Music Monday: August 25, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

“The screen door slams
Mary’s dress waves
Like a vision she dances
Across the porch as the radio plays”
-Bruce Springsteen, “Thunder Road”, 1975.

Those lines opened the most important record of my life. And today that masterpiece of an album celebrates its 50th anniversary.

The iconic photo on the cover of the album was taken by Eric Meola.

Bruce Springsteen was 25 when it was released. During his performance on VH-1’s “Storytellers” in 2005, he said the album was “his big invitation to his audience, to himself, to anybody that was interested to a long earthly journey. Hopefully in the company of someone you love, people you love and in search of a home you can feel a part of.”  

So glad I went along for the ride. It was like taking the road less traveled and realizing it was the best one after all.  

I still remember the day I went to buy it. When I heard him on the radio, for some reason I did not wonder what Springsteen looked like. I did not think about that on my way to the record store, either. I’m not sure why. But one look at him on the cover of BTR-the long hair, the beard, the leather jacket, that smile…..sa-woon. But even with that physical swagger, it was his words that reached a place inside me so deep I did not think anything or anyone could touch.

The album’s back cover featured The Big Man (and his sax), Clarence Clemons. (Credit: Eric Meola).

As I have written before, “BTR is my heart. Springsteen’s masterpiece changed the trajectory of my life. I loved music before I heard this record, without question. But I became consumed by it because of BTR.

The musicianship, the poetry, the pageantry of his storytelling, the characters and his cautionary tales about life, loss, betrayal & the inevitable roads life will sometimes take us down all led to a phenomenal place I now know as home. This record brought light to the darkest place I knew, hope to replace despair, joy to remove unimaginable sadness and peace for a shattered heart. There are no words adequate enough to thank someone for all of that. Not to mention how great it was to find another person who loved the magic of the night just as much as I did.”

I will love Bruce forever.  He is home to me.  And that started with Born To Run

Thank you, Bruce.  

(Credit: Eric Meola.)

Bruce Springsteen: “Thunder Road” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Tenth Avenue Freeze-Out” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Backstreets” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Born To Run” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Jungleland” (1975, written by Bruce Springsteen).

Stay safe & well.

Music Monday: April 29, 2024

Hi, everyone. Welcome to another edition of Music Monday.

Blog image for 2024

(Image found online.  Original source unknown.)

On January 16, 1964 a little club opened opened on Sunset Boulevard in West Hollywood, California. Singer Johnny Rivers was the first performer at The Whisky a Go Go that night. Over the last 60 years hundreds of acts have followed including legendary bands like Led Zeppelin, Fleetwood Mac and Guns ‘N’ Roses. Many of my great musical loves played there as well including Otis Redding, Elton John and The Doors. In fact, the latter were discovered there during their four month stint in 1966 and signed to a contract with Elektra Records.

Their self-titled debut album, released in January 1967, was an instant smash. It included a blues cover-Willie Dixon’s “Back Door Man”-along with original tracks like “Break On Through (To the Other Side)”, “The Crystal Ship” and the #1 hit, “Light My Fire”.

As much as I love this album, I tend to listen to the band’s subsequent ones more because of songs like “Roadhouse Blues”, “L.A. Woman” and “Hello, I Love You”. Then a random online poll asked for the best last track on an album. My usual answer is Bruce Springsteen’s “Jungleland”, a nine minute rock opera which is not only my favorite song of all time, it closed out the 1975 masterpiece, Born To Run.

But then I remembered the epic last track on The Doors first album. An unbelievably haunting, fearless, disturbing, brave and alarming saga set to music. Part song, part spoken word in a musical odyssey that takes us from the sublime (the music, Morrison’s incredibly rich baritone voice) to the shocking (an exploration of the Oedipal complex) while an unbelievably mesmerizing guitar riff flows throughout bookmarked with intense drumming and a remarkable organ & Fender piano bass arrangement. It is an experience, not just a tune.

To have the courage to write and record a psychedelic song of this magnitude is unbelievable enough, but to put it on your first record is just as bad ass as it gets. And it made its debut at The Whisky in 1966. For eleven & a half minutes, the listener is paralyzed into a hypnotic haze inside Jim Morrison’s mind which in this case was not an easy place to go. But what a stunning ride it was and continues to be.

Can you picture what will be?
So limitless and free
Desperately in need of some stranger’s hand
In a desperate land
“.

Whisky circa 1966
The_Doors_1966
The Doors 1970

Top: The Whisky A Go Go in 1966, the year The Doors were discovered there. Middle: The Doors circa 1966 (L-R): Jim Morrison, John Densmore, Robby Krieger and Ray Manzarek). Bottom: The band circa 1970 (L-R): Krieger, Morrison (back), Densmore and Manzarek. (Images found online.  Original sources unknown.)

