25 Days Of Christmas Music: Day 19

Hello, everyone. Welcome back to the countdown.

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

In a year where Bruce Springsteen celebrated several career milestones including the 50th anniversary of his masterpiece record, Born To Run, the 45th anniversary of his double album, The River, the end of another successful world tour AND he was the subject of the biopic, “Springsteen: Deliver Me From Nowhere”, 2025 also marks 50 years since he made his first contribution to the holiday season, recorded December 12, 1975.

Here’s how Bruce’s social media accounts announced the anniversary:

Bruce kicked off the holiday season in a lasting way, on this day 50 years ago, performing “Santa Claus is Comin’ to Town” at C.W. Post during the “Born to Run” tour — a bit of concert magic that grew into the holiday tradition we know today.

I grew up on Long Island, so the fact that this song was recorded on my old stomping grounds makes me feel even closer to my hero. And 20 years ago, in October 2005 when Springsteen was on a solo acoustic tour for Devils & Dust, I saw him perform not far from that college campus-at the Nassau Coliseum in Uniondale, New York. During that show, Bruce made a comment about my hometown that has always stuck with me. He said, “Long Island & New Jersey-the flip side of the same tragic coin”. He always makes even the darkest reality a poetic moment.

When Bruce released his final single from Born In The U.S.A. 40 years ago in November 1985, the B side was his 1975 Christmas recording. This is my very own copy of it. (Image by me.)

(Image by me.)

(Image by me.)

Bruce Springsteen: “Santa Claus Is Comin’ To Town” (1981 & 1985, recorded live at C.W. Post College in Brookville, NY on December 12, 1975, written by J. Fred Coots and Haven Gillespie).

Bruce Springsteen: “Merry Christmas Baby” (1986, written by Lou Baxter and Johnny Moore).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

Music Monday: November 24, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Just a quick reminder: With the festive season upon us, Music Mondays will be preempted for the next four weeks because starting December 1st, my annual Christmas music daily feature will begin. I hope you will stay for that & share some of your favorite holiday songs with me as well. I also want to wish all of you celebrating Thanksgiving this week-however you are choosing to celebrate-a day that is happy & safe.

American musician & singer Lee Michaels was born 80 years ago on November 24, 1945 in Los Angeles, California. His professional career started in 1967 when he was signed to A&M Records. But his breakthrough came with his fifth album, aptly titled 5th, released in 1971. It included a cover of Marvin Gaye’s “Can I Get A Witness” that made it to #39 that year, but Michaels’ true claim to fame came from the first single which peaked at #6. By the end of the 1970’s he basically retired from music and by 1988, he pivoted into a new endeavor. He opened the restaurant chain, Killer Shrimp, in Marina Del Ray in 1988 which he still owns today and runs with his family. But Michaels’ legacy as the voice behind a 1970’s rocking tune endures.

Lee Michaels circa 1971. (Image found online.  Original source unknown.)

This year I featured several of the #1 Songs of 1975 (see Part 1 and Part 2). For the final look at that year’s top hits, I will start with Tejano singer Freddy Fender. He reignited a stalled career from the 1960’s and crossed over into country music with a song that hit the #1 spot on May 31, 1975 for one week. He sang the track primarily in English, then repeated the first verse in Spanish for a Tex-Mex blend on a beautiful sentiment set to music. The song has been covered by multiple artists in & out of the country genre and it was featured in the 1991 movie, Rush”.

Freddy Fender circa 1974. (Image found online.  Original source unknown.)

In one week of August 1975, Hamilton, Joe Frank & Reynolds had the #1 song in the country with a track that has the definitive 1970’s soft rock vibe. Their debut single-“Don’t Pull Your Love”-was a #4 hit in the summer of 1971 thanks to its catchy hook and overall fun feel. After a lineup change in the group at the end of 1972 when Reynolds left, the trio kept the name intact, signed to a new label & recorded the song that would bring them their biggest hit, co-written by lead vocalist Dan Hamilton.

Hamilton, Joe Frank & Reynolds’ 1975 album. (Image found online.  Original source unknown.)

There are two songs from 1975 that may not have been #1 hits, but I think they deserve honorable mentions. In April of that year, the Scottish group Pilot released a single in the U.S. from an album that came out in the UK the year before. The song became an international hit, reaching #1 in Canada and #5 in the U.S. in the summer of 1975. Sadly, as has became the fate of too many songs that bring back great memories, the track is now used in a TV ad for medication, which in this case, is Ozempic.

