Hi, everyone. Welcome to another triple play edition of Music Monday.

(Image found online.  Original source unknown.)

Earlier this month we said goodbye to music mogul & co-founder of A & M Records, Jerry Moss, who died on August 16, 2023 at the age of 88. Best known as the “M” of the label to pair with his friend and partner, Herb Alpert, who was the “A”. Together they brought us music by Cat Stevens n/k/a Yusuf Islam, Carole King, The Carpenters, The Flying Burrito Brothers, Peter Frampton, The Police, Janet Jackson, not to mention Alpert and his group, The Tijuana Brass and so many others.

Known for their artist friendly approach and for giving the ruthless recording industry a human touch, Moss and Alpert nurtured their talent and took their label-which started in a garage for $100 in 1962-and grew it to the $500 million dollar empire they sold to PolyGram in 1989. About a decade later, they received an additional $200 million for a breach of the integrity clause. Both Moss and Alpert reminded us that music is not only about the people who create it, but the people in the industry like they were who gave those artists the platform to make music so it would reach the rest of us.

Top: Herb Alpert (L) and Jerry Moss outside their studio in 1966. Middle: Alpert (L), the A to Moss’s (R) M circa 1972. Bottom: Moss with Richard (L) and Karen Carpenter in 1969. (Images found online.  Original sources unknown.)

The Allman Brothers Band fourth studio album, Brothers and Sisters, is celebrating its 50th anniversary. Released in August 1973, it was the group’s first full non-live release after two devastating losses: The death of co-founder & guitarist Duane Allman from a motorcycle accident on October 29, 1971 at the age of 24 and the death of bassist Berry Oakley also as a result of a motorcycle crash a year later on November 11, 1972 at the same age of 24.

Thankfully, he recorded two songs for the 1973 album before he died and one of them is today’s second highlighted pick. Written and sung by guitarist Dickey Betts, who will turn 80 later this year on December 12, it was the lead single from the album and features the musician at his best. The track also gave the band commercial success in the traditional sense as it was their only record to hit the Top Ten, peaking at #2 in October 1973.

(Image found online.  Original source unknown.)

I am not a fan of rap. It is just not a genre that ever spoke to me. But when Lauryn Hill’s debut solo studio album-The Miseducation of Lauryn Hill-was released on August 25, 1998, it was everywhere so I could not help but take notice of it. Plus the music was not only rap but a blend of that, hip-hop, R&B and neo soul which gave many of her songs a different and unique type of sound. The first time I heard the third of today’s featured songs, I felt like I had been gut punched. I immediately got its message from the pain and honesty Hill expressed in the lyrics and her vocal delivery. It spoke to me and so many women I knew who had found ourselves in similar situations at one point in our lives, so there was no way we could not relate to the power of her writing.

Hill went on to work with Aretha Franklin and a few other artists and released a live album in 2002 (MTV Unplugged No. 2.0). But despite the enormous success of Miseducation (it won five Grammy Awards in 1999, including Album Of The Year), the former Fugees frontwoman never released another studio record. There are a multitude of stories and theories on that subject and I do not want to take part in any speculation. I just know that the song I fell in love with was fabulous and as someone who lives for music, I wish to acknowledge that.

(Image found online.  Original source unknown.)

The Carpenters: “Superstar” (1971, written by Bonnie Bramlett and Leon Russell).

The Allman Brothers: “Ramblin’ Man” (1973, written by Dickey Betts).

Lauryn Hill: “Ex-Factor” (1998, written by Lauryn Hill).

Stay safe and well.