The Doors: “The End” (1967, written by The Doors: John Densmore, Robby Krieger, Ray Manzarek and Jim Morrison).

Stay safe & well.

Music Monday: Oct 9, 2023

Hi, everyone. Welcome to another edition of Music Monday.

Bruce quote 2023

(Image found online.  Original source unknown.)

Today marks the 83rd birth anniversary for the intelligent and passionate man who was first introduced to the world as a Beatle. John Winston Ono Lennon was born October 9, 1940 in Liverpool, England. His love of music began young and by the time he was 15, he had formed The Quarrymen. That is how he met Paul McCartney and later, George Harrison.

Out of the ten albums Lennon released separately from The Beatles (an 11th album, Milk and Honey, was released posthumously in 1984), half were with Yoko Ono. But the album turning 50 this year is credited to him only.

It was recorded in the summer of 1973 at the famous Record Plant Studio (where Bruce Springsteen recorded Born To Run) in New York City, the place where Lennon made his home after leaving the United Kingdom. It was released in October 1973 and was his first time as the sole producer, having previously shared that role with Phil Spector. The album went to #9 & the title track went to #18 on the Billboard charts in December 1973. More importantly, the song had the line which became synonymous with one of Lennon’s basic views on life:

Love is the answer and you know that for sure“.

Sending “limitless undying love” across the universe to the man who gave us so much and who took a big part of our hearts when he left over 40 years ago.

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john-lennon-studio-recording

Top: John Lennon during his Beatles days circa 1965. Middle: His 1973 album. Bottom: Lennon in the studio in 1980. (Images found online.  Original sources unknown.)

John Lennon: “Mind Games” (1973, written by John Lennon).

Stay safe and well.

Music Monday: June 5, 2023

Hi, everyone. Welcome to another edition of Music Monday.

Bruce quote 2023

(Image found online.  Original source unknown.)

In January I spotlighted the 50th anniversary of Bruce Springsteen’s debut album. Today the celebration centers around his fourth studio record. Darkness On The Edge Of Town was released 45 years ago on June 2, 1978. It came three years after his breakthrough smash, the masterpiece also known as Born To Run. The delay came from Springsteen’s battle to free himself from the contract with his first manager, Mike Appel, due to conflicts over the direction The Boss’s career should take.

Enter John Landau, the rock critic who befriended the man he called “rock & roll future” in 1974. He has been Springsteen’s manager and ally ever since. Landau co-produced BTR and was the primary producer on all of The Boss’s albums until 2001’s, The Rising.

If BTR was about hope, Darkness expressed what happened when that feeling was gone. One who may “spend your life waiting for a moment that just won’t come”, or those who “walk through these gates with death in their eyes” to kill themselves day by day, piece by piece in the grueling existence of a mind numbing job like one offered by factory life, or those who had nothing but were better off that way because “soon as you’ve got something they send someone to try and take it away” to the ones who “got stuff running ’round my head that I just can’t live down”.

The take away messages seemed clear but empowering in a sense. Springsteen offered some relief by way of his own experience which was to let go of what he had heard his whole life to make way for the new narrative of real life which is that most people exist rather than live. And life was going to be hard enough to live without those false promises mocking you at every turn. Real life was not going from comfort to comfort to get what you wanted, it was about having to fight hard just to get what you needed. The real world was a harsh unflinching one where surviving day to day without that hope meant acknowledging that no one was coming to save you. You had to do that yourself. And the discovery that even if prayers were heard, sometimes the answer was no.

To mark 45 years of this fabulous record, I am sharing two songs today. The first is one of the songs he performed with his ever faithful E Street Band the night he was inducted into the Rock & Roll Hall Of Fame in 1999. It is the track from the album that is my go to when I need to remember I have a choice in how I can react to whatever is going on in my head because of the lies life not only wants to tell us but expects us to believe. It is reclaiming your mind, heart and soul. It is yet another example that even when Bruce does not have a solution, he still has an answer. And it takes me away from life long enough to catch my breath and regain my strength in order to return to the struggle.

“Blow away the dreams that tear you apart
Blow away the dreams that break your heart
Blow away the lies that leave you
Nothing but lost and brokenhearted”.

The second song was featured in the 2001 movie, “Prozac Nation”. It is an outtake from the album that has to be one of the most heartbreaking tales Springsteen has ever told. According to his website, the original 1978 full band version of this song was not released until the 2010 album of the same name. Despite leaving this track off Darkness, he was performing it live during that period so fans were clamoring for it to be made available. He recorded a new stripped down version of this song for the 1999 album, 18 Tracks. And it is this simple sparse yet unbelievably elegant track that has completely captivated me from the very first moment I heard it. The melancoly timbre of his voice accompanied only by a solo piano arrangement underscores the sadness and pain of the story he shares with us. It hits me every time I hear it that this man has been one of the greatest gifts of my life. He sings my existence in every note: the good, the bad, the broken and the dark. Yet somehow I am comforted by the knowledge that he gets it. And no matter what, he is my home. My safe place. My constant.