Pilot’s debut album was released in 1974. (Image found online.  Original source unknown.)

In May 1975, 10cc released a song that would peak at the number #2 spot in the country two months later on July 26, 1975. And two years after that-in April 1977-the group reached the #5 position with “The Things We Do For Love”. Two members of the group who left in 1976-Kevin Godley and Lol Creme-not only became a musical duo but a cutting edge directing team as well which began with the release of their own innovative video for their 1985 song, “Cry”.

10cc circa 1975 (L-R): Lol Creme, Kevin Godley, Eric Stewart and Graham Gouldman. (Image found online.  Original source unknown.)

The Ghost of Tom Joad was released 30 years ago on November 21, 1995. It was Bruce Springsteen’s 11th studio album and another acoustic effort similar to 1982’s Nebraska.

If you are a fan of writer John Steinbeck, you know that the record’s title is a nod to the protagonist in his 1939 novel, “The Grapes of Wrath”. It was made into a movie 85 years ago starring Henry Fonda as Tom Joad. Like the book, the film tells the story of his family who were poor sharecroppers who lost what little they had in Oklahoma in the 1930’s due to the Dust Bowl so they traveled west to California to find work and, hopefully, a better life. But with so many families in the same situation, the workers in the west are exploited by the corporate farmers paying them low wages. Some of the laborers attempt to unionize which leads to tragic consequences.

Springsteen has long been known as the guy who tells the story of those less fortunate, so his take on the modern day Tom Joads of the world not only make sense, it was expected because regardless of those who prosper in life-like Springsteen himself, who rose from the streets of New Jersey to achieve international fame in the mid 1980’s and won his first Oscar in 1994-his blue collar roots were always in his rear view mirror, reminding him of those who lived the antithesis of his success. The ones who struggle day to day just to make ends meet, the ones who are alone because love never found them, the ones without any hope because too many of their dreams died along the way and those “waiting for a moment that just don’t come”. Springsteen does not take for granted that he is the exception to the rule and not the rule itself and continues to showcase the voice of the latter, even today.

(Image found online.  Original source unknown.)

Lee Michaels: “Do You Know What I Mean” (1971, written by Lee Michaels).

Freddy Fender: “Before The Next Teardrop Falls” (1975, written by Vivian Keith and Ben Peters).

Hamilton, Joe Frank & Reynolds: “Fallin’ In Love” (1975, written by Ann Hamilton and Dan Hamilton).

Pilot: “Magic” (1975, written by Billy Lyall and David Paton).

10cc: “I’m Not In Love” (1975, written by Graham Gouldman and Eric Stewart).

Bruce Springsteen: “The New Timer” (1995, written by Bruce Springsteen).

Stay safe & well.

Music Monday: October 27, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Fifty years ago on October 27, 1975, Bruce Springsteen appeared on the covers of both Time and Newsweek. His website refers to it as “a publicity coup engineered by (Born to Run) producer, Mike Appel”. But based on some of the quotes in the articles, Springsteen seemed quite uneasy with the hype that exposure caused him. But there was no denying the power of BTR-which was released two months earlier in August 1975-as it became his breakthrough record & remains the pinnacle of his catalog five decades later.

(Image found online.  Original source unknown.)

(Image found online.  Original source unknown.)

This past Friday was another double play for Springsteen. A new five disc set-Nebraska ’82-Expanded Edition-was released on October 24, 2025, a week later than expected which was attributed to a production delay. But the new date coincided with the release of his movie, “Springsteen: Deliver Me from Nowhere”. The biopic, based on Warren Zanes’ 2023 book by the same name, explores the time between the end of Springsteen’s sold out tour for his 1980 double record, The River-which gave him his first Top Ten song, “Hungry Heart”-and 1984’s Born In The U.S.A., including his personal struggle with depression and a very strained relationship with his father, Douglas, who was dealing with his own undiagnosed mental health issues for most of his life. That period led to Springsteen’s 1982 acoustic triumph, Nebraska.

Even after reading his 2016 biography named after his 1975 masterpiece-Born To Run, which presented a detailed account of his own mental health issues-I found the visual deep dive into Springsteen’s depression hard to watch. Knowing how the story ends helps, of course, but the image of him in such a dark place was not an easy place to go. Watching his creative process, however-even in the middle of that struggle-was incredible to see. I also found the performances in the film to be strong, especially Jeremy Allen White as Springsteen. And getting a glimpse of him as a young boy-played by the oh-so-adorable Matthew Anthony Pellicano Jr.-was a great contrast.

