Music Monday: September 2, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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(Image found online.  Original source unknown.)

It is Labor Day here in the U.S. For all of us working for a living, I hope it is a day of rest for you. If not, I hope you have one as soon as your schedule allows because it is not just the linemen who can use a small vacation.

I know I need a small vacation
But it don’t look like rain
And if it snows that stretch down south
Won’t ever stand the strain
“.

Lineman A

A lineman circa 1940’s. (Image found online.  Original source unknown.)

Glen Campbell: “Wichita Lineman” (1968, written by Jimmy Webb).

Stay safe & well.

Music Monday: August 26, 2024

Hi, everyone. Welcome to another edition of Music Monday.

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(Image found online.  Original source unknown.)

Yesterday marked the 85th anniversary of “The Wizard Of Oz” movie. It premiered on August 25, 1939 starring Judy Garland as Dorothy, Ray Bolger as The Scarecrow (and Hunk), Jack Haley as The Tin Man (and Hickory), Bert Lahr as The Cowardly Lion (and Zeke), Margaret Hamilton as The Wicked Witch Of The West (and Miss Gulch), Frank Morgan as the Great & Powerful Oz (and Professor Marvel) and Billie Burke as Glinda The Good Witch.

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An online image that claims to be the original movie poster from 1939. (Image found online.  Original source unknown.)

The first time I saw this movie I was maybe 6 or 7 and it just destroyed me. I could not understand why Dorothy wanted to leave her three beautiful friends. I got that she wanted to get back to her Aunt & Uncle, but since the chances of Dorothy catching another flying house to Oz were virtually zero, by leaving she was never going to see her friends again. I think I started sobbing when she told the Tin Man, “Don’t cry, you’ll rust so dreadfully”, and I never stopped.

After that my mother never let me watch it again and I was fine with that. Honestly I could not bear that pain again, plus the Munchkins freaked me out a little. Then when I was in high school I was babysitting for a few kids who wanted to watch the movie. This time I fell in love with the farm, the relationships between Dorothy and her friends both in and out of Oz, the exquisite beauty of Garland’s voice and Glinda’s dress and almost everything else (except the Munchkins who still creeped me out). I watch it whenever I can now and still appreciate the magic of the story which at its core for me is about Dorothy finding her people. I do not believe I will ever tire of it.

And I was today years old when I discovered there is an All Things Oz Museum in Chittenango, New York-the birthplace of L. Frank Baum-the author of all 14 Oz books which began with The Wonderful Wizard of Oz, published in 1900.

If happy little blue birds fly
Beyond the rainbow
Why oh why can’t I
“.

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Glinda
wicked with and dorothy

Four iconic images from the film: One: An MGM official still of the main cast (L-R): Jack Haley as The Tin Man, Bert Lahr as The Cowardly Lion, Frank Morgan as the Great & Powerful Oz (with Toto the dog by his feet), Judy Garland as Dorothy Gale and Ray Bolger as The Scarecrow. Two: Haley, Garland, Bolger and Lahr in costume. Three: Billie Burke as Glinda The Good Witch. Four: Margaret Hamilton (L) as The Wicked Witch Of The West with Dorothy (Garland). (Images found online.  Original sources unknown.)

Judy Garland: “Somewhere Over The Rainbow” (1939, written by Harold Arlen and Edgar Yipsel “Yip” Harburg).

Stay safe & well.

Music Monday: August 19, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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It was 55 years ago when a crowd of over 400,000 people gathered at Max Yasgur’s 600 acre farm in Bethel, NY for a three day festival which lasted four due to weather interruptions. Officially named The Woodstock Music and Art Fair but more commonly referred to as Woodstock, the music festival was held from August 15-18, 1969 and featured more than 30 musical performers to entertain the “peace & love” crowd four months before the world said goodbye to the counterculture decade.

Poster
Max Yasgur
Max Yasgur on stage

Top: A copy of the concert poster found online. Middle: Max Yasgur, the owner of the farm where the music festival took place. Bottom: Yasgur addresses the crowd at the festival. (Images found online.  Original sources unknown.)