“All my life I fought that fight
The fight that you can’t ever win
Every day it just gets harder to live
The dream you’re believing in”
.

Bruce zzz

darkness back

bruce Z

Bruce zz

Top two images: The front and back covers of Springsteen’s 1978 album. Bottom two images: alternate photos taken during the photo shoot for the album. All photos by Frank Stefanko. (Images found online.  Original sources unknown.)

Bruce Springsteen: “The Promised Land” (1978, wriiten by Bruce Springsteen).

Bruce Springsteen: “The Promise” (1999, wriiten by Bruce Springsteen).

Stay safe and well.

Let’s Take A Moment Day 120

Hi everyone.  Hope you are all well and continue to stay that way during this global health crisis we are facing.  But in addition to protecting your physical wellness, what are you doing to stay mentally healthy today?

Thoreau music quote

 

(Image found online.  Original source unknown.)

I know we are in a serious situation, but I need a break from the gloom, doom and bullying by way of hoarding. Music has always been my refuge and watching those beautiful Italians singing to each other from their balconies reaffirmed my belief that music is the answer. So until the old normal returns, I am going to share a song I listen to that helps me escape the current state of things, if only for a few minutes each day.  And if this helps anyone else, even better.

We are now at the four month mark of the pandemic.  Four months!!!  One hundred & twenty days.  And some states-namely California, Florida & Texas-are seeing a staggering increase in new cases that are breaking the records set only three months ago.  It is just too much to bear.  I am clinging tighter than ever to what makes me happy as opposed to what is going in the world right now.  And what makes me the happiest is music.

It has always been in my life and I have loved it since I was a young child.  But my intense love affair with it began the first time I heard the “Born To Run” album in its entirety.  I was compelled to buy it after hearing two songs on the radio.  One was “Backstreets” and the other is today’s pick.  I only heard half of this one that day but it was enough to show me it was a party set to music.  I may not have been invited to it, but I was welcomed in and asked to stay.  I learned about the history of the incredible band and how “The Big Man”, Clarence Clemons, came to join them.

Once I started going to Springsteen’s concerts, I discovered this was one of the highlights of the show and it led to the band’s introductions.  It also became a moment of reverence and reflection after Clemons passed away in 2011 to keep his memory and his presence very much a part of the band he meant so much to.  And to the legions of fans like me who would never forget how he & Springsteen encouraged all the women in the audience to wave back when he sang the line, “All the little pretties raise their hands”.  Sometimes it leaves such a lump in my throat when I realize I will never see that moment again in person, but I am so incredibly grateful I had the chance to do so many, many times.  And out of all the times I did see it, in addition to the hundreds of clips of this song recorded live that are all over YouTube, one of my favorite performances of this song was when he & The E Street Band performed it live at Springsteen’s Rock and Roll Hall of Fame’s induction ceremony on March 15, 1999 at the Waldorf-Astoria Hotel, New York.  Until I attended The E Street Band’s induction ceremony in 2014, that is.

In his speech honoring his band, Springsteen expressed his regret in not insisting his band get inducted with him in 1999.  He told the story of how he and friend/E Street guitarist Steven Van Zandt fought about this but Springsteen, blaming his ego, felt he earned the right to be honored and inducted on his own.  So in 1999 the band stood by him as if nothing happened which showed incredible professionalism, loyalty and friendship on their part.  But with the deaths of band keyboardist Danny Federici in 2008 and then Clemons, Springsteen was heartbroken that they did not live to see that honor (Federici’s children and Clemons’ widow accepted on their behalfs).  Part of his speech in 2014 included these beautiful words:

“We’ve hurt one another in big & small ways but in the end we kept faith with each other.  I told a story with The E Street Band that was and is bigger than I ever could have told on my own…that is the hallmark of a rock & roll band.  The narrative you tell together is bigger than any one you could have told on your own.”

With all the lessons Springsteen has taught me through his music, that was one of the saddest.  But today’s song is still one of my all time favorites.  Now I feel expected to attend the party.  I will always love how much history I have with it and how it taught me decades after first hearing it that we all must learn to live with big regrets, even those crowned The Boss.

When that change was made uptown
And the Big Man joined the band
From the coastline to the city
All the little pretties raise their hands
I’m gonna sit back right easy and laugh
When Scooter and the Big Man bust this city in half.”

BTR

Born To Run album photos by Eric Meola.  (Image found online.  Original source unknown.)

 

Bruce Springsteen:  “Tenth Avenue Freeze Out” (1975, written by Bruce Springsteen).

I do not own the rights to anything.  I am just sharing what I love and how I am coping with you.

Stay well.