(Image found online.  Original source unknown.)

(Image found online.  Original source unknown.)

Top: The movie poster for Springsteen’s biopic. Middle: Jeremy Allen White (L) got a visit from Bruce Springsteen (R) during the filming of the biopic, “Springsteen: Deliver Me From Nowhere” in early 2025. Bottom: Matthew Anthony Pellicano Jr., Springsteen and White at the AFI Los Angeles Premiere of the film in October 2025. (Images found online.  Original sources unknown.)

This Friday is Halloween. While trick-or-treating was the main event when I was a kid, the runner up was the yearly viewing of “It’s The Great Pumpkin, Charlie Brown“. It premiered 59 years ago on October 27, 1966. After the success of 1965’s “A Charlie Brown Christmas” (which turns 60 years old in December), it made sense that the demand for more Peanuts’ specials was high.

It was no surprise that Schulz turned to the three men who brought The Peanuts to life for the Christmas special-executive producer Lee Mendelson, producer & director Bill Melendez and musician & composer Vince Guaraldi-to recreate the same magic for the Halloween special. And they did. The Great Pumpkin is an adorable tale of Halloween fun, friendship, make believe and childlike wonder. Nearly six decades later, it remains a beloved seasonal tradition. I cannot picture the holiday without it.

(Image found online.  Original source unknown.)

(Image found online.  Original source unknown.)

(Image found online.  Original source unknown.)

This year marks two big anniversaries for one of my faves, Chris Isaak. His debut album, Silvertone, was released 40 years ago in January 1985. And 30 years ago, he released Forever Blue in May 1995.

The biggest difference between those albums is Isaak’s level of fame. It skyrocketed in the fall of 1990 after the song, “Wicked Game”-from his 1989 album, Heart Shaped World-was featured in the David Lynch film, “Wild At Heart”. But Isaak’s talent for songwriting, his vocal abilities and his rockabilly style were clear on his first record, even if it took a few years for the rest of the world to notice.

Isaak has released 13 albums over the last 40 years and expanded his career into acting in films including 1988’s “Married To The Mob”, 1991’s “The Silence Of The Lambs” and 1996’s “Grace Of My Heart”. He also made guest appearances on TV including “Friends” in 1996, “American Dreams” in 2004 (portraying Roy Orbison) and in his own self-titled program on Showtime from 2001-2004 and “The Chris Isaak Hour” which ran on the Biography Channel in 2009. He is gearing up for a holiday tour which starts next month. More information including the dates and locations of his appearances are listed on his website.

(Image found online.  Original source unknown.)

(Image found online.  Original source unknown.)

Bruce Springsteen: “Nebraska” (1982, written by Bruce Springsteen).

Bobby “Boris” Pickett: “Monster Mash” (1962, written by Leonard Capizzi and Bobby Pickett).

Vince Guaraldi: “The Great Pumpkin Waltz” (1966, written by Vince Guaraldi).

Chris Isaak: “Pretty Girls Don’t Cry” (1985, written by Chris Isaak).

Chris Isaak: “Talk to Me” (1985, written by Chris Isaak).

Chris Isaak: “Baby Did a Bad Bad Thing” (1995, written by Chris Isaak).

Chris Isaak: “Somebody’s Crying” (1995, written by Chris Isaak).

Stay safe & well.

Music Monday: October 13, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

In August we celebrated the 50th anniversary of Bruce Springsteen’s Born To Run. This month marks the 45th anniversary of The River released on October 17, 1980.

The cover photo for the album was taken by Frank Stefanko. (Image found online.  Original source unknown.)

Here is the post I wrote five years ago on the 40th anniversary:

On a typically hot humid Long Island summer day in July 1980, I was sitting in a wonderfully cool air conditioned movie theatre waiting with bated breath for a movie to start. There were only two other people in the multiplex that day-a young couple a few rows behind me. The film we were all there to see was the “No Nukes” documentary from the concerts held at Madison Square Garden in September 1979. I will not bore you with the details as to why I was not allowed to go to see one of the shows in person with three of my cousins (hint-they were boys and I was not, as my father sternly reminded me) but suffice it to say I had been waiting close to a year for this moment.