Woodstock was where Crosby, Stills & Nash made their second public performance after releasing their debut album in May 1969. They played an acoustic set followed by an electric one where they were joined by Neil Young. And the fact that the definitive funk & soul band, Sly & The Family Stone, took the stage in the middle of what was deemed a “hippie fest” and gave one of the best the performances of their career still blows my mind. Jimmy Hendrix’s now legendary guitar take on our national anthem remains a highlight from the concert as well.

There was something for everyone whether they enjoyed folk, pop, rock or funk music. In my tween years I always thought this was the dream concert I wished I could have seen live. But then I saw a clip of Otis Redding at Monterey and knew that was truly the place I needed to be. Still, Woodstock was a monumental event in both history and music. A movie of highlights from the epic concert was released in March 1970, followed by a soundtrack album two months later. A Director’s Cut of the film was released in 1994 to mark the 25th anniversary of the festival followed by a 40th Anniversary edition in 2009. The new footage changed my favorite performances over the years, but the four I share below have remained my top choices for about a decade.

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Jefferson Airplane
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Four photos taken at Woodstock in August 1969: One: Tim Hardin. Two: Sly Stone. Three (L-R): Paul Kantner, Grace Slick, Marty Balin and Jack Casady of Jefferson Airplane. Four (L-R): David Crosby, Graham Nash and Stephen Stills of CSN). (Images found online.  Original sources unknown.)

Tim Hardin (performed Friday, August 15, 1969):  “If I Were A Carpenter” (1967, written by Tim Hardin).  

Sly & The Family Stone (performed Sunday, August 17, 1969):  “I Want To Take You Higher” (1969, written by Sly Stone).

Jefferson Airplane (performed Sunday, August 17, 1969):  “Volunteers” (1969, written by Marty Balin and Paul Kantner).

Crosby, Stills & Nash (performed Monday, August 18, 1969): “Suite: Judy Blue Eyes” (1969, written by Stephen Stills).

Stay safe & well.

Music Monday: August 12, 2024

Hi, everyone. Welcome to another edition of Music Monday.

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(Image found online.  Original source unknown.)

Robert Palmer would have celebrated birthday #75 this year. Born January 19, 1949 in England, the incredibly gifted soul singer who oozed suave sophistication and elegance in his bespoke suits, honed his craft listening to blues, jazz and soul music while living in Malta during his father’s service in the British Naval Intelligence Division.

After his tenure in the jazz-rock fusion band, Dada, Palmer was signed as a solo act for Island Records in 1974. His early hits included 1979’s “Bad Case Of Loving You (Doctor, Doctor)” and 1980’s “Looking For Clues”. In 1984 he joined forces with drummer Tony Thompson of Chic, guitarist Andy Taylor and bassist John Taylor-the brothers from Duran Duran-to form the supergroup, The Power Station. The quartet’s self-titled debut album was released nearly 40 years ago in March 1985 and peaked at #6 a month later on the U.S. Billboard 200 chart.

That record set the stage for Palmer’s solo breakthrough with his album, Riptide, released in November 1985. It peaked at #8 on the US Billboard 200 chart in May 1986, the same month he hit #1 with “Addicted To Love” (also made memorable thanks to its striking video featuring an all girl rock band). He also had a #2 hit with “I Didn’t Mean To Turn You On” in November of the same year. In June 1988 he released the album, Heavy Nova, which produced another #2 hit with “Simply Irresistible” in September 1988. Palmer died of a heart attack in September 2003 at the very young age of 54.

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Robert-Palmer

Top: The Power Station circa 1985 (L-R): Tony Thompson, John Taylor, Robert Palmer and Andy Taylor. Middle: Palmer & his all girl band from the “Addicted To Love” video. Bottom: Palmer circa 1990. (Images found online.  Original sources unknown.)

On August 12, 1964 The Beatles first movie was released in the United States. “A Hard Day’s Night”, which opened in the U.K. a month earlier, introduced us to more of their incredible music, capitalized on their enormous popularity and showcased the comedic side to The Fab Four. And it was hilarious.

