Music Monday: September 15, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Last month I celebrated the 50th anniversary of the most important album in my world. Today I am honoring the second one, released 60 years ago. Otis Blue/Otis Redding Sings Soul was released on September 15, 1965. This album is the one that helped me love this man for more than his posthumous #1 masterpiece, (“Sittin’ On The) Dock Of The Bay”.

Otis Blue featured eleven tracks including three songs written by Redding (with one of them co-written with soul singer Jerry Butler), a Jagger-Richards tune and three songs written by Sam Cooke, one of Redding’s idols. The album is resplendent with his signature achingly impassioned vocal in every note while the house band at Stax-also known as the incomparable Booker T & The MG’s-keeps up with his energy and drive. And the band’s virtuoso guitarist, Steve Cropper, along with label co-owner Jim Stewart (1930-2022), produced the album with renowned engineer Tom Dowd (1925-2002) who worked with dozens of artists including Aretha Franklin, Cream, The Allman Brothers Band and Eric Clapton.

Earlier in 1965-March to be exact-another album by Redding was released, The Great Otis Redding Sings Soul Ballads. The collection includes covers of Sam Cooke’s “Nothing Can Change This Love” and Jerry Butler’s “For Your Precious Love” along with the Redding-Cropper collaboration, “Mr. Pitiful”, amongst its 12 tracks.

Last week marked Redding’s 84th birth anniversary. He was born on September 9, 1941 in Dawson, Georgia and was raised in Macon. He started singing in church and later in talent shows. By 15 when he left school to help support his family, he was singing with Little Richard (who inducted Redding into the Rock & Roll Hall Of Fame in 1989). By 1962 he had recorded & released his first hit with Stax, “These Arms Of Mine”. Over the next impossibly short five years, he established himself as The King Of Soul with notable performances at The Apollo Theater in 1963, The Whisky a Go-Go in 1966 & The Monterey Pop Festival in 1967 before his death in a plane crash at the end of that year on December 10. Sixty years later, Otis Blue remains the pinnacle of Redding’s career.

Above: Otis Redding circa 1965. (Image found on OtisRedding.com. Original source unknown.)

(Image found online.  Original source unknown.)

Otis Redding: “Respect” (1965, written by Otis Redding).

Otis Redding: “A Change Is Gonna Come” (1965, written by Sam Cooke).

Otis Redding: “I’ve Been Loving You Too Long” (1965, written by Jerry Butler and Otis Redding).

Otis Redding: “Shake” (1965, written by Sam Cooke).

Otis Redding: “(I Can’t Get No) Satisfaction” (1965, written by Mick Jagger and Keith Richards).

Otis Redding: “You Don’t Miss Your Water” (1965, written by William Bell).

Stay safe & well.

Music Monday: March 3, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Marianne Faithfull died on January 30, 2025 at age 78. She began her musical career as a folk singer in 1964. When she met The Rolling Stones the same year at a party, their manager gave her one of their newly written songs to record which was the first of a series of hit singles for her. A relationship with Mick Jagger followed from 1966-1970 and while she proved to be a muse for him, her life became tainted by substance abuse which led to a decline in both her personal & professional lives. Her 1979 album, Broken English, started a career comeback with with more albums to follow along with acting roles on stage, TV and in movies.

Marianne Faithfull: December 29, 1946 – January 30, 2025.

Marianne Faithfull circa 1967. (Image found online.  Original source unknown.)

Jerry Butler died February 20, 2025 at age 85. He was the last surviving original member of The Impressions but left them in 1960 to pursue a solo career. In addition to his rich baritone voice, he also co-wrote several songs including “I’ve Been Loving You Too Long” with Otis Redding (who recorded it in 1965 for his Otis Blue album), “Only The Strong Survive” and “Never Give You Up” with Philly Soul superstars Kenneth Gamble and Leon Huff. The former is also the title track to Bruce Springsteen’s 2022 album of soul classic covers. The latter was a hit for Butler in 1968 & covered by The Black Keys for their 2010 album, Brothers. Their version is also featured on the soundtrack for the British crime thriller, “Luther” (S3 E4). Despite his tenure on the Cook County Board of Commissioners in Illinois from 1985-2018, Butler stayed active in music where he served as the chairman of the board for the Rhythm and Blues Foundation.

Jerry Butler: December 8, 1939 – February 20, 2025.

Jerry Butler performing in the 1970’s.(Image found online.  Original source unknown.)

Roberta Cleopatra Flack died on February 24, 2025 at the age of 88. She was born February 10, 1937 in Black Mountain, North Carolina. She started singing in church as a child and began formal piano training at age nine. In the 1970’s she was known for her own work which led to her becoming the first artist to win Record & Song Of The Year back to back at the Grammy Awards in 1973 & 1974.

