Hi, everyone. Welcome to this week’s edition of Music Monday.

(Image found online. Original source unknown.)
Debbie Harry will celebrate birthday #80 in a week. Born Angela Trimble on July 1, 1945 in Miami, Florida, the future lead singer of Blondie was raised in New Jersey. She became part of NYC’s music scene when the group was formed there in 1974.
One of their #1 hits (they had a total of four between 1979 & 1981) peaked at the top spot for six consecutive weeks 45 years ago on April 19, 1980. Harry supplied the lyrics to Italian composer Giorgio Moroder’s music to create the main theme song to the movie that made Richard Gere a star, 1980’s “American Gigolo”. The track was nominated the following year for the Golden Globe Award for Best Original Song.
Harry later branched out into acting. Her roles in “Hairspray” and “My Life Without Me” are my favorites. Her 2019 autobiography, “Face It: A Memoir”, is a fascinating glimpse at her incredible life & career. Harry is not only one of music’s greatest vocalists but also a visionary who helped introduce rap to the masses with Blondie’s 1981 song, “Rapture”.


Top: Blondie circa 1977. Bottom: Debbie Harry circa 2024. (Images found online. Original sources unknown.)
Bono turned 65 years old last month. Born Paul David Hewson on May 10, 1960 in Dublin, Ireland, he became the lead singer and one of the founding members of U2 in 1976. His milestone birthday aligns with the 45th anniversary of the band’s debut album, Boy, released on October 20, 1980. In addition to U2, Bono has recorded with other artists including his own musical heroes like Frank Sinatra, Tony Bennett, Ray Charles and many others.
Bono is also well known for his philanthropic & humanitarian efforts which date back to 1984 when he lent his voice to the charity single, “Do They Know It’s Christmas” by Band-Aid, a supergroup created by Bob Geldof.

Bono as photographed by Esquire in 2025. (Image found online. Original source unknown.)
Martha and the Vandellas’ third album, Dance Party, was released 60 years ago in April 1965. The album contains the group’s two biggest hits which helped make them one of Motown’s most successful artists. They remain my favorite girl group of the genre.


Top: The group’s 1965 album. Bottom (top to bottom: Martha Reeves, Betty Kelly, and Rosalind Ashford of Martha and the Vandellas circa 1964. (Images found online. Original sources unknown.)
America released their fifth studio album, Hearts, 50 years ago in March 1975. It was the second of six records produced by acclaimed Beatles producer, George Martin. Actor & comedian Phil Hartman designed the album cover during his time as a graphic designer. It contained the band’s second #1 hit which peaked in the top spot on June 14, 1975 for one week along with “Daisy Jane” which peaked at #20 in September 1975. “A Horse With No Name” was America’s first top selling song in March 1972.

(Image found online. Original source unknown.)
The Power Station released their debut album 40 years ago in March 1985. As a Robert Palmer fan, I was so happy to see him take another step in his musical career, this time in a supergroup with two members of Duran Duran-Andy Taylor and John Taylor-and former Chic drummer Tony Thompson. The Power Station disbanded after that record to return to their respective careers until 1996 when they released their second & final album, Living In Fear. It includes an incredible cover of Marvin Gaye’s 1973 hit, “Let’s Get It On”.

The Power Station circa 1985 (L–R): Robert Palmer, Andy Taylor, John Taylor and Tony Thompson. (Image found online. Original source unknown.)
Blondie: “Call Me” (1980, written by Debbie Harry and Giorgio Moroder).
The Coors featuring Bono: “When The Stars Go Blue” (2002, written by Ryan Adams).
Martha & The Vandellas: “Dancing In The Street” (1964, written by Marvin Gaye, Ivy Jo Hunter and William “Mickey” Stevenson).
America: “Sister Golden Hair” (1975, written by Gerry Beckley).
The Power Station: “Some Like It Hot” (1985, written by Robert Palmer, Andy Taylor & John Taylor).
Stay safe & well.