The U.K. soundtrack album was released at the same time the movie opened there, but the U.S. soundtrack was released in June 1964. It featured a different cover picture and several different song selections than the U.K. version, most notably instrumental versions of “I Should Have Known Better”, “And I Love Her”, “Ringo’s Theme (This Boy)” and the title track.

US Hard Days Night
HardDayUK
Movie poster

Top: The U.S. soundtrack album for the movie along with the UK version (middle). Bottom: The movie poster. (Images found online.  Original sources unknown.)

Robert Palmer: “Every Kind Of People” (1978, written by Andy Fraser).

The Power Station: “Some Like It Hot” (1985, written by Robert Palmer, Andy Taylor and John Taylor).

The Beatles: “A Hard Day’s Night” (1964, written by John Lennon and Paul McCartney).

Stay safe & well.

Music Monday: August 5, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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It is the end of an era for one of classic rock’s biggest bands. Aerosmith announced their official retirement on August 2 via social media, bringing their “Peace Out: The Farewell Tour” to an abrupt end. The decision was based on the sad discovery that lead singer Steven Tyler’s voice injury is now confirmed to be permanent.

The band, founded in Boston in 1970, still boasts all five original members: Joe Perry and Brad Whitford on lead and rhythm guitars, respectively, Tom Hamilton on bass, Joey Kramer on drums and Tyler on vocals and piano. They have enjoyed a 54 year career through a series of ups (their 1975 break through album, Toys In The Attic, an impressive cover of The Beatles’ song, “Come Together” and a career resurgence in the 1990’s thanks to their provocative videos playing in heavy rotation on MTV) and downs (addiction issues, personnel feuds, teaming up with a boy band as co-headliners for Superbowl XXXV).

Aerosmith may have also helped usher in rap to the mainstream with their 1986 duet of “Walk This Way” with hip hop group Run-DMC. That aside, the rockers also gave us what is probably the best installment of “Wayne’s World” in a 1990 episode of “Saturday Night Live” (with Tom Hanks as Barry, the band’s roadie, no less). None of us were worthy for that moment but the band made us feel like we were.

Thank you for over five decades of music and surprises, Aerosmith. You will be missed but you have earned your rest.

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Top: Aerosmith circa 1975. Bottom: The band circa 2023 (L-R): Brad Whitford, Joe Perry, Joey Kramer, Tom Hamilton (back) and Steven Tyler. (Images found online.  Original sources unknown.)

Porter Wagoner was born August 12, 1927 in West Plains, Missouri. In addition to his long career as a singer and songwriter in country & gospel music, he hosted a TV show where he introduced the now living legend Dolly Parton as a regular in 1967. Together they released several duets and 13 albums between 1967 and 1980.

In 1972, she released a tribute album, My Favorite Songwriter, Porter Wagoner, which features 10 covers of his songs. They had one #1 hit together in 1974, which was a pivotal year for Parton: She topped the country charts with “Jolene”, leading to her departure from Wagoner’s show which caused the two of them to become estranged until 1988. Her 1974 song, “I Will Always Love You”, was written as a tribute to him.

Dolly-and-Porter
Dolly 2

Top: Porter Wagoner (L) and Dolly Parton (R) circa 1967. Bottom: Parton’s 1972 tribute album to Wagoner. (Images found online.  Original sources unknown.)

Aerosmith: “Dream On” (1973, written by Steven Tyler).

Porter Wagoner and Dolly Parton: “Please Don’t Stop Loving Me” (1974, written by Porter Wagoner and Dolly Parton).

Dolly Parton: “Lonely Comin’ Down” (1972, written by Porter Wagoner).

Stay safe & well.

