were released.  And it is from the Stones record that we arrive at today’s song which hit #1 on this day in 1978.

It only stayed in the top spot for a week, but as the lead single from the record, it helped the album get to #1 as well for two weeks that summer.  The song features a great sax solo and one of the best bass lines I ever heard.  And despite  the fact that  I am not much of a dancer, I could not help moving along with the infectious beat of the record.  The band was divided over whether or not it was an actual disco song, but eventually they released their first extended 12″ inch remix soon after the record topped the charts.  I prefer the original mix of this song, which is one of my favorites ever by this band.

Some Girls

   (Image found online.  Original source unknown.)

The Rolling Stones:  “Miss You” (1978, written by Mick Jagger and Keith Richards).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Let’s Take A Moment Day 104

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Kerouac

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

In September 1998 I watched the pilot episode of “Will & Grace”.  As much as I liked the two title characters, I fell head over heels in love with their friends, Jack & Karen, played by Sean Hayes and Megan Mullally.  Their chemistry was remarkable and their onscreen antics were like none I had ever seen before on network television.  For the eight years of the show’s original run, I followed Mullally on the talk show circuit where I discovered her beautiful singing voice.  She has put out a number of CD’s over the years and one included one of my favorite songs by Tom Waits (see Day 92).  I saw her perform it on “The Late Show With David Letterman” in 2002 and she was fabulous.  The last verse has some of the most beautiful lyrics I have ever heard:

“In a land there’s a town, and in that town there’s a house
And in that house there’s a woman
And in that woman there’s a heart I love
I’m gonna take it with me when I go.”

Megan

(Image courtesy of meganmullally.net.)

Megan Mullally:  “Take It With Me” (2002, written by Tom Waits and Kathleen Brennan).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.