That decade also gave her success with a few of her duets with Donny Hathaway in the (“Where Is The Love” was a #5 hit in August 1972 and “The Closer I Get To You” peaked at #2 in May 1978), later with Peabo Bryson (“Tonight, I Celebrate My Love” was a Top 20 hit in November 1983) and Maxi Priest (“Set The Night To Music” peaked at #6 in 1991). In 1996, The Fugees cover of “Killing Me Softly”-a #1 hit for Flack for five non-consecutive weeks in 1973- brought attention back to the original recording. In 1974 she received her third #1 song with “Feel Like Making Love” which topped the chart for one week in August 1974.

But it was the placement of one of Flack’s songs in 1971’s “Play Misty For Me”-the directorial debut by Clint Eastwood-that was not only an incredible moment in cinema but led to her first #1 song. It held the top spot for six weeks in the spring of 1972, yet it was originally released on her 1969 album, First Take. I was today year’s old when I found out she did not write that song as I always thought she did. It was written in 1957 by British singer-songwriter Ewan MacColl, the stage name for James Henry Miller. But Flack’s interpretation, her slow, easy yet powerful vocal placed perfectly in an incredible film gave the track and the artist the attention both so richly deserved.

Roberta Flack: February 10, 1937 – February 24, 2025.

Roberta Flack performing in the 1970’s. (Image found online.  Original source unknown.)

Yesterday marked the 75th birth anniversary for the beautiful & unbelievably talented Karen Carpenter. She was born in New Haven, Connecticut on March 2, 1950 and moved with her family to Downey, California when she was a teenager so her brother, Richard, could pursue a career in music. When she joined him as a drummer in his trio, he discovered her sublime voice. It was that sound along with his producing and arranging skills that catapulted them to stardom as a duo in the 1970’s.

There is a story I have read on several sites that mentions a time Karen crossed paths with John Lennon at a restaurant in Los Angeles, California and he told her that he loved her voice. Rumor has it that as flattered as she was, Karen did not believe it as she never realized how supremely gifted she was. The song I have chosen to honor her with today has amassed 67 million views on YouTube. And that is only one platform and only one song from the string of hits she put her vocals to. That is the staggering magnitude of her talent.

Karen Carpenter: March 2, 1950 – February 4, 1983.

Karen Carpenter in the 1970’s. (Image found online.  Original source unknown.)

Marianne Faithfull: “As Tears Go By” (1964, written by Mick Jagger, Andrew Loog Oldham and Keith Richards).

Jerry Butler & The Impressions: “For Your Precious Love” (1958, written by Arthur Brooks, Richard Brooks and Jerry Butler).

Roberta Flack: “The First Time Ever I Saw Your Face” (1969 & 1972, written by James Henry Miller, stage name Ewan MacColl).

The Carpenters: “Rainy Days & Mondays” (1971, written by Roger Nichols and Paul Williams).

Stay safe & well.

Music Monday: October 4, 2021

Hi, everyone. Welcome back to the blog for this week’s Music Monday.

Music Monday

(Image found online.  Original source unknown.)

During quarantine I discovered a fantastic series on Hulu. “Luther” was originally a Starz show that ran from 2010-2019. It featured the unbelievably sexy Idris Elba in the title role as a cop struggling with all the darkness of his job & the ballast it brought to his personal life. Set in the UK, it was clear early on that music was one of the stars of this incredibly well written & well produced series.

Someone bts was clearly a Slowhand fan as one episode featured a character who lived above a vacuum store named “Clapton’s” while another featured a woman named after one of his most famous tunes, “Layla”.

Other songs & artists were featured as well including jazz queen Nina Simone’s great cover of The Animals’ “Don’t Let Me Be Misunderstood”, Robert Plant with “Satan Your Kingdom Must Come Down”, Roxy Music with “Love Is The Drug”, Dusty Springfield with “I Only Want To Be With You”, Alabama Shakes with “Boys & Girls” and the fabulous track that closed out Season 3.

It is by American duo The Black Keys comprised of vocalist & guitarist Dan Auerbach and drummer Patrick Carney. Featured on their 2010 album, Brothers, it was originally a Top 20 hit in 1968 for soul singer Jerry Butler who co-wrote it with future Philadelphia Soul legends, Gamble & Huff.

The cover version may have been released more than forty years after the original but The Black Keys gave it such an old school feel I was sure it was some obscure R&B Top 40 hit from the 1970’s that managed to elude me. It is just that evocative, rich & incredibly soulful. Any artist that can do that to a song is one I am happy to add to my playlist.

Do you see these tears in my eyes
There’s no use in lyin’, ’cause I really cried
You think you are gonna take me
And put me on the shelf
I’d rather die than see you
With somebody else”.