Music Monday: July 29, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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Another big loss in music for 2024. Singer Abdul “Duke” Fakir died on July 22 at age 88. He was the last surviving member of The Four Tops, one of Motown’s premier vocal groups. The four original members were together for 44 years without any personnel changes, a feat nearly unheard of in the music industry. On top of their success with Motor City material, the Tops also covered songs from outside of that genre including “If I Were A Carpenter” and “Walk Away Renee”, a cherished favorite of mine. They were also the only Motown group to perform at the Live Aid concert in Philadelphia in 1985. It is indeed the end of a beautiful era of music.

Abdul
Four Tops

Top: Abdul “Duke” Fakir in 2009 at the 51st Grammy Awards ceremony where The Four Tops received the Lifetime Achievement Award. Bottom: The group circa 1968 (L-R): Renaldo “Obie” Benson, Levi Stubbs, Fakir and Lawrence Payton. (Images found online.  Original sources unknown.)

Happy birthday to singer/songwriter Pete Yorn who just celebrated his 50th. Born July 27, 1974 in New Jersey, he first rose to fame in 2001 with his incredible debut, musicforthemorningafter. Ten more studio albums followed along with several live ones and EPs. He has also covered a few songs by that other guy from Jersey, Bruce Springsteen: “Dancing In The Dark” and “New York City Serenade”. Yorn’s take on the Albert Hammond 1972 classic, “It Never Rains In California”, was featured in the 2003 movie, “Stuck On You”. Yorn just announced his new record, The Hard Way, will be released next month.

Pete

Pete Yorn circa 2022. (Image found online.  Original source unknown.)

I just rewatched “After Life” for the 900th time since it ended in 2022. The incredibly beautiful series, written & directed by my spirit animal, Ricky Gervais, affected me in a way no other series ever has. That is saying something given the fact that TV has been a lifelong constant of mine. The series was spectacularly real, heartbreaking, funny, brave and unbelievably eloquent. And the music chosen for each episode was absolute perfection.

A song featured in S2 E2 was one I had never heard before and the sheer beauty of it hit me to my core. It was written by one of my favorite songwriters, the American treasure known as Jimmy Webb. His longtime friend & musical collaborator, Glen Campbell, recorded it first for his 1988 album, Light Years.  Then he recorded it with Webb the same year for a Canadian TV show but it was not released until 2012 on Glen Campbell and Jimmy Webb: In Session.  Webb recorded it himself for his 1996 album,  Ten Easy Pieces, and it is this version that was featured in the show. I never thought I could love Webb more after the elegance of “Wichita Lineman” but I was wrong.

Jimmy

(Image found online.  Original source unknown.)

The Four Tops: “7 Rooms Of Gloom” ( 1967, written by Brian Holland, Lamont Dozier and Eddie Holland).

Pete Yorn: “Lose You” (2001, written by Pete Yorn).

Jimmy Webb: “If These Walls Could Speak” (1996, written by Jimmy Webb).

Stay safe & well.

Music Monday: July 22, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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Before we get to the music, I would like to remember comedian & actor Bob Newhart who died July 18, 2024 at the age of 94. The accountant turned copywriter turned comedian turned sitcom/movie actor & author was at the center of two of the best comedies in television history: “The Bob Newhart Show” (1972-1978) and “Newhart” (1982-1990). He then made appearances on several high profile shows including “ER”, “Desperate Housewives” and “The Librarians” before his Emmy winning turn as Professor Proton in “The Big Bang Theory”. Newhart revived that role on “Young Sheldon” for three episodes with the last one in 2020 serving as his final TV appearance after a combined 57 years on television. He is also a permanent part of the holiday season thanks to his role as Buddy’s dad in the 2003 Christmas movie, “Elf”.

I have been such a fan of this man’s ability to be so uproariously funny all while keeping his dead pan expression. His delivery and timing were unmatched, and his capacity to see the humor in the most banal situations is also part of why I adore him. In a 2015 blog post, I wrote about how I adjusted to my schedule working a second shift job (4PM-12AM) by turning to one of my most constant sources of comfort, television. And Newhart was a huge part of that ride.