I sat through nearly every other performance and enjoyed many of them (Crosby, Stills & Nash, James Taylor, The Doobie Brothers) but I was desperate to see the love of my life, Bruce Springsteen. Finally a picture of the marque with his name came on the screen and suddenly there he was backstage. First he was with Jackson Browne, then with The E Street Band walking to the stage for their performance as the crowd cheered “Bruce!”. In the next scene the band was in front of the audience and then that beautiful man, Springsteen himself, walked up to the microphone. And the camera stayed on him and that microphone for the entire song. Swoon.

“This is new. It’s about my brother-in-law and sister”, he told the crowd. Then he started playing the harmonica until he introduced us to the characters in the first verse.

I come from down in the valley where mister when you’re young
They bring you up to do like your daddy done
Me and Mary we met in high school when she was just seventeen
We’d drive out of this valley down to where the fields were green
“.

We’d go down to the river and into the river we’d dive
Oh down to the river we’d ride
“.

The album’s back cover. (Image found online.  Original source unknown.)

The guy sitting with his girlfriend a couple of rows behind me shouted “turn it up!” and the volume increased as The Boss continued telling us the true story of the couple in the song.

Then I got Mary pregnant and man that was all she wrote
And for my nineteenth birthday I got a union card and a wedding coat
We went down to the courthouse and the judge put it all to rest
No wedding day smiles, no walk down the aisle, no flowers no wedding dress
“.

We went down to the river and into the river we’d dive
Oh down to the river we’d ride…
“.

More consequences followed as the couples’ downward spiral continued.

I got a job working construction for the Johnstown Company
But lately there ain’t been no work on account of the economy
Now all them things that seemed so important, well mister they vanished right into the air
I just act like I don’t remember, Mary acts like she don’t care
“.

Then a memory of better days………and how quickly they ended.

But I remember us riding in my brother’s car, her body tan and wet down at the reservoir
At night on them banks I’d lie awake and pull her close just to feel each breath she’d take
Now them memories come back to haunt me, they haunt me like a curse
Is a dream a lie if it don’t come true or is it something worse
“.

That sends me down to the river, though I know the river is dry
Oh down to the river tonight
Down to the river, my baby and I
Oh down to the river we ride…
.

Tears were rolling down my face as the last line from the final verse just played over and over in my head.

Is a dream a lie if it don’t come true or is it something worse“.

What is worse than a dream that does not come true?

I don’t think anyone tells the stories of those haunted by broken dreams better than Springsteen does. The movie concert was the first time I ever saw him sing on a stage and I still remember every second of that performance. Today’s heartbreakingly beautiful song is the title track from his only double album-which was released 40 years ago today-October 17, 1980. I have written this before and will continue until I take my last breath: Bruce Springsteen’s music saved me like no one else’s. I owe him everything and “it’s a debt no honest man can pay”. Swoon.

The album’s inside cover features a picture of the whole band (L-R): Garry Tallent, Roy Bittan, Max Weinberg, Clarence Clemons, Springsteen, Steven Van Zandt and Danny Federici. (Image found online.  Original source unknown.)

Edit: The 1997 film, “Cop Land“, features two songs from The River. Even without those incredible tracks, it is an excellent film.

In December 2015, in honor of the album’s 35th anniversary, Springsteen released The Ties That Bind: The River Collection box set. The following year, he embarked on “The River Tour-2016” where he played the entire album live at many of the shows that year (unfortunately for me, not the concert I attended on September 14, 2016 at Gillette Stadium in Foxborough, Massachusetts, but it was still a great show. And it was one week after his longest U.S. show on record-4 hours and 4 minutes-which took place at Citizen’s Bank Park in Philadelphia, Pennsylvania on September 7, 2016. His longest sow ever took place in Helsinki in 2012, which clocked in two minutes longer.

(Image found online.  Original source unknown.)

Bruce Springsteen & The E Street Band: “The River” (From the 1980 film, “No Nukes”, as performed at the concert of the same name in September 1979. Written by Bruce Springsteen).

Bruce Springsteen: “Fade Away” (1980, written by Bruce Springsteen).

Bruce Springsteen: “Stolen Car” (1980, written by Bruce Springsteen. Featured in the 1997 film, Copland).

Bruce Springsteen: “Drive All Night” (1980, written by Bruce Springsteen. Featured in the 1997 film, Copland).

Stay safe & well.

Music Monday: August 25, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

“The screen door slams
Mary’s dress waves
Like a vision she dances
Across the porch as the radio plays”
-Bruce Springsteen, “Thunder Road”, 1975.

Those lines opened the most important record of my life. And today that masterpiece of an album celebrates its 50th anniversary.