Black Keys

Drummer Patrick Carney (L) and vocalist & guitarist Dan Auerbach (R) of The Black Keys. (Image found online.  Original source unknown.)

The Black Keys: “Never Gonna Give You Up” (2010, written by Jerry Butler, Kenneth Gamble and Leon Huff).

Stay well.

Let’s Take A Moment Day 150

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Charlie Brown No Music No Life

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

We have hit another benchmark as we are now at day 150 of the pandemic.  Wow.  So let’s commemorate it with an extra special song & singer to make it easier to realize the five month mark.

Otis Redding.  Otis Redding.  Otis Redding.  My heart belongs to this beautiful talented singer with the most intense, passionate & soulful voice I ever heard.  I swoon over every single note of his music each time it is played.  When I really need an Otis fix, I watch his Monterey Pop Festival performance from 1967 where he literally stole the show from the likes of Jimi Hendrix, The Who, Jefferson Airplane and other well established musical acts.  Redding’s music has been featured in movies like “Dirty Dancing” (“These Arms Of Mine” & “Love Man”), “Love Actually” (“White Christmas”), “Platoon” (“Dock Of The Bay”) and in TV shows like “The Sopranos” (season 2 episode 9 featured “My Lover’s Prayer”) and in the original “Magnum, P.I.” (season 7 episode 16 featured “Try A Little Tenderness”).  Today’s song, which is included on the album, “Otis Blue/Otis Redding Sings Soul”, arguably his best album released in September 1965, was featured on “The Wonder Years” in season 1 episode 6 where Kevin & Winnie danced to it at a school function.  Only Redding’s music could make a show as great as that one even better.

I’ve been loving you a little too long
I don’t want to stop now, oh
With you my life
Has been so wonderful
I can’t stop now“.

Otis

Otis Redding at the Monterey Pop Festival in June 1967.  (Image found online.  Original source unknown.)

Otis Redding:  “I’ve Been Loving You Too Long” (1965, written by Otis Redding and Jerry Butler).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.

Valentine’s Day Music Countdown: Song #2

The next singer on the countdown had what I believe was the greatest voice EVER.  No one before or since can sing a song with such a heart wrenching achingly impassioned vocal that was Otis Redding’s signature sound.  His talent for writing songs was also phenomenal, as he either wrote or co-wrote such classics as “Respect”, (Sittin’ On) The Dock of the Bay”,  “I Can’t Turn You Loose”, “I’ve Got Dreams To Remember”, “These Arms of Mine” and the #2 song on the countdown, “I’ve Been Loving You Too Long“.

Co-written with Jerry Butler and released in the spring of 1965, the song hit #2 on Billboard’s R&B chart & #21 on its  Hot 100 chart, giving Redding his first hit song.  The lyrics are simple, straight forward yet unbelievably powerful in Redding’s pleading vocal:

My love is growing stronger, as you become a habit to me
Oh, I’ve been loving you too long
I don’t wanna stop now

This song is ranked #110 on Rolling Stone’s 500 Greatest Songs of All Time list, with Redding ranked at #8 on their list of the 500 Greatest Singers of All Time.  If you have never heard this man’s glorious voice or this song, please listen to it now.  You have been denied this gift long enough.

Or better yet, watch Redding’s entire performance from 1967’s  Monterey Pop Music Festival.  This song comes on at the 6:53 mark, but all 5 songs Redding delivers in his high energy persona are worth the watch (not to mention a glimpse of Booker T & the MG’s and the Mar-Keys providing the music to his phenomenal show) .  If you have never seen any part of this performance, it will change your life.  Nothing I write will come close to describing this legend of soul.

Redding was inducted into the Rock & Roll Hall of Fame in 1989 by Little Richard.

In the blog featuring the #10 song on the countdown, I wrote that the end to Jackie Wilson’s story was one of the saddest in music.  Well, Redding’s is the first, in my humble opinion.  His entire music career took place by the time he was 26 years old, with the exception of his only #1 record which hit that spot several weeks after his death (for “Dock of the Bay”, which also earned Redding two posthumous Grammy Awards for Best Male R&B Performance and Best R&B Song).  Add to that the fact that Redding left behind a young wife, three very small children and only gave us a glimpse of what his voice could have done for the world throughout his future career, and the story is almost too sad for words.

Redding died in a plane crash in Wisconsin’s Lake Monona on December 10, 1967.  Five members of his touring band, the Bar-Kays, were also killed.

I have been to the R&R HOF twice since it opened, and while I loved the history of it all and the spectacular artifacts on display to help illustrate the story that is rock & roll, it was unbelievably daunting to come thisclose to the display showcasing parts of the twin-engine Beechcraft plane wreckage Redding was killed in.  The fact that we have lived without his voice for almost half a century is heartbreaking enough on its own.

At least we had him for a little while.  What a gift he was to music.

Enjoy!!!