It started with David Letterman, courtesy of his NBC show, which aired from 12:30am to 2am.  He was followed by three episodes of another of the greatest shows ever-“The Mary Tyler Moore Show” from 2am-3:30am, then two episodes of “The Bob Newhart Show” (the Chicago series, not the Vermont one) from 3:30am-4:30am. Those three shows with their collective group of accompanying characters became my very own Island Of Misfits and I loved being a part of them.

Soon another addition to my newly created world arrived by way of the “Newhart” series. It was not only warm, quirky and hilariously funny, but the last episode still holds as arguably the greatest TV finale of all time nearly 35 years later. It was absolutely ingenious.

I was lucky enough to meet Newhart in 2006 at a signing for his first book, “I Shouldn’t Even Be Doing This! and other things that strike me as funny” where one of the things he mentioned was that his experience making “Elf” was a lot of fun. And he said it with a big broad toothy smile as if he was afraid his standard deadpan look might not convey his joy. I am glad he had as much fun as he gave us. Rest in peace, Bob. Thank you for all the laughs.

Bob Newhart Show
Newhart cast
Papa Elf

Top: The cast of “The Bob Newhart Show” (L-R, from top): Bill Daily, Peter Bonerz, Marcia Wallace (center), Bob Newhart & Suzanne Pleshette. Middle: The cast of “Newhart” (L-R, from top): Tom Poston, Mary Frann, Newhart, Julia Duffy, Peter Scolari, John Voldstad, Tony Papenfuss and William Sanderson. Bottom: Newhart as Papa in the 2003 Christmas movie, Elf”. (Images found online.  Original sources unknown.)

Elvis Presley’s first single was released 70 years ago on July 19, 1954. It was a cover of a song written and originally performed by American blues singer Arthur Crudup in 1946. Presley recorded it with the two musicians whom he joined forces with to form The Blue Moon Boys-guitarist Scotty Moore (who would go on to be a long time studio & touring guitarist for The King) and bassist Bill Black (he left the trio in 1958)-after they were all introduced by Sam Phillips, the owner of Memphis’s Sun Records studio.

The historic meeting between the trio is listed on the Graceland website timeline dated July 4, 1954 with the following paragraph:

Elvis meets Scotty and Bill but nothing really clicks until July 5, when after a tedious session, Elvis and the guys break into a sped-up version of Arthur “Big Boy” Crudup’s “That’s All Right.” This song, backed with “Blue Moon of Kentucky,” becomes the first of five singles of early Elvis songs recorded and released on the Sun label.

How interesting to note that only two weeks lapsed from the recording date (July 5) and the release date (July 19). Regardless, this is where it all started for Presley and for all of us who would eventually crown him The King.

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The Blue Moon Boys circa 1954 (L-R): Scotty Moore, Elvis Presley and Bill Black. (Image found online.  Original source unknown.)

The Doors fourth studio album, The Soft Parade, was released 55 years ago on July 18, 1969. It featured the songs “Touch Me”, “Wild Child” and the title track. The album-the first to list each songwriter individually rather than as a collective group endeavor, a format they went back to on 1971’s “L.A. Woman”-debuted just one year after their third record, 1968’s Waiting For The Sun, and four months after Morrison’s arrest for lewd & lascivious behavior for allegedly exposing himself during a Florida concert.

Despite reports from all three of his bandmates and several people in attendance who stated that the incident never happened, Morrison was convicted of profanity and indecent exposure in 1970 and received a $500 fine along with a six month prison sentence. He remained free on bail while an appeal was pending but his death in July 1971 stopped that process. However, Morrison was granted a posthumous unanimous pardon from the Florida Board Of Executive Clemency in December 2010 courtesy of the exiting governor. Thank you, Charlie Crist.  

The group performed several of their new songs for PBS’s Critique Show in 1969. It is part of a 2002 documentary, Soundstage Performances, which features 13 live TV appearances by the band chronicling their astounding evolution in their all too brief existence.