The iconic photo on the cover of the album was taken by Eric Meola.

Bruce Springsteen was 25 when it was released. During his performance on VH-1’s “Storytellers” in 2005, he said the album was “his big invitation to his audience, to himself, to anybody that was interested to a long earthly journey. Hopefully in the company of someone you love, people you love and in search of a home you can feel a part of.”  

So glad I went along for the ride. It was like taking the road less traveled and realizing it was the best one after all.  

I still remember the day I went to buy it. When I heard him on the radio, for some reason I did not wonder what Springsteen looked like. I did not think about that on my way to the record store, either. I’m not sure why. But one look at him on the cover of BTR-the long hair, the beard, the leather jacket, that smile…..sa-woon. But even with that physical swagger, it was his words that reached a place inside me so deep I did not think anything or anyone could touch.

The album’s back cover featured The Big Man (and his sax), Clarence Clemons. (Credit: Eric Meola).

As I have written before, “BTR is my heart. Springsteen’s masterpiece changed the trajectory of my life. I loved music before I heard this record, without question. But I became consumed by it because of BTR.

The musicianship, the poetry, the pageantry of his storytelling, the characters and his cautionary tales about life, loss, betrayal & the inevitable roads life will sometimes take us down all led to a phenomenal place I now know as home. This record brought light to the darkest place I knew, hope to replace despair, joy to remove unimaginable sadness and peace for a shattered heart. There are no words adequate enough to thank someone for all of that. Not to mention how great it was to find another person who loved the magic of the night just as much as I did.”

I will love Bruce forever.  He is home to me.  And that started with Born To Run

Thank you, Bruce.  

(Credit: Eric Meola.)

Bruce Springsteen: “Thunder Road” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Tenth Avenue Freeze-Out” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Backstreets” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Born To Run” (1975, written by Bruce Springsteen).

Bruce Springsteen: “Jungleland” (1975, written by Bruce Springsteen).

Stay safe & well.

Music Monday: April 28, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Bread released their second album, On the Waters, in July 1970. The lead single came out three months earlier and became the #1 song in the U.S. for one week on August 22, 1970. The band had six Top Ten hits but this was their only top selling record. It was one of my mother’s favorite songs and she played the 45 so much it actually warped. And I still know every word by heart. A hundred years later, as soon as I hear the opening chords, I am transported back to that time so fast I lose my breath. On the series “Mad Men”, Don Draper likened “nostalgia” to a time machine, taking us to a place where we wish to go again. This song makes me long for a home I no longer have. And I ache for it.

(Image found online.  Original source unknown.)

Welsh musician Pete Ham was best known as the lead vocalist, primary songwriter, guitarist & pianist for the band Badfinger. Their first hit, “Come & Get It”, was written & produced by Paul McCartney as the group was the first band signed to The Beatles’ Apple Records label in 1968.

Other hits followed including “No Matter What” and “Baby Blue” along with “Without You” which was covered by Harry Nilsson in 1971 and became a #1 hit for four consecutive weeks in early 1972. Ham co-wrote that song and was one of an array of guitarists who contributed to George Harrison’s solo album, All Things Must Pass, a year earlier. You would think that a musician’s story that started with an affiliation with The Beatles would have a reasonably happy ending. But that was not the case.

A string of fraudulent business deals by an unscrupulous manager who embezzled the band’s money left Ham distraught and he died by suicide 50 years ago on April 24, 1975, three days before his 28th birthday. I prefer not to acknowledge the date of an artists’ death, but Badfinger’s story is one-if not the saddest (a second member of the band, Tom Evans, also died by suicide in 1983)-in musical history. And their incredible contributions to music-and the price they paid-should be remembered.

Peter William Ham: April 27, 1947 – April 24, 1975.

Top: Badfinger circa 1969 (L-R): Pete Ham, Joey Molland, Mike Gibbins and Tom Evans. Bottom: George Harrison (L) and Ham (R) in the studio in 1971. (Images found online.  Original sources unknown.)

Twenty years ago my favorite episode of VH1’s “Storytellers” aired. Bruce Springsteen took center stage in the installment which was broadcast on April 23, 2005. It coincided with the release of his 13th studio album, Devils & Dust, three days later. He debuted the title track and “Jesus Was An Only Son” during the show. He closed his set with the first track off his 1975 masterpiece, Born To Run, which will be celebrating its 50th anniversary this August.

And forty years ago, Springsteen was one part of the all-star group who formed USA For Africa to record “We Are The World”, a philanthropic single which was a #1 hit for four weeks in the spring of 1985. An album by the same name was released on April 1, 1985 which has a live track by Springsteen. Last year Netflix released the documentary, “The Greatest Night in Pop” which provides a behind the scenes look in the studio during the recording of the charity song.

Bruce Springsteen at the piano during VH1’s Storytellers in April 2005. (Image found online.  Original source unknown.)

Bread: “Make It With You” (1970, written by David Gates).

Badfinger “Day After Day” (1971, written by Pete Ham. Produced by George Harrison and Todd Rundgren).

Bruce Springsteen & The E Street Band: “Trapped” (1985, recorded live at Meadowlands Arena in New Jersey on August 6, 1984, written by Jimmy Cliff).

Bruce Springsteen: “Thunder Road” (live performance on VH1 Storytellers, broadcast date April 23, 2005).

Stay safe & well.

Music Monday: March 3, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online.  Original source unknown.)

Marianne Faithfull died on January 30, 2025 at age 78. She began her musical career as a folk singer in 1964. When she met The Rolling Stones the same year at a party, their manager gave her one of their newly written songs to record which was the first of a series of hit singles for her. A relationship with Mick Jagger followed from 1966-1970 and while she proved to be a muse for him, her life became tainted by substance abuse which led to a decline in both her personal & professional lives. Her 1979 album, Broken English, started a career comeback with with more albums to follow along with acting roles on stage, TV and in movies.

Marianne Faithfull: December 29, 1946 – January 30, 2025.

Marianne Faithfull circa 1967. (Image found online.  Original source unknown.)

Jerry Butler died February 20, 2025 at age 85. He was the last surviving original member of The Impressions but left them in 1960 to pursue a solo career. In addition to his rich baritone voice, he also co-wrote several songs including “I’ve Been Loving You Too Long” with Otis Redding (who recorded it in 1965 for his Otis Blue album), “Only The Strong Survive” and “Never Give You Up” with Philly Soul superstars Kenneth Gamble and Leon Huff. The former is also the title track to Bruce Springsteen’s 2022 album of soul classic covers. The latter was a hit for Butler in 1968 & covered by The Black Keys for their 2010 album, Brothers. Their version is also featured on the soundtrack for the British crime thriller, “Luther” (S3 E4). Despite his tenure on the Cook County Board of Commissioners in Illinois from 1985-2018, Butler stayed active in music where he served as the chairman of the board for the Rhythm and Blues Foundation.

Jerry Butler: December 8, 1939 – February 20, 2025.

Jerry Butler performing in the 1970’s.(Image found online.  Original source unknown.)

Roberta Cleopatra Flack died on February 24, 2025 at the age of 88. She was born February 10, 1937 in Black Mountain, North Carolina. She started singing in church as a child and began formal piano training at age nine. In the 1970’s she was known for her own work which led to her becoming the first artist to win Record & Song Of The Year back to back at the Grammy Awards in 1973 & 1974.

That decade also gave her success with a few of her duets with Donny Hathaway in the (“Where Is The Love” was a #5 hit in August 1972 and “The Closer I Get To You” peaked at #2 in May 1978), later with Peabo Bryson (“Tonight, I Celebrate My Love” was a Top 20 hit in November 1983) and Maxi Priest (“Set The Night To Music” peaked at #6 in 1991). In 1996, The Fugees cover of “Killing Me Softly”-a #1 hit for Flack for five non-consecutive weeks in 1973- brought attention back to the original recording. In 1974 she received her third #1 song with “Feel Like Making Love” which topped the chart for one week in August 1974.

But it was the placement of one of Flack’s songs in 1971’s “Play Misty For Me”-the directorial debut by Clint Eastwood-that was not only an incredible moment in cinema but led to her first #1 song. It held the top spot for six weeks in the spring of 1972, yet it was originally released on her 1969 album, First Take. I was today year’s old when I found out she did not write that song as I always thought she did. It was written in 1957 by British singer-songwriter Ewan MacColl, the stage name for James Henry Miller. But Flack’s interpretation, her slow, easy yet powerful vocal placed perfectly in an incredible film gave the track and the artist the attention both so richly deserved.

Roberta Flack: February 10, 1937 – February 24, 2025.

Roberta Flack performing in the 1970’s. (Image found online.  Original source unknown.)

Yesterday marked the 75th birth anniversary for the beautiful & unbelievably talented Karen Carpenter. She was born in New Haven, Connecticut on March 2, 1950 and moved with her family to Downey, California when she was a teenager so her brother, Richard, could pursue a career in music. When she joined him as a drummer in his trio, he discovered her sublime voice. It was that sound along with his producing and arranging skills that catapulted them to stardom as a duo in the 1970’s.

There is a story I have read on several sites that mentions a time Karen crossed paths with John Lennon at a restaurant in Los Angeles, California and he told her that he loved her voice. Rumor has it that as flattered as she was, Karen did not believe it as she never realized how supremely gifted she was. The song I have chosen to honor her with today has amassed 67 million views on YouTube. And that is only one platform and only one song from the string of hits she put her vocals to. That is the staggering magnitude of her talent.

Karen Carpenter: March 2, 1950 – February 4, 1983.

Karen Carpenter in the 1970’s. (Image found online.  Original source unknown.)

Marianne Faithfull: “As Tears Go By” (1964, written by Mick Jagger, Andrew Loog Oldham and Keith Richards).

Jerry Butler & The Impressions: “For Your Precious Love” (1958, written by Arthur Brooks, Richard Brooks and Jerry Butler).

Roberta Flack: “The First Time Ever I Saw Your Face” (1969 & 1972, written by James Henry Miller, stage name Ewan MacColl).

The Carpenters: “Rainy Days & Mondays” (1971, written by Roger Nichols and Paul Williams).

Stay safe & well.

Music Monday: January 13, 2025

Hi, everyone. Welcome to this week’s edition of Music Monday.

Blog 2025

(Image found online.  Original source unknown.)

Sam Moore, the surviving half of the “Sam & Dave” musical duo, passed away on January 10, 2025 at the age of 89. The higher tenor voice to partner Dave Prater’s lower baritone one, the men were amongst the most successful R&B/soul performers at Stax Records in the 1960’s with hits like “Soul Man”, “Hold On I’m Coming” and “I Thank You”. Their live shows were legendary and inspired many including Al Green, Steve Winwood, Tom Petty and others.

The duo split up in 1970 but reunited the following year. Unfortunately they did not attain the success they previously had. A resurgence in the men’s popularity came in 1979 courtesy of The Blues Brothers cover of “Soul Man”. After Prater’s death from a car accident in 1988, Moore continued performing including at the 25th anniversary concert for The Rock & Roll Hall Of Fame in 2009 with Bruce Springsteen & The E Street Band. Moore & Prater were inducted in 1992.

Sam and Dave
Sam Moore

Top: Sam Moore (L) and Dave Prater (R) circa 1967. Bottom: Moore circa 2015. (Images found online.  Original sources unknown.)

Last summer J.D. Souther & Karla Bonoff announced a joint tour together. They had been friends since their Laurel Canyon, California days in the 1970’s where both had found success- first as songwriters for The Eagles and Linda Ronstadt, respectively-before prospering in solo careers.

Sadly the tour never took place due to Souther’s death on September 17, 2024 at age 78. I adored him forever, going back to his Top Ten solo hit in 1979 (which I featured on Day 232 of the Lockdown Countdown) and his 1981 Top 20 duet with James Taylor, “Her Town Too”. I was thrilled when Souther branched out into to acting in movies like 1989’s “Always” and TV shows like “Thirtysomething” & “Nashville”.

The announcement of his tour with Bonoff put her back on my radar and reacquainted me with her beautiful voice. I first discovered her music through Linda Ronstadt who recorded three of Bonoff’s songs for the 1976 album, Hasten Down The Wind. But it was her stunning version of “The Water Is Wide”-featured in a 1997 episode of my favorite soap, “Another World”-that put me in Bonoff’s orbit for many years. I do not know why or how I let her fall from my view in the last decade or so but once I found her again last summer, I discovered her 2020 holiday album, Silent Night. It is wonderful, especially her version of “The First Noel” which was featured on Day 13 of my 2024 Christmas music countdown.

Bonoff, who turned 73 last month, released her self titled debut album in 1977 which included the three songs on the Hasten album. I love them all but today’s pick is my favorite. I have included Ronstadt’s version as well not just for her incredibly stunning voice but to share the video also. It is a great look at her in the studio with her band so we actually watch the magic of the performance happen there. And moments like that need to be seen.

Karla and JD
Linda JD

Top: A show announcement from J.D. Souther’s Facebook page for a performance by he & Bonoff in July 2024. Middle: A picture of the two singers circa 1979 that Bonoff posted on her Facebook page with a tribute to Souther after his death in September 2024. Bottom: Souther (R) on stage with his one time girlfriend, Linda Ronstadt (L). (Images found online.  Original sources unknown.)