Every presentation is dazzling but the Critique Show is absolutely sublime. Despite the filming date coming a month after his arrest, and Morrison’s ongoing struggle with fame and substance use, he looked to be in exquisite form. His voice, his demeanor & confidence, his interaction with and enjoyment of his bandmates was on full display. At several points he even turned to face them, giving no thought to his back facing the camera. Morrison was in his element, as were Densmore, Krieger and Manzarek-so together we see and hear an absolutely stunning private concert.

This was the era I adored most for the band, especially Morrison. Having spent two years adjusting to the insanity of the band’s immediate success, he was growing both professionally and personally. This was a man who had not been a singer or performer until The Doors were founded in 1965, yet his swagger and presence were that of a seasoned frontman in mind, body and soul. Already well advanced beyond his 25 years, the pretty boy physique we were introduced to just two years earlier was now more mature, more masculine and more expressive with his longer hair, bearded face and fuller frame. A beautiful man with a beautiful gift which helped make The Doors fourth album a hit.

The Soft Parade
The Doors 1969 PBS

Top: The Doors 1969 album. Bottom: The band on the soundstage during their performance for the PBS Critique Show filmed in April 1969 (L-R: Ray Manzarek on keyboards, John Densmore on drums, Robby Krieger on guitar and Jim Morrison (center) on vocals. (Images found online.  Original sources unknown.)

Bonus: It was 55 years ago that the Apollo 11 Moon Landing took place on Sunday, July 20, 1969. Lift off occurred four days earlier for Crew Commander Neil Armstrong, Lunar Module Pilot Buzz Aldrin and Command Module Pilot Michael Collins. The historic landing was broadcast live, with people around the country glued to their TV sets to watch Armstrong take a human’s first steps on the moon. His fitting and eloquent statement at that moment-“That’s one small step for man, one giant leap for mankind”-is still one of the most revered and recognized quotes of all time. All three rocket men returned to earth in Hawaii on July 24 and were treated to a ticker-tape parade in New York City the following month.

Two months before the 45th anniversary of the moon landing, “Mad Men’s” 2014 season 7 episode, “Waterloo”, featured the impending event highlighted by the anticipation of and reaction to it by several main characters as history was unfolding on national television. For those of us either not yet born or too young to remember this moment of immense accomplishment and pride in U.S. history, the episode is a great watch for a vicarious experience.

Side note: Do you think Armstrong could have predicted that his image on the moon would become the face of MTV when the channel launched 12 years later on August 1, 1981? Or that the same image would become the trophy for the channel’s award statues? Me neither.

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The Apollo 11 official crew portrait (L-R): Commander Neil Armstrong, Command Module Pilot Michael Collins and Lunar Module Pilot Buzz Aldrin. Middle: The MTV logo featuring Armstrong’s historic footstep. Bottom: The channel continued the trend as its award statues were also based on the Moon Landing. (Images found online.  Original sources unknown.)

Elvis Presley: “That’s All Right” (1954, written by Arthur William “Big Boy” Crudup).  

The Doors: “Tell All The People” (Live performance on PBS’s Critique Show filmed in April 1969. Written by Robby Krieger).

Elton John: “Rocket Man” (1972, written by Elton John and Bernie Taupin).

Stay safe & well.

Music Monday: July 15, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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(Image found online.  Original source unknown.)

Jai “Jaimoe” Johanny Johanson was born Johnny Lee Johnson 80 years ago on July 8, 1944 in Mississippi. He was one of the two drummers behind one of the best and most creative groups in music, The Allman Brothers Band, which was founded 55 years ago.

Before his role as an original member with them, he was part of the touring bands for soul superstars Otis Redding and Sam & Dave. Once Johanson became Duane Allman’s first recruit for his new group in February 1969, the drummer’s fate in one of the most innovative & talented bands in music was sealed. Their infused sound-a combination of jazz, blues, R&B, country and rock-inspired their phenomenal jams at live shows, a few of which were captured on their 1971 breakthrough album, At Filmore East.

Johanson is still playing today, most notably with Friends Of The Brothers and Jaimoe’s Jasssz Band. You can follow his appearances on his Instagram and Facebook pages. After the death of Dickey Betts in April of this year, Johanson became the ABB’s only surviving member. But what those six extraordinary bandmates created together holds as one of the greatest chapters in music history.

I’ve been run down and I’ve been lied to
And I don’t know why I let that mean woman make me a fool
She took all my money wrecks my new car
Now she’s with one of my good time buddies
They’re drinkin’ in some cross-town bar
“.

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Jaimoe
Jaimoe and family

Top: The Allman Brothers Band circa 1969 (L to R): Duane Allman, Gregg Allman, Butch Trucks, Dickey Betts, Berry Oakley and Johanson. Middle: The drummer circa 2015. Bottom: Daughter Jahonie, Wife Catherine, Johanson and Daughter Cajai in January 2014. (Top two images found online.  Original sources unknown. The third picture is from Jaimoe’s Facebook page taken by Rick Diamond on January 10, 2014 at the Fox Theatre in Atlanta during the Gregg Allman Tribute Concert. )

The Allman Brothers: “Whipping Post” (1969, written by Gregg Allman).

Stay safe & well.

Music Monday: July 8, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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(Image found online.  Original source unknown.)

A Hard Day’s Night, the first movie by The Beatles, opened in the United Kingdom 60 years ago on July 6, 1964. It premiered in the United States a month later. With Beatlemania in full swing, the film was a huge success and turned the band into megastars. It also showcased their comical sides, brought out their personalities and let the audience see them as individuals as well as a collective group of musicians.

This anniversary coincided with Ringo Starr’s 84th birthday on July 7. The movie was the perfect way for the fans to finally hear from the man behind the drums. We saw his affable charm and his naturally funny demeanor highlighted by his wry wit. It helped earn him the moniker “The Funny Beatle” and his own theme in the movie.

It was an instrumental version of a Lennon & McCartney tune that was originally released by The Fab Four in 1963. Their producer, Sir George Martin, arranged the movie track which featured musician Vic Flick on guitar. His expertise was previously showcased on the James Bond Theme song, written by Monty Norman, which was heard first in 1962’s Dr. No movie.

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Ringo 1964
Ringo

Top: The movie poster for “A Hard Day’s Night”. Middle: Ringo Starr circa 1964. Bottom: Starr circa 2010. (Images found online.  Original sources unknown.)

The Beatles: “This Boy” (1963, written by John Lennon and Paul McCartney).

The George Martin Orchestra: “Ringo’s Theme” (1964. Arranged by George Martin, written by John Lennon and Paul McCartney).

Stay safe & well.



Music Monday: July 1, 2024

Hi, everyone. Welcome to this week’s edition of Music Monday.

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(Image found online.  Original source unknown.)

Twenty years ago singer Nona Gaye sang the national anthem at the NBA All-Star game. A solo performance would have been enjoyable enough on its own, but she turned it into a virtual duet with and in honor of her father, Marvin, who died 20 years earlier in 1984 when Nona was nine.

A year before his death Marvin, the crowned Prince of Motown, performed the same song at the same all star game. He delivered it with his own soulful and unique spin, leaving nearly everyone in the arena in awe.

Nike used Marvin’s recording and video clips from that 1983 appearance for its 2008 commercial for the USA Basketball Men’s National Team. It was a testament to Marvin’s timeless sound, his unforgettable interpretation of our national anthem and his status as a musical legend.

Have a safe and happy 4th of July, everyone.

Marvin
Marvin and Nona

Top: Marvin Gaye in 1983. Bottom: Marvin on video accompanying daughter Nona’s live performance in 2004. (Images found online.  Original sources unknown.)

Marvin Gaye:  “The Star Spangled Banner” (as performed on February 13, 1983 at the NBA All Star Game in California.  Written by Francis Scott Key (lyrics in 1914) and John Stafford Smith (music circa 1773).

Nona Gaye and Marvin Gaye: “The Star Spangled Banner” (as performed on February 15, 2004 at the NBA All Star Game in California.  Written by Francis Scott Key (lyrics in 1914) and John Stafford Smith (music circa 1773).

Stay safe & well.