Sam & Dave: “When Something Is Wrong With My Baby” (1967, written by Isaac Hayes and David Porter).

Linda Ronstadt: “Lose Again” (1976, written by Karla Bonoff).

Karla Bonoff: “Lose Again” (1977, written by Karla Bonoff).

J.D. Souther: “You’re Only Lonely” (1979, written by JD Souther).

Stay safe & well.

25 Days Of Christmas Music 2024: Day 10

Hello, everyone. Welcome back to the countdown.

Day 10A

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Another of my great musical loves, Otis Redding, left us with two fabulous Christmas songs before his death 57 years ago on December 10, 1967. I like to feature both tracks every year because, well, it is Otis Redding and two, because this man’s immense talent is just too incredible not to indulge in.

The first one was written by Irving Berlin and the most famous recording of it by Bing Crosby remains the best selling song of all time. Redding’s achingly impassioned vocal is the complete antithesis of Crosby’s signature crooner style, but the level of soul Redding offers makes his version an absolutely stunning event.

Otis-Redding

Otis Redding circa 1967. (Image found online.  Original source unknown.)

For another take on this holiday staple, I am including a fabulous female version courtesy of Mrs. Elvis Costello, an incredible singer & performer in her own right.

Diana

(Image found online.  Original source unknown.)

The second holiday track dates back to 1947. Redding recorded it sometime between 1966 & 1967 and it was released posthumously in 1968. It is another outstanding performance showcasing his vocal range & passion for a great song.

As if his own talent were not enough to make this song stand on its own, the fact that he and my constant, Bruce Springsteen, chose to record the same Christmas song shows their similar taste in music. In fact, he occasionally covers “Sweet Soul Music” as an encore at his legendary concerts, a song written by Redding & Arthur Conley, who originally recorded it in 1967. I was lucky enough to be present at one of The Boss’ show where he sang that track & that moment stands as one of the top highlights from all of the Bruce concerts I have attended over the years. I love both versions of this Christmas song so much I listen to them all year round. And I make no apologies for that.

bruce-springsteen-portrait-2023

Bruce Springsteen in a 2023 portrait from his website. (Image found online. Original source unknown.)

Otis Redding: “White Christmas” (1967, written by Irving Berlin).

Diana Krall featuring the The Clayton/Hamilton Jazz Orchestra: “White Christmas” (2005, written by Irving Berlin).

Otis Redding: “Merry Christmas Baby” (1968, written by Lou Baxter and Johnny Moore).

Bruce Springsteen: “Merry Christmas Baby” (1986, written by Lou Baxter and Johnny Moore).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!

25 Days Of Christmas Music 2024: Day 7

Hello, everyone. Welcome back to the countdown.

Day 7

A sweet vintage Christmas card image from Pinterest. (Image found online.  Original source unknown.)

Thomas Alan Waits turns 75 today. Born December 7, 1949 in Pomona, California, I have been a fan ever since Bruce Springsteen covered “Jersey Girl” and I was stunned to discover it was not written by The Boss himself. Waits has made a career out of writing about the invisible people we pass in our lives everyday and reminds us that we all deserve a place in this world. And even if his words were not delivered in his signature distinctive gravelly voice, the beauty of his songs would still get the message across in an unforgettable way.

waits
Silent Tom 1
Silent Tom 2

Top: Tom Waits circa 2008. Middle & Bottom: The 1989 import featuring Waits version of today’s song. (Images found online.  Original sources unknown.)

In 1989 Waits recorded a holiday song with S.O.S. United-a music project started by Austrian film composer Harald Kloser-which featured a choir of children from 15 countries across four continents. The contrast of their smooth young voices with Waits’ rough gritty one is just mesmerizing. It’s like listening to a man who has had his faith restored in the season when he was not even aware it had left him.

For a female take on today’s Christmas classic, I present the incomparable Queen Of Soul, Aretha Franklin.

aretha-july-2011-e1522032002613

Photo taken by me at the f/k/a Jones Beach Theatre in Wantagh, NY in July 2011.

Tom Waits: “Silent Night” (1989, written by Franz Xaver Gruber).

Aretha Franklin: “Silent Night” (2008, written by Franz Xaver Gruber).

What are some of your favorite Christmas songs?

Until next time, happy